GOT A UKULELE - Ukulele reviews and beginners tips

28 Oct 2013

Ukulele News - 28 October 2013

Here is this weeks roundup of ukulele news from around the world. Warning, it's a quiet one!


Mr Buffett plays and 'sings'

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Review of that 'Ukulele Slam'

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It's the Ceilidh this week - some friends are there and can't wait to see pictures.

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Man plays ukulele to be happy.....

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Aldrine and friends teach a news hound to play uke. Pass the earbuds...

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Anyone else think it's awesome that Taj Mahal plays uke?



More news soon!


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25 Oct 2013

pUKEs at anti racism benefit gig

I am always pleased to share some promotion for friends in UK punk uke band The pUKEs, and especially so when they are giving their services to a very good cause. Clara from the pUKEs got in touch to share this.





The Pukes are proud to announce that we are taking part in an anti-racism event which includes uke workshops and a punk gig in London on 2nd November.

The day starts at T Chances, Tottenham with a family-friendly Halloween party in the afternoon. Entertainment includes Cake For Breakfast kids’ band, face painting, disco, fancy dress – and ukulele workshops by The Pukes. Entry is £3. 

Later in the evening there’s a gig with London punk bands Left For Dead, The Pukes, Dread Messiah and Bottlejob. Entry is £6. The Pukes are on stage 10.15pm. 

All proceeds from the day go to Green and Black Cross who who give practical and legal support for protesters. The grassroots project has supported thousands of people from many backgrounds in their rebellions and protests, including the 286 anti-racist protesters who were arrested while trying to prevent the English Defence League march through Tower Hamlets last month. With the police cracking down on protests on a massive scale they are busy and need dosh! Come down and show your solidarity! 

T Chances Saturday 2 November 2013 
399 High Road, Tottenham N17 6QN

Halloween party 3.30pm-6pm 
Beginners Uke Workshop 4pm 
Intermediate Uke Workshop 5.30pm 
Door: £3 

To guarantee a place on the uke workshops please paypal £3 to thepukes77@gmail.com
 
Gig 7.30pm-midnight
LEFT FOR DEAD, DREAD MESSIAH, THE PUKES, BOTTLEJOB 
Door: £6

For more info visit http://thepukes.co.uk/ukes-racism/

Good luck and have fun guys and raise loads of cash!

The pUKEs


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21 Oct 2013

Wild Thing - The Troggs - Ukulele Chords

Ok, a very well known song this one, great fun to play on a ukulele. Wild Thing by The Troggs.


Now.. this fits as one of those easy in parts and tough in parts songs for a beginner. You may shriek in horror at the E chord, but I would encourage you to give this a go. The chord changes are nice and slow, and a switch from a D to an E is one of the easier transitions up the neck. The trick to this one is all in the rhythm - video at the end of the lyrics to play along to!

The main verses are just a rolling pattern of A, D, E, D over and over. The chords in the middle sections are the very well known riff of G, A, G, A in that da daaaa da daaaa sound.

WILD THING - THE TROGGS - UKULELE CHORDS

[A] [D] [E] [D] [A]

[A] Wild Thing [D] [E] [D]
You make my [A] heart sing [D] [E] [D]
You make [A] everything [D] groovy [E] [D]
 [A] Wild Thing [D] [E] [E] [E] [E]

[G] [A] [G] [A]
(STOP PLAYING) Wild Thing I think I love you
[G] [A] [G] [A]
(STOP PLAYING) But I wanna know for sure
[G] [A] [G] [A]
(STOP PLAYING) Come on and hold me tight
[G] [A] [G] [A]
(STOP PLAYING) I love you


[A] [D] [E] [D] [A]

[A] Wild Thing [D] [E] [D]
You make my [A] heart sing [D] [E] [D]
You make [A] everything [D] groovy [E] [D]
 [A] Wild Thing [D] [E] [E] [E] [E]

(FLUTE SOLO over [A] [D] [E] [D] repeated)


[G] [A] [G] [A]
(STOP PLAYING) Wild Thing I think you move me
[G] [A] [G] [A]
(STOP PLAYING) But I wanna know for sure
[G] [A] [G] [A]
(STOP PLAYING) Come on and hold me tight
[G] [A] [G] [A]
(STOP PLAYING) You move me


[A] [D] [E] [D] [A] [D] [E] (keep strumming the E]


[A] Wild Thing [D] [E] [D]
You make my [A] heart sing [D] [E] [D]
You make [A] everything [D] groovy [E] [D]
 [A] Wild Thing [D] [E] [E] [E] [E]

Come on come on [A] Wild Thing [D] [E] [D]
Shake it shake it shake it [A] Wild Thing [D] [E] [D]





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20 Oct 2013

Ukulele News - 20 October 2013

Time for another round up of worldwide ukulele news from the last two weeks!


ukulele news

River Market Ukulele Slam must be a contender for one of the coolest uke gathering names?

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And from one ukulele fest to another - the Yorkshire Evening Post take on GNUF

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And the Pontefract and Castleford Express take - with slideshow!

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Elsewhere in Yorkshire, the Haworth Ukulele Club hosted a uke gathering too!

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5 Star review of the UOGB gig at Queens Hall Edinburgh

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And finally, in what has been a UK centric Uke News (what you been doing USA??) Liverpool Ukulele Club feature in the Echo with some comment from friend Elaine Kinsella (even if she does say the uke is easy.. grrrr! ;-) )


More news soon, watch this space.

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17 Oct 2013

La Bella Uke-Pro Series ukulele strings - REVIEW

I have kind of got a bit of a name for myself when it comes to opinions on ukulele strings. I'm no fan of people telling others that 'brand X' is the best there is. Strings are totally personal and people should experiment and find what they like themselves. That said, reviews and other peoples opinions can be helpful, so take a look at these from La Bella.


A month or two ago, my band was contacted by Bob Archigan of La Bella strings asking us to take a look at their new 'Uke-Pro' series for ukulele. A bundle of sets duly arrived and we have been playing them for a little while now.

la bella uke-pro ukulele strings


The Uke-Pro strings we are testing are the No.100 grade, and form part of a range of La Bella products for uke. The 100 grade are made for concert and tenor ukes, and also in the Uke Pro series is the No.200 pack which is made for soprano. La Bella have a very respected name in strings for classical guitar so we were keen to take a look.

On opening the pack, the colour is the first thing that stands out. In the uke string world, the vast majority of strings are black or clear / white.  In the clear / white camp, the usual way to identify a white string is 'it's probably by Aquila'. These La Bella strings though fall in between clear and white. They are slightly translucent, but not anywhere near is solid white as Aquilas, yet certainly not totally clear like Worths (am I making any sense?). I fitted my set to a Pono Tenor ukulele, and also went with the extra wound low G string (and that is unusual for me but read on). The low G is an extra purchase and comes as a single string.

So off went the old and on with the La Bellas. Initial observations were that they settled down far quicker than most other strings I have used (and in fact stayed that way). Quite remarkable. I'm not saying they didn't need some re-tuning, but the process was certainly quicker.

The feel of the strings also falls in that halfway house between Aquilas and other flourocarbons in that they have a kind of semi rough quality. Not glossy and slippy at all. Actually that rough feel is one of the things I don't like about Aquila strings, but these are not to bad on the fingers at all. Incidentally, the packaging doesn't say whether these are nylon or fluorocarbon so that remains a bit of a mystery to me.

la bella uke-pro ukulele strings at the bridge
Note the semi transparent colour and wound low G


And what about that low G string? Well I do regularly play low G on my tenor ukes, but only ever play unwound low G strings. The reason for that is I tend to find wound strings are louder or take over the mix from the other strings, and that irritates me. It was therefore with some trepidation that I put this one on, but I had no choice as La Bella don't make an unwound version. From taking them out of the pack I noticed this one was a little different. The winding is almost completely invisible as it is very fine and tight. As such it looks like it's made of solid metal. And that quality extends to how they feel. Many wound strings can make a sound as you run your fingers up them, but these feel just like the un wound strings to me so that is a big plus for me.

And how do they play? Well I find them very comfortable and that low G string is perfectly balanced in the mix. Throughout this review I have been making the point that (looks and feel wise) they seem between Aquila and Worth. When I spoke to another of the band, that is exactly what he said about the sound and I think that he is right. For me, Aquila strings can boom and overpower a solid wood instrument. They sure have volume, but I think they can kill tone. Worth flourocarbons on the other hand can sound very sweet but can (on some instruments) lack a little punch I found. And these La Bellas seem to deliver a bit of both - they have the attack and volume of an Aquila string, but a sweetness in tone, particularly when they are finger picked.

la bella uke-pro ukulele strings at the nut of Pono uke


I actually think these sound far better picked than strummed (though I would say that about Aquila too) but they do have qualities of all sorts of strings I have tried.

The response from others in the band is also positive, so I think La Bella may be on to something here. Of course, with their heritage that shouldn't come as a surprise..

As I said in the introduction - I don't ram string opinions in peoples faces, as only YOU will determine what strings you prefer. I would however heartily recommend that you give these a try as you may like them.

Thanks to Bob for sending them over! You can read more about La Bella strings here

http://www.labella.com/products/100-uke-pro/
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16 Oct 2013

Say Hello To Ooty And The Cloud

Time for a Got A Ukulele shout out to some friends of ours - the very lovely Ooty And The Cloud!


Ooty And The Cloud

Ooty are a three piece based in Chester who play a delightful mix of self penned and cover songs in a very laid back, sometimes melancholic, but always pretty style that I like very much. You may have heard mention of them before on this blog as they attended the N'Ukefest this year and played an evening performance.

Ooty And The Cloud at N'Ukefest
Ooty And The Cloud at N'Ukefest


Ooty are made up of Stephen Fowler on vocals and uke, Rekha Fowler on penny whistle and melodica and Sally Gallagher on uke and vocals. I think they are refreshing as they have a sound all of their own - oh and they are a lovely bunch of people too! And that has been noticed as they have made it through to the grand final of the Cancer Research Talent show held at the prestigious Mitchell Theatre in Glasgow this November. Go Ooty!



And I am also delighted to report that before they are appearing as special guests of The N'Ukes at an evening of ukulele fun being held at the Halesowen Athletic Club on Saturday 30 November. Tickets are only £5 and details on how to get them are HERE. And if you don't Facebook, just email Lynn Raybould at therayboulds@sky.com for details. The tickets have been selling like hot cakes, so don't delay - when they are gone they are gone. Promises to be a great night.

And, of course, please do check out the Ooty And The Cloud page on Facebook and give them your thumbs up!

N'Ukes at Halesowen

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15 Oct 2013

Lucy and La Mer - Just Friends

Awww, this is rather lovely, and 'friends' are indeed cool. Plus it has baritone ukulele in it and I've been told many times that I don't say enough about bari's.

Enjoy

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14 Oct 2013

Grand Northern Ukulele Festival Diary - GNUF Day 2

GNUF DAY 2! Well, as you read yesterday, Day 1 at the Grand Northern Ukulele Festival was a blast, even if it did find me posting my diary report through the fog of a hangover... But with that blog posted and some breakfast wolfed down, it was back to Pontefract Town Hall for Day 2 - could it be even better?

There is something quite amusing about starting your second day at a festival which followed a very 'good' night - you realise most people are walking around in the same sort of daze that you are! (I say most people - some were sensible!!). That also explains why I made the complete mistake of not charging the camera battery and as such my pics from Day 2 are taken with a cameraphone. Unforgiveable as a blogger, but I blame Tim Cooke, Les Hilton, Mike Warren and Paul Redfern who 'forced' me to be propping the bar up until late the night before (just kidding fellas!)

So in we go and some more hello's to new faces and a chat about the day before with old. I suspect this blog post will serve to be a little more reflective than Day 1, mainly because I have more time to write it! But on that point, the common theme people seemed to agree on about GNUF - it was about as friendly and inclusive as a festival or get together could be. Everywhere you turned, people were smiling, chatting and making new introductions. Had a real nice 'feel' to it.

I popped back in to the Grand Bazaar stall area which had changed around a little. The guys at Southern Ukulele Store needed to head back the day before, but Omega Music had expanded their stall (or so it seemed) and were having a great day, including selling a Godin Multiuke that you know I like so much. Omega's range of ukes is really starting to grow well and was good to see them as dealers for Bruko and carrying quite a range of their ukes.

Omega Music at Grand Northern Ukulele Festival
Matt on the Omega Music Stand


Meanwhile on the MainStage, Krabbers was leading the 'Unplug The Wood' session to the audience. This is a great idea and stems from what he does with a club at home. On stage were a trio of performers, amplified, and next to them a large projected songbook. They led the singing and playing and the audience joined in - kind of the perfect club jam but on a huge scale. It went down really well and I thought the choice of songs was inspiring as it was miles away from the usual ukulele songbook which seems to be repeated through so many clubs.

Unplug The Wood at Grand Northern Ukulele Festival
Unplug The Wood



Next up, and possibly with the award for the greatest band name ever were the Leeds duo that are 'Ukulele Bitchslap', delivering a witty set of ironic / sarcastic covers which had the audience smiling. Nicely done.

Some more time now mooching around the venue and catching up with people. And yet again, everyone you spoke to was reflecting on what a great event it had been. Those stalls really are alluring, and over the weekend arranged with Matt at Saigon Guitars to take a look at his Noah Ukes on Got A Ukulele (watch this space!). It was also good to see some new traders such as Eagle Music and a homebrew beer stall! And what a genius idea it was to get a nail bar at a uke festival! They did a roaring trade, and were christened Ukunaile by Clarice Wokes!

Nail Bar at Grand Northern Ukulele Festival
Simon Grove taking advantage of the nail bar


Outside I spotted the compere for Day 1, Martyn 'Eek' Cooper being told by Uke Box's Marko van der Horst remarking that his oversize jumper didn't quite fit... He then quickly saw to that!

Eek and Marko at Grand Northern Ukulele Festival
Eek and Marko get close


A word about the compères for the weekend. It's essential to get good people to this job, to keep the thing moving between acts and inject some humour into proceedings. They did that in spades, and really entertained the crowd. Special mention goes to Heidi Bang Tidy, the queen of burlesque who compèred the second day. She was funny / naughty and just great to listen to. Oh, and she was also responsible for calling out the raffle prize winners in which I bagged a rather nice thin body Ohana Tenor uke!! (People - there is a comments box below for you to deliver the jealous notes..... just kidding).

Back in the main hall, Emily Scott delivered a quite beautiful, laid back, melancholic set, accompanied by strings which was rather nice and had those 'pin drop' moments going on in the hall. Emily is based in Glasgow and is worth checking out.

Emily Scott at Grand Northern Ukulele Festival
Emily Scott


And before you know it, it was time for the final act to close the festival. For that you need something that is going to send people home with a bang. Boy did the organisers deliver on that front. To the stage came Sheffield based five piece The Anything Goes Orchestra. This is a band who play a range of songs with a leaning towards more old time numbers delivered with fire and style. And the audience got that by the bucketload.

The Anything Goes Orchestra at Grand Northern Ukulele Festival
TAGO - (L-R Doc Strong, Tim Smithies, Dave Thornett (drums), Mighty Mo, Jake The Shake)

TAGO at Grand Northern Ukulele Festival
Rocking!


From the first track the whole room was jumping, punters were jiving in the aisles, clapping, singing along. Their stagecraft is just superb and you can see them really enjoying themselves, ribbing each other during songs and generally having a great time. And it's quite beyond my how Jake 'The Shake" Smithies manages to play double bass so well and so tightly whilst doing everything with it apart from swinging it around his head - brilliant. And to top it all off, they finished their set to a raucous, noisy, footstamping call for an encore that the organisers just couldn't ignore despite working to a tight deadline.  What more can I say? Well, I am going to stick my neck out here: I loved Day 1, and there were some stellar performances, but the TAGO set was, for me, the act of the festival - I could have watched them all night, and I'd urge you to try to see them if you can.



All good things must come to an end, and the stage then filled with the performers from the weekend, together with organisers and volunteers to lead the whole room with a playalong. Led by Phil Doleman, the whole room joined in to the Beatles 'Little Help From My Friends'.  What a great end.

Mass singalong at Grand Northern Ukulele Festival
The closing song

crowd at grand northern ukulele festival
Happy punters

Out on to the drizzly streets of Pontefract, hugs and goodbyes to friends old and new, getting jostled by people carrying workshop diddly bows and washtub basses, a smile on every single face. In my opinion, a total success.  And as something that just developed from a conversation organised by Mary Agnes Krell, she and her team should be completely proud of themselves. They pleased the audience, they worked tirelessly behind the scenes in the months beforehand to bring it together. They also worked with local charities to put something back into the community such as the Pontefract Miners Recreation Charity and Faceless Arts. So a thank you from this blogger to Mary, Tony Casey, Rob Collins, Lou Armer, Paul McCann and Kris Ball, as well as all the volunteers who helped you (yes that's another mention to you Clarice Wokes!).

Same time next year? Yes please!

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13 Oct 2013

Grand Northern Ukulele Festival Diary - GNUF DAY 1

Well, here I am, holed up in a hotel room in Yorkshire, early morning, head a little fuzzy (re-phrase that - head pounding somewhat) and a ukulele blogger is looking over his photographs and memories from the first day of a brand new UK ukulele festival. And what a day it was! The Grand Northern Ukulele Festival! Most commonly known as GNUF

12 October saw the official opening of the Grand Northern Ukulele Festival in Pontefract, UK - a new event on the UK calendar and (at long last) a ukulele festival on a large scale for the north of England. So early Saturday morning myself and a couple of the band hit the motorways to head for Ponte not knowing quite what to expect, (although being the brainchild of the likes of Mary Agnes Krell, Tony Casey etc, we knew this had promise!)

The event was put on with Arts Council Funding in Pontefract, as a town in need of investment and, how can I put this, a ton of ukulele players descending on it out of the blue... Proceedings were mainly based in the (gorgeous) Town Hall, with the staple festival workshops elsewhere in the town. On arrival I noticed a nice addition - an open mic (or rather, an 'Open No Mic') run by the wonderful Krabbers taking place outside down from the hall to the delight of the crowd of uke fans and local shoppers.

In we go and the rush of a festival weekend hits you the moment old friends appear to say 'hi', stories of other events (and of beers the night before) start to do the rounds, recommendations come flying for me to check out some of the ukes on display on the trader stalls, whilst yet more people arrive and the cycle starts again. I'm told the festival completely sold out this year. It was certainly buzzing.

grand northern ukulele festival
the audience settle down to the performances

Some of our party moved on to take place in workshops (which included the likes of playing the blues with Manitoba Hal, Open Tunings with Les Hilton and what appeared to be a hugely popular session in which you could make (and take home to keep) your own washtub bass with Shelley and Marko of Uke Box. For me though it was time to head in to the 'Grand Bazaar' of trader stalls and goodness. Great to see some old friends and contacts such as the guys at Southern Ukulele Store, Ken and Liz at Ohana and Rob Collins at Tinguitar, but also pleasing to see some new names who were at their first ukulele festival such as Eagle Music and Matt from Saigon Guitars. There was some great stuff on display and it is all sorely tempting - particularly the hand made instruments from the likes of Rob. The uke they were all talking about stood proudly on the SUS stand - a handmade tenor from Mike DaSilva in the US. I wont be so crass as to mention prices here but a trip to his website will give you an idea!

rob collins at grand northern ukulele festival
Rob Collins of Tinguitar
Jake Smithies at Grand Northern Ukulele Festival
Jake Smithies with 'THAT' DaSilva ukulele


Soon enough it was time for the performances, and after a lovely introduction from Mary Agnes Krell, we kicked off with something a little more unusual for a festival - the screening of a ukulele film featuring Paul Moore of Ukuleles For Peace with interactive live playing on stage by Francesco Albertazzi - really enjoyable!

Next up for me was an act I have been meaning to see live, but sadly thus far had remained merely an online contact in the form of Lou Armer (also known online as Bossarocker). Her band, Lou And The Llamas had been recommended to me by a few people as an act that have a real style, and also write their own fantastic lyrics. No disappointments from me. As a blog writer one tries to be impartial about gig reviews, and that can be a little difficult sometimes when many performers on stage are also friends. I'd never met Lou before but don't mind admitting now their set of folky, jazzy, bluesy barbed songs was one of my Day 1 highlights. Check them out if you get the chance.

Next to the stage was festival favourite Phil Doleman who's set on stage was as lovely as he is to have a chat with around the festival. Sublime playing with music of all ages (even his oldies from the 17th Century!)

Phil Doleman at Grand Northern Ukulele Festival
Phil Doleman with Festival organiser Mary Agnes Krell

Phil Doleman on stage at Grand Northern Ukulele Festival
Phil joined on stage for sound effects by Eek, Tony Casey and Mary Agnes Krell


Next up was a treat for the George Formby fans on the uke circuit with a blistering performance by Mike Warren. This was also the first time I had met Mike in the flesh, and over beers until the early hours can confirm he is a bloody nice guy as well as supremely talented.

Something quite different followed in the performance piece called 'Jake Smithies and his Amazing Gramophone' - actually, make that two gramophones. You really should check out Jake - one of those guys oozing with style and a really nice bloke to boot.

Next was something else the turned out to be a festival highlight for me. I have been in touch with Shelley Rickey of Uke Box pretty much since I started this blog but had never met her before. To see her act with Marco van der Horst on the lineup was therefore a real treat. They didn't disappoint. I think Shelleys voice is sublime, and their ability to throw in a kind of spooky yet romantic sound (via musical saw and toy piano!) gives them a unique stylish sound that wowed the audience. Brilliant stuff.

uke box at grand northern ukulele festival
Shelley Rickey and Marco van der Horst of Uke Box


Splendid sets from Ukulelezaza and Yan Yalego followed then a performance from a duo who have established themselves as something of a 'must see' show on the circuit - Ukulele Uff and Lonesome Dave. Absolutely sensational, as they were the last time I saw them - thrilling old time jazzy numbers performed at terrific pace by a couple of very nice guys. As one of them told me outside post gig - 'we like playing fast cos we like a bit of punk you know?' - That's ok with me fella's!

ukulele uff grand northern ukulele festival
Ukulele Uff and Lonesome Dave


Next up - thrilled to see good friends Tim and Les of Chonkinfeckle high up the billing and, as I tend to meet up with them at events where we play together, one of the first times I have been able to enjoy their set, properly, as a spectator. The guys are now joined by Peter on keyboards who added a new layer to their sound which I thought worked well, and performed a cracking set full of humour that went down great with the crowd. A real highlight was their 'it's nothing, I've just got something in my eye' moment when they brought on a couple of local kids Joe and Myra to play their track 'You Don't See Nothing Like That' - Joe singing, and Myra on uke.

chonkinfeckle at grand northern ukulele festival
Chonkinfeckle joined by Joe Grant-Mills and Myra



Tim and Les onstage

tony casey and les hilton at Grand Northern Ukulele Festival
Festival co-organiser Tony Casey with Les Hilton




So, a day of beers flowing, chats, laughs, and now it was time for the headliner. And what a real treat. My first time seeing this guy, but I had heard nothing but good reports - Manitoba Hal Brolund. Wow. It's not often you get those performers who just take your breath away, but Hal is a full on 110% bluesman, and he just choosing to do it on the ukulele. He has a delivery that can swing anywhere between a scary sounding growl to the most delicate and pretty as was shown on his track 'Let The Mermaids Flirt With Me'. A wonderful set, and having had a chat with him earlier in the day - every bit as much the nice guy as I had been told he was. Hal had the audience enthralled, and yes, that is a custom double necked ukulele he is playing - jealous!

manitoba hal at grand northern ukulele festival
Hal, mid set

Manitoba Hal with Clarice Wokes



And then it was over (or was it). Reflections on the day, as I sit here with that fuzzy are remembering a really friendly and intimate day. Speaking to one of the organisers on the day, I explained that I was trying to find the right words to describe the 'vibe' the festival had created. I'm still thinking. Kind of came across to me as one of those best friend get togethers, yet where I didn't necessarily know everybody there, but kind of felt like I did by the end of it. The style and feel of the thing was just right, and whilst the organisers were no doubt having kittens at various points backstage, as a mere 'punter' I can inform them that from the audience the whole thing went without a hitch. A great day.

So, of course, we were not sensible, we retired..... to a hostelry..... well into the early hours with Chonkinfeckle, Lou Armer, Mike Warren and half the N'Ukes playing ukes and fuelling the next day hangovers. Huge fun, and as I said - super friendly. Roll on day two!

TAKE A LOOK AT DAY 2 HERE!
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6 Oct 2013

Ukulele News - 6 October 2013

You may have noticed a lull on Got A Ukulele - been on my holidays! Normal service now resumed, and what better way than to look at a news roundup whilst I have been gone.



Man sets ukulele playing record (surely that is beatable?)

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Joe Brown talks ukulele

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Apparently the ukulele now gets respect (I despise headlines like that...)

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Say hello to James Farrell - 96 years young!

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Interview with Aldrine Guerrero of UU

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That viral video of the dad playing uke to his daughter

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What The Hell Is A Ukulele?

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Wow - ukulele boom in East Grinstead.....


More news soon!






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18 Sept 2013

GOT A UKULELE INTERVIEW - Mary Agnes Krell

I do enjoy the Got A Ukulele Interviews, and have been keen to get this person featured for some time now.

She is a well-known face in the ukulele world and has been for ages, but recently she has really found herself surrounded by the instrument on a whole other level. She is leading the organizing committee of the Grand Northern Ukulele Festival taking place 12-14 October this year in Pontefract UK, is the partner of one of the UK’s most respected luthiers, and is just an all round lovely person! Say hello to Mary Agnes Krell.

Mary Agnes Krell on Got A Ukulele
Mary in Seattle - credit Mary Agnes Krell


Hi Mary! So, first up, give us some of your musical background that led to you being immersed in ukuleles.

I have always been a lover of music. Ever since I was a child I’ve been in musicals and choirs and I’ve dabbled with loads of instruments. It’s funny because I can’t really sing very well at all but I properly love singing. A few years ago, at a music festival, I stumbled across a ukulele stall, bought one that wasn’t terrible (a soprano Lanikai) and, when I got home, found a local group. I started playing with the Brighton Ukulele Jam and later with the Wukulele group and never looked back.

There certainly are a huge number of ukulele clubs in the UK now. Do you get along to clubs near to Hebden Bridge?

I actually started a Hebden Bridge ukulele jam. It meets the first Weds of each month. I also try to get along to Haworth every once in a while and the Bradford group are great. It’s their first birthday this weekend and that is just a lovely thought.


Mary Agnes Krell at N'Ukefest
Mary adding impromptu percussion to the N'Ukes set at N'Ukefest 2013 - Mary organised the raffle and raised hundreds of pounds for Macmillan Cancer Care - credit Geoff Thorpe


You originally hail from the USA – do you think there is much of a difference between the ukulele community on the two sides of the Atlantic?

My exposure to the ukulele world in the USA has been intermittent. As a child in Los Angeles, everyone played it and, though it was comic, it wasn’t seen as the joke many would have you believe. In the 90s and 00s, the ukulele groups I came across seemed to be really quite into the Hawaiian side of things (so my American ukey friend certainly played a lot more Hawaiian stuff and there were more Hawaiian shirts at uke gatherings). I guess I always chalked that up to the British uke heritage stemming from George Formby (who I’d actually never even heard of until a few years ago – sorry!). In the States, I always saw the ukulele heritage as stemming jointly from the Hawaiian tradition and from the late 20s and the depression era where it was a portable and inexpensive way to entertain.

Ukulele festivals are are really booming now and the idea of one in the north of England is really exciting. How did the idea of a Grand Northern Ukulele Festival come about?

I have always been a kind of organiser. When I was at university, I started a coffee house with live music on my campus and helped start a radio station. I later went on to produce theatre and film (and even did a Postgrad degree in directing). When I started really seriously playing the uke in Brighton back in the noughties, I wanted to plan something then. The problem was, by the time I felt I knew the people well enough, I’d heard that Daniela Gargiulo was planning the Wukulele/South Coast ukulele festival (so I helped her with the fringe for that festival). The desire never fully went away and this past year, a conversation started with Tony Casey. He too had wanted to organise a festival so we had a few discussions about the idea (could it work, should it happen?) and decided to do it.

Well you are certainly in a good part of the world for roping in assistance (Mary’s team include local players Tony Casey, Rob Collins, Paul McCann, Lou Armer and Kris Ball). But I see you also ended up getting support from much further afield?

You know, the funny thing is that I never really asked for that support. For example, I didn’t ask anyone for raffle prizes… People just started offering them. Then there’s people who like the idea of our festival, like Ken Middleton. Every time he travels somewhere I get these emails from people saying, “Ken was telling me about your festival and it sounds great and I’d like to get involved in some way, what about…(X or Y).” There’s also the lovely folks at Aquila and  Mercatino dell’Ukulele in Italy. They practically bent over backward to help us get a performer over that we would otherwise not have been able to invite (and again, all without having to be asked). There’s more but I won’t bore you…

It’s just really lovely and humbling and exciting.


Mary Agnes Krell on Got A Ukulele with Tony Casey
Mary with fellow GNUF organiser Tony Casey at the Ukulele Hooley - credit Becky Casey


It’s certainly a big thing to take on - what has been the biggest challenge to bringing the festival to life?

There aren’t enough hours in the day!

And when planning it, what was your biggest ‘wish’ for the festival and do you think you will achieve it?

I would like a ukulele festival where people feel welcomed and feel a part of something that brings them happiness. I don’t know if I’ll ever achieve it but I am certainly happy trying.

As I said in the introduction, you really are surrounded by ukuleles these days – do you think the current wave of popularity is going to continue? (or like me, do you really not care?!)

Popularity fades in all things so it certainly has to happen with the ukulele. The scene in the UK is already very different from what it was a few years ago. Uke groups and clubs are organising themselves in different ways and it seems there are far more clubs getting up to play in public and far fewer ukulele acts/solo performers/duos. That could just be my perception of things but I am not sure it matters.

Everything in life changes. I think embracing change is the only sensible way to face it. ☺


I think that is a fair assessment. One thing I am noticing more is the ukulele being played alongside other instruments more and more. Do you find that exciting?

Heck yeah! I think live music is exciting. I really like the ukulele and one of the reasons I’m so excited to have Ukulele Uff and Lonesome Dave on our bill is that they are both so talented and the guitar and ukulele are equals in their performances. It also helps that Dave is one of the most talented guitar players I’ve ever seen.

He certainly is. I loved their set at Cheltenham so thrilled to be seeing them again. So turning to home life, your partner Rob’s ukes are highly rates  (Rob Collins is a UK Luthier who builds under the name Tinguitar) – do you contribute ideas to him on his business?

Rob’s ukes are all him. We talk about ideas occasionally over the dinner table or while out somewhere but it’s only really the kind of conversation you might have with any of your friends or loved ones about their life…, “how’s it going?” “ooh, that looks nice, are you happy with it?” kind of thing. The one thing I did do is build his most recent website. I would say that’s really the only area where I actively contribute to the business… that and the bunting. I am 100% responsible for arranging the bunting around his stall (though his mother is the one who made it… I simply arranged for it to happen… see, that’s the organiser in me… urf!). ☺


Mary Agnes Krell on Got A Ukulele with Rob Collins
Mary with partner and ukulele luthier Rob Collins - credit Tony Casey


You said earlier that your first uke was a soprano Lanikai, but I see that Rob features the Route 66 ukulele that you commissioned on his site. That really shows some of the great designs he can work up doesn’t it?

You know, I almost gave you a picture of that uke but I didn’t want to seem like I was trying to push Rob’s instruments on people. They are great and don’t need an enthusiastic American to help sell them!

Funny thing about the Route 66 uke though… I grew up in a tiny town called, “Monrovia” in California. We were properly poor and never really travelled BUT the Route 66 ran through my home town. That sign… the iconic US Highways sign was like some kind of vague promise… It didn’t matter where I’d come from because there was a road (a kind of magic road) running through my town. I know that sounds silly but that was what I believed as a little girl. So that Route 66 uke was an attempt to (re)capture some of that wonder and possibility.

Was it a challenge to get right?

Rob was the best designer one could ask for when working on that uke. I asked about a Route 66 uke and he went out and found the specifications for the vintage US Highways signs. He put them into CAD and then built the ukulele around it, emailing me with questions every time an important design decision came up. Don’t tell him this but he could have charged me twice as much and I’d not have blinked!

OK, last one! I ask this to all my interviewees. What is your best piece of advice for new ukulele players?

Find a song you love to sing and learn to play it. Play it and sing it at home, at the top of your voice and just be silly with it. Also… try to find ways to challenge yourself. Don’t let your playing settle into a routine that bores you or you’ll just stop playing. I have found that taking lessons with Phil Doleman has helped me to grow as a player. I also took group lessons at Duke of Uke when I lived in London. I think lessons are pretty awesome.

Very good advice Mary, thank you!

No – thank YOU! ☺

A Grand Northern Ukulele Festival takes place on 12-14 October in Pontefract, UK, and features a dazzling array of international performers including Manitoba Hal Brolund, Ukulelezaza, Ukulele Uff and Lonesome Dave and Chonkinfeckle. Alongside the performances is a packed weekend of fun, workshops and much more. You can find out more about the festival at http://www.northernuke.com. Hurry tickets are going fast!

For details on Rob Collins ukuleles visit http://tinguitar.com or attend the Grand Northern Ukulele Festival where he will have a stall!

grand Northern Ukulele Festival Logo

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15 Sept 2013

Ukulele News 15 September 2013

Been a while since the last edition of ukulele news, so let's take a look back over the last couple of weeks.


ukulele news


Apologies to the East Pasco club, but why oh why do uke players like to dumb the instrument down? I quote "with the ukulele you can make mistakes".... You can?

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Not often I see something on Kickstarter and actually like it.

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I know some of the HUGS - good press coverage guys!

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Fender release Jimmy Stafford signature uke... (yawn....)

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A ukulele article in the Copenhagen Post.. they manage to mention George Formby and Tiny Tim in the first paragraph, Jake Shimabukuro in the second...

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Yet another world record attempt coming

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Yay! Flight of The Conchords Bret McKenzie is now Ambassador for the New Zealand Ukulele Trust!

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More news soon!
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10 Sept 2013

You Shook Me All Night Long - AC/DC Ukulele Chords

A classic track from their Back in Black album - You Shook Me All Night Long by AC/DC ukulele chords.


Now these are just the basic chords for the song, but you will notice from listening to the video at the end of this post that the repeating riff is actually a bit more complex than just G, C and D. But with those chords at your disposal you should be able to work on the actual pattern (AC/DC stuff is pretty straightforward!).


She was a [G] fast machine, she kept her [C] motor clean
She was the [D] best damn woman I had [G] ever seen
She had the sightless eyes, telling [C] me no lies
[D] Knocking me out with those A[C]merican thighs

Taking [G] more than her share, had me [C] fighting for air,
She [D] told me to come but I was [G] already there
Cause the [G] walls start shaking, the [C] earth was quaking
My [D] mind was aching, and [D7] we were making it

And [G] you, shook me [C] all [G] night [D] long [C] [D]
Yeah [G] you, shook me [C] all [G] night [D] long [C] [D]

Working [G] double time on the [C] seduction line
She was [D] one of a kind she's just [G] mine all mine
She wanted no applause, just a [C] nother course
Made a [D] meal out of me and [G] and come back for more

Had to [G] cool me down to take a [C] nother round
Now I'm [D] back in the ring to take a [G] nother swing
Cause the [G] walls were shaking, the [C] earth was quaking
My [D] mind was aching, and [D7] we were making it


And [G] you, shook me [C] all [G] night [D] long [C] [D]
Yeah [G] you, shook me [C] all [G] night [D] long [C] [D]

(Knock me out I said) [G] you, shook me [C] all [G] night [D] long [C] [D]
We were shaking yeah and you [G] you, shook me [C] all [G] night [D] long

Yeah you shook me!
And you took me!

(INSTRUMENTAL VERSE OVER THE VERSE CHORDS x 2

You really took me and [G] you, shook me [C] all [G] night [D] long [C] [D]
Ahhhhh [G] you, shook me [C] all [G] night [D] long [C] [D]

Yeah yeah [G] you, shook me [C] all [G] night [D] long [C] [D]
You really got me and [G] you, shook me [C] all [G] night [D] long [C] [D]

Yeah you shook me
Yeah you shook me
All night long



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8 Sept 2013

Moselele Bambookulele Concert Ukulele REVIEW

Something of an unusual one this. What do you do if you run a successful ukulele club, and beginners keep turning up with cheap junk instruments and you want them to get better ones? Well, you get your own signature ukulele made that's what! And that is what the Birmingham ukulele club 'Moselele' have done. I present the Moselele Bambookulele!


Moselele Bambookulele concert ukulele


Now that is quite a clever thing to do. The internet is awash with cheap £10-£20 ukes and any brand new beginner may well struggle with those in a club environment (cue the funny looks as the intonation is off and you just can't get the thing in tune!). Yet Moselele recognised that not everybody wants to spend (or can afford) top dollar on an instrument, so as well as speccing this ukulele to their desires, they recognised it was incredibly important to make it affordable for beginners. So you will find this uke at a £60 (yes, sixty!) price point. That really is attractive to a beginner, and puts it alongside stalwarts like the Lanikai LU21, or in concert scale just a little below the Ohana CK10. Attractive indeed, so let's take a look at it. And bear in mind that price. Throughout this review I suspect I will be reminding you of the price point.

The Bambookulele is quite striking to look at, most notably because of the wood it is made from. This uke is made from bamboo, and apart from a quick flirtation with another bamboo uke, this is the first one I've been able to spend some time with. The bamboo gives it a rather attractive pale finish, with the distinctive look of the bamboo strips. A word about the construction. You will read on Got A Ukulele reviews much talk about laminate ukes and solid wood ukes. A laminate is usually (with one or two exceptions) the preserve of the budget instrument and is made from sandwiching wood layers like plywood. A solid uke is made from a solid thin pieces of wood. The Bambookulele is, strangely, kind of both! Bamboo by it's very nature grows in very thin long strips. As such to make it into a piece of flat wood big enough for a top and back of a ukulele requires those strips to be stuck together along their length. So in a sense it is a laminate of sorts. Having said that though - a careful inspection inside suggests to me the uke actually has more traditional laminate under the bamboo outer finish (making things even more confusing). The telltale sign, the grain on the outside of the back doesn't match the grain on the inside! Anyway, it matters little as at £60 for a concert instrument you just will not get solid wood.

Moselele Bambookulele concert ukulele body
Standard shaped concert body


Those bamboo strips show off all over the instrument giving it what I think is a really nice looking and interesting grain pattern. Here and there are little knots and curls in the strips and I think it really stands out as something 'different'. The strips are used for the whole of the top back and sides, with the back being slightly arched to help projection - a good feature to see at this price.

Moselele Bambookulele concert ukulele grain pattern
note the bamboo grain pattern and edge binding


And let us move on to other features that, for me, are surprising to see on a ukulele of only £60. Firstly the whole body is finished in gloss, which I think really sets off the bamboo nicely. It's also applied pretty well too. Sure there are some bubble spots and a bit of pooling of the varnish around the sound hole and end of the fingerboard, but I have seen much worse. Also of note is that we have edge binding around the edge of the top and back in cream, with the top binding finished in black and white stripes. Binding does nothing for the sound of an instrument, but it gives a uke a more professional finish. Usually manufacturers will offer an unbound instrument, and the same model with binding for more money. To see binding at £60 is very surprising, and it is also applied neatly too.

The soundhole rosette is, more unsurprisingly for the price, a transfer under the varnish, but at least the gloss will stop it being scratched off as I have seen happen on Makala and Lanikai ukes without a finish.

The bridge is a standard tie bar style in rosewood, and the saddle seems to be plastic and is uncompensated. Fairly standard stuff bridge wise. It is decorated with two mother of pearl circles which actually hide the fact that the bridge is screwed, not glued to the top. Quite normal at this price.

Another nice touch is the strap button. Something specified by Moselele when the specced the instrument. I won't (again) get in to the whole strap debate, but I fail to see why more ukes don't come with them as standard. If you are strap phobic, the presence of the button won't do you any harm. I was very pleased to see it there myself!

Moselele Bambookulele concert ukulele strap button
Strap button! Yay!


A quick look inside and the first thing I noted was there was no makers label inside. The Moselele logo is reserved for the headstock only, but I think it would look professional for them to specify a label inside. Minor point! Otherwise inside is nice and tidy, with no glue seepage. The braces look a little chunky, but nice to see the kerfling that holds the back and top to the sides is fitted well and notched, rather than the cheaper flat thin kerfling you see on most budget ukes.

Moving on to the neck, this isn't made from bamboo, but rather from some sort of hardwood. It's a similar colour but it doesn't quite match the shade of the bamboo. The neck is made from three pieces with a joint at the heel and one at the headstock. Quite normal at this price. The whole thing is finished in gloss, though the application on the neck is not as good as the body with some rough spots where not enough was applied.

On to the fingerboard and this is made of rosewood and is nicely even in colour. There 17 nickel silver frets and 14 to the top of the body, so fairly standard for a concert. The frets are all nicely with no rough edges whatsoever. Fret markers on the fingerboard are mother of pearl type dots at the 5th, 7th, 10th, 12th and 15th positions. These too are nicely applied, but it was sad to see no side fret markers - the more important ones for the player! The edges of the fingerboard are unbound, but are stained which just about hides the fret edges. The finish here is also a little shoddy with some bare spots, but nothing serious. I actually really like the feel of the neck. It is a little wider than most concerts I have played, and has a nice chunky feel in the hand.

Up past the plastic nut (nicely finished and cut for intonation) to the headstock. This is a Martin style three pointed crown shape and with a signature club ukulele it perhaps would have been nice to have a distinctive style, but there you go The headstock is hardwood, veneered with the same bamboo, and labelled with the Moselele in grey black over the gloss. How cool is that to have your club logo on the headstock of your uke?!  The tuners are unbranded sealed geared tuners, with nice small silver buttons. I can report that they work just fine and seem to be evenly matched in turning resistance.

Moselele Bambookulele concert ukulele headstock
Headstock and Moselele logo


And that, all finished off with Aquila Brand strings (what else...) is the package. When the club offered to send this to me to look at, I must admit that at a £60 price point I wasn't expecting great things, but it really does look good I think and features a variety of 'bling' that belies the price point. But how does it play?

Well, first of all, to hold I found it nice and light. In fact much lighter than many cheap concerts I have played, which can be plagued from being over built (thick heavy woods used to stop them falling apart). This one though is nicely balanced and easy to hold with or without a strap.

For me, the action at the saddle was just a little low for my liking, but there is no string buzz so it's within acceptable limits. The nut (usually the place where cheap ukes show their pedigree) is set just right so no sharp notes when fretting at the first, second and third positions. All in all, nicely set up and playable.

Moselele Bambookulele concert ukulele back
Slightly curved back


As for the sound, well the first thing that struck me was the great volume it has, no doubt aided by the Aquila strings and curved back. You will have no problem being heard at a ukulele club night with this instrument, so a plus point there. The tone is quite bright, which surprised me with Aquilas as I find they can make instruments sound muddy, but this has a clear bell like sound which was rather pleasing though I think it could actually do with a little more range and wonder what it would sound like with a low G string. Very nice though and has some clarity across the strings. Fingerpicked shows you that it has some nice sustain too and you can get some nice harmonics out of it. All quite surprising really for the price, but clearly the construction is helping here - not a uke that has just been thrown together without a care for whether it will actually make a decent sound or not!

Moselele Bambookulele concert ukulele tuners
geared tuners - those are protective labels, not a flaw!


Sure, it doesn't compete with intermediate or higher end instruments and nor would I expect it too, but it has a greater build and tone that I have seen on other ukes at this price, and many other concerts at the £100 mark or above. You may have also read my review of the Southern Ukulele Store brand concert ukulele which I rather liked. Well that uke is £20 more expensive than this one, and I think the Moselele beats it on looks, and just edges it on tone too. (Sorry SUS guys!).

And as such, I think the guys who specced this knew exactly what they wanted. To me, if you are joining a club and getting a first uke something like this should be a no brainer as a first instrument, and should certainly be your port of call instead of a cheap Mahalo. I remain quite surprised at the elements of the finish such as gloss and binding at this price point, and aside from a few finish flaws, is pretty well put together, so it gets a thumbs up from me.

The ukes are available on ebay, but you can also order one now through Amazon - link below.


At this price - well worth giving a go!

UKULELE PROS

Great looks
Great price
Good build quality
Good projection

UKULELE CONS

No side fret markers!!


UKULELE SCORES

Looks - 8.5
Fit and finish - 7.5
Sound - 8
Value For Money - 10 (I would give it an 11 if I could!)

OVERALL - 8.5


To understand my review scoring and see this result in context - visit my review page at


VIDEO REVIEW

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