Well, as you read yesterday, Day 1 at the Grand Northern Ukulele Festival was a blast, even if it did find me posting my diary report through the fog of a hangover... But with that blog posted and some breakfast wolfed down, it was back to Pontefract Town Hall for Day 2 - could it be even better?There is something quite amusing about starting your second day at a festival which followed a very 'good' night - you realise most people are walking around in the same sort of daze that you are! (I say most people - some were sensible!!). That also explains why I made the complete mistake of not charging the camera battery and as such my pics from Day 2 are taken with a cameraphone. Unforgiveable as a blogger, but I blame Tim Cooke, Les Hilton, Mike Warren and Paul Redfern who 'forced' me to be propping the bar up until late the night before (just kidding fellas!)
So in we go and some more hello's to new faces and a chat about the day before with old. I suspect this blog post will serve to be a little more reflective than Day 1, mainly because I have more time to write it! But on that point, the common theme people seemed to agree on about GNUF - it was about as friendly and inclusive as a festival or get together could be. Everywhere you turned, people were smiling, chatting and making new introductions. Had a real nice 'feel' to it.
I popped back in to the Grand Bazaar stall area which had changed around a little. The guys at Southern Ukulele Store needed to head back the day before, but Omega Music had expanded their stall (or so it seemed) and were having a great day, including selling a Godin Multiuke that you know I like so much. Omega's range of ukes is really starting to grow well and was good to see them as dealers for Bruko and carrying quite a range of their ukes.
|Matt on the Omega Music Stand|
Meanwhile on the MainStage, Krabbers was leading the 'Unplug The Wood' session to the audience. This is a great idea and stems from what he does with a club at home. On stage were a trio of performers, amplified, and next to them a large projected songbook. They led the singing and playing and the audience joined in - kind of the perfect club jam but on a huge scale. It went down really well and I thought the choice of songs was inspiring as it was miles away from the usual ukulele songbook which seems to be repeated through so many clubs.
|Unplug The Wood|
Next up, and possibly with the award for the greatest band name ever were the Leeds duo that are 'Ukulele Bitchslap', delivering a witty set of ironic / sarcastic covers which had the audience smiling. Nicely done.
Some more time now mooching around the venue and catching up with people. And yet again, everyone you spoke to was reflecting on what a great event it had been. Those stalls really are alluring, and over the weekend arranged with Matt at Saigon Guitars to take a look at his Noah Ukes on Got A Ukulele (watch this space!). It was also good to see some new traders such as Eagle Music and a homebrew beer stall! And what a genius idea it was to get a nail bar at a uke festival! They did a roaring trade, and were christened Ukunaile by Clarice Wokes!
|Simon Grove taking advantage of the nail bar|
Outside I spotted the compere for Day 1, Martyn 'Eek' Cooper being told by Uke Box's Marko van der Horst remarking that his oversize jumper didn't quite fit... He then quickly saw to that!
|Eek and Marko get close|
A word about the compères for the weekend. It's essential to get good people to this job, to keep the thing moving between acts and inject some humour into proceedings. They did that in spades, and really entertained the crowd. Special mention goes to Heidi Bang Tidy, the queen of burlesque who compèred the second day. She was funny / naughty and just great to listen to. Oh, and she was also responsible for calling out the raffle prize winners in which I bagged a rather nice thin body Ohana Tenor uke!! (People - there is a comments box below for you to deliver the jealous notes..... just kidding).
Back in the main hall, Emily Scott delivered a quite beautiful, laid back, melancholic set, accompanied by strings which was rather nice and had those 'pin drop' moments going on in the hall. Emily is based in Glasgow and is worth checking out.
And before you know it, it was time for the final act to close the festival. For that you need something that is going to send people home with a bang. Boy did the organisers deliver on that front. To the stage came Sheffield based five piece The Anything Goes Orchestra. This is a band who play a range of songs with a leaning towards more old time numbers delivered with fire and style. And the audience got that by the bucketload.
|TAGO - (L-R Doc Strong, Tim Smithies, Dave Thornett (drums), Mighty Mo, Jake The Shake)|
From the first track the whole room was jumping, punters were jiving in the aisles, clapping, singing along. Their stagecraft is just superb and you can see them really enjoying themselves, ribbing each other during songs and generally having a great time. And it's quite beyond my how Jake 'The Shake" Smithies manages to play double bass so well and so tightly whilst doing everything with it apart from swinging it around his head - brilliant. And to top it all off, they finished their set to a raucous, noisy, footstamping call for an encore that the organisers just couldn't ignore despite working to a tight deadline. What more can I say? Well, I am going to stick my neck out here: I loved Day 1, and there were some stellar performances, but the TAGO set was, for me, the act of the festival - I could have watched them all night, and I'd urge you to try to see them if you can.
All good things must come to an end, and the stage then filled with the performers from the weekend, together with organisers and volunteers to lead the whole room with a playalong. Led by Phil Doleman, the whole room joined in to the Beatles 'Little Help From My Friends'. What a great end.
|The closing song|
Same time next year? Yes please!