Cort UKE-BWC-OP Blackwood Concert Ukulele - REVIEW

3 Mar 2018

Cort UKE-BWC-OP Blackwood Concert Ukulele - REVIEW

Another first for a brand on the Got A Ukulele pages, although actually a musical instrument brand I have known for many years through their guitars. This week I am looking at the somewhat clumsily named UKE-BWC-OP Blackwood Concert Ukulele from Cort Guitars.

Cort UKE-BWC Ukulele

Whilst some of you might not know the Cort name, the Korean brand is actually one of the largest guitar makers on the planet. As well as making a dizzying number of their own instruments with a reputation for good quality at good value prices, Cort also act as a builder for brands like Fender Squier, Ibanez and G and L, so they have quite a reputation. Their ukulele range circles around three fairly recently released solid blackwood models in soprano concert and tenor. Each are made in China to very traditional looks and specs.

In this review we are looking at the Concert flavour model, although the specs are pretty much the same across all three. What we have is a very traditionally shaped double bout all solid Blackwood ukulele in the concert scale that immediately reminds me of traditional ukes from Martin. Blackwood is a type of Acacia which hails from Australasia, but thankfully it has it's own name and nobody chose to call it something utterly silly like "Australian Koa" as some brands have done with European Acacia. It's Acacia, as is Koa, but it's not Koa. It's Blackwood.

Cort UKE-BWC Ukulele body

And they are nice pieces of wood, darker than I would expect from Acacia and not massively stripy, but it gives off a look to me of mahogany. In fact the whole range look very like the three Martin clones from the Sigma brand I looked at recently. Not just in the overall look, but in other details that I will touch on below. And trust me, that is no bad thing at all. The Sigma I looked at was, after all, terrific for the money. In fact, aside from the differing tonewood, the two brands are SO similar visually it does make me wonder whether there is a connection in the building process.  Back to the build of this Cort and the top and dead flat back appear to be made of single pieces and the sides are in a pair.

Cort UKE-BWC Ukulele back

The whole body is finished in a flat satin coat which feels nice and leaves and open pore feel, and decoration is provided in the form of black edge binding to the top and back, with black and white purfling on the top. In addition we have a somewhat stark looking black and white sound hole rosette that is inlaid in the top wood.

The bridges on these were originally Rosewood, but Cort have moved them to Ovangkol to avoid CITES issues with international shipping. It's very much the same as a standard Martin slotted style bridge, with a bone uncompensated saddle in an individual slot that is extremly tidily finished. Nice.

Cort UKE-BWC Ukulele bridge

Looking inside and it's very neat and tidy too. No mess, simple bracing, notched linings and the Cort logo embossed on the back with the model number embossed on the neck block.

Up to the neck and this is made of a single piece of Mahogany with a typically far eastern rounded profile and an average 35mm nut. This is fitted with an Ovangkol fingerboard which is a bit variable in colour, but otherwise nicely finished if unbound.  It has 17 nickel silver frets with 12 to the body joint and they are dressed well. We have outward facing dots at the fifth, a double at the 7th, and one at the 10th. These are complimented by side dots which have extras at the 3rd, 12th and 15th. Another nod to Martin. And in yet another nod, the end of that fingerboard has the same Martin shaping to a point above the soundhole.

Cort UKE-BWC Ukulele fingeboard

Beyond the bone nut, we have a very simpled shaped headstock completed with the Cort logo in a white plastic inlay which I think looks very stark and stands out too much. I'd have much preferred this in a darker colour under the finish.

Cort UKE-BWC Ukulele headstock

Tuning is provided by unbranded open gears with small black plastic buttons. Yes, even though it's a concert I would still have preferred friction pegs on this on, but then again, you DO get them on the soprano version. Still, these work just fine and are very much like Grover open gears.

Cort UKE-BWC Ukulele tuners

And all that can be yours for a pinch below £210. You also get a set of Aquila strings and a nice quality embroidered gig bag which is on a par with those that come with Martin and Sigma ukuleles - in fact, it's pretty much identical and very well made. That's not a bad price at all.

Cort UKE-BWC Ukulele bag

So as you can probably tell, I am liking this one quite a bit so far. The build is excellent throughout, it looks classy and just works for me. That follows through into the feel of it, as the build is solid but not heavy and is nicely balanced to hold. The setup is also just about spot on too so no complaints there either.

But whilst it looks like a mahogany ukulele will it sound like one? The answer is no, as it has much more of an acacia voice with more breadth to the range giving it a nice rich jangle and bigger highs. Couple that with some great sustain and volume and there is really not much to dislike here. I particularly liked it when fingerpicked when it gives off a real bell like tone with tons of clarity, but it's no slouch when strummed and oozes character.

The whole package is really hard to fault and comes together as a very sympathetic version of a Martin classic that sounds and plays as reliably as it is built.

There are those people who assume that all ukuleles made by guitar makers will be terrible. And of course there have indeed been some howlers from the likes of Epiphone and Ibanez, but remember that Martin, and indeed Sigma are guitar makers at heart. Cort are clearly one of those makers who know how to do things properly with a ukulele, and I think they have done that here. It's certainly on a par with the Sigma version and I think probably need a close look if you are in the market for a new Martin S1 or C1. At £210, why wouldn't you? Very much recommended!


Classy looks
Very good build
Great rich broad tone
Good volume and sustain
Terrific price


Really very few
Stark logo and rosette
Would prefer friction pegs


Looks - 9 out of 10
Fit and finish - 9 out of 10
Sound - 9 out of 10
Value for money - 9 out of 10






  1. As I save money, the list of candidates grows. Noah mahogany... Sigma... and now Cort blackwood.

  2. Indeed! Would happily own any of those

  3. The soprano model really catches my interest. I used to have a Cort guitar but had no idea they made ukuleles.

  4. 9 out 10? That's a high score..I bought one these under duress..I purchased a soprano and it was the shop said buy something else and take off the purchase price of soprano ..I have far too many ukes and didn't really want yet another. .but I chose this cort concert and I must admit if the house was burning down! I would save this one..I think it has a perfect sound..and I don't know of another manufacturer who only makes one model and uses blackwood..I think if one only wanted to buy one ukulele! Regardless of ability? This is the one..

  5. Question about the frets. Only 12 to the body? Same as Sigma and Martin C1. Don't most other concerts have 14 frets to the body? Where is the difference? Size of the body? Placement of the bridge? Overall size? I assume the scale length is the same. Do you think this changes the sound at all? Thanks Baz. Keep up the good reviews and thoughts!

  6. Not all concerts join at the 14th. The scale of the uke is about distance from nut to bridge. This mimics the Martin concerts which join at the 12th also. As for its effect on tone - well I think this one sounds pretty brilliant!

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