It's been something of a goal of mine for quite some time to own a ukulele from this musical instrument builder, and recently I was lucky enough to snag one. Say hello to my new handmade mahogany soprano ukulele from Mr Ken Timms.
Ken is a retired engineer and toolmaker from Stockton-on-Tees in the north east of England who has been building instruments since the mid 1990's as what he calls a 'hobby'. He will be well known to uke players who have been enjoying the instrument for some time and those same people tend to consider his work anything BUT hobby craft. Ken is most famous for his replicas of Martin ukuleles, with many players claiming that his builds are better than current Martins and are at least on a par with (or perhaps even better than) their vintage stuff. When you also consider that when I say 'many people' that also includes many UK luthiers, including many UK luthiers who think he is making THE best Martin replicas, and well, that's high praise indeed. He's also a builder renowned for taking the utmost care in his creations and dare I say it, is a perfectionist. What's not to like with that as an intro? I played one of his instruments very briefly some years ago, but really had to get one for myself...
This particular model was completed by Ken in October 2017 and is modelled to reproduce the main features of the Martin Style 0 ukuleles made between the 1920's and 1950's in the USA. In fact it's SO closely modelled, that I'd challenge many people looking at it from the front at a distance to not be confused into thinking it was a Martin. Now I have had made my views well known on copy instruments before, but you will recall that my view was that if you are going to do it - do it WELL. Kiwaya do it very well and I praise them highly for it. Some brands do it far less sympathetically and I wish they would stop frankly. Where does Mr Timms fall? Lets get into the meat of it.
This is a double bout soprano made from all solid mahogany with that ultra curvy and rounded shape on the two bouts which is very traditional and totally gorgeous. It's a paler wood than others of his I have seen but still extremely pretty with a typical mahogany grain of straight runs mixed with the occasional swirl. In the flesh it's actually a bit darker than the photos here show and much more brown, but the photos were taken in full sunlight. It has no other body decoration other than an inlaid sound hole rosette just like the Martin Style 0's and looks great for the simplicity. I should add in a side word here about the rosette and about Ken's tooling methods more generally. As I said above, Ken was previously an engineer and toolmaker and has also become highly respected in ukulele building circles for inventing and creating wokshop tools and gizmos of his own to help with the building process. They include things like his string spacing gauge, automatic kerf cutting machines, but also a clever sound hole cutter he designed that both cuts the sound hole out of the top as well as routing a small channel for the inlaid rosette at the same time. It's fascinating stuff and i'd urge you to visit his YouTube channel to learn more. So this is filled with an inlaid black and white continuous strip he makes himself, and then sands flush. No decals here!
Back to the body and the top and back are made from single pieces, with the sides in a pair, and the back has a slight arch to it. Oh and when I say the 'back as a slight arch to it' that's not doing it enough justice either. This isn't just a random pressed back. Ken has put a specific 5 foot radius lengthways on the back and a 10 foot radius widthways as that is how he measured it from the Martins. The engineer approach shines through again! Talk about attention to detail!
Bridge wise we have Martin style slotted bridge made of mahogany with a straight ebony saddle. Simple, clever, works, no complaints. Excellent!
And the whole body is finished in a Shellac / French Polish finish that is simply flawless. Quite, quite beautiful. Glossy, tactile and really brings out the colour and the grain of the wood. For those that don't know, most modern ukuleles use things like poly finishes (varnishes in other words) or rubbed oils. Shellac is made from the secretions of the Lac bug, dissolved in ethanol to make a liquid that both stains and dries hard. The French Polish process involves adding layer upon layer of the stuff and rubbing each one back to a gloss. It's a wonderful process only really employed by craftsmen. The finishing on these instruments is done by Mrs Timms, and she really should be applauded. It's simply stunning, meticulous and, well, perfect really. Often with hand finished luthier instrument you still get a few obvious tooling marks showing through or rough patches. Whilst I don't mind those so much as it gives them a 'home made' finish, the quality of finish on this is a league above. It's like looking at a piece of priceless antique furniture in a stately home. Terrific. It's not a mirror finish, but then it's never going to be and it certainly wasn't finished in a factory.
Inside is as tidy as you would expect with notched linings, delicate braces and a hand numbered makers label. It's nice also to see that there are two signatures on the label, both that of Mr Timms but also Mrs Timms. And rightly so with that finish.
Up to the neck and this is made from a single piece of mahogany and attached to the body with a secure dovetail joint like Martin ukuleles are. The profile is very traditional and shallow and it tapers to a comfortable 36 mm nut. Topping the neck is an Indian Rosewood fingerboard fitted with 12 nickel silver frets to the body joint. Very typically soprano and they are all dressed impeccably well. The outward dots at the 5th, 7th and 10th are in the form of small white styrene dots, and although there are no side dots, that is also a nod to the age of instrument this is duplicating. The neck is wonderful and has the same polished finish, but feels in no way sticky. It just kind of feels,.... old.. and high quality! This is a very good thing.
Like the saddle, the nut is made of ebony, giving way to a crown shaped headstock finished in more french polished shellac. Like everything else on the instrument this is wonderfully done too.
Tuners.... and what else? We have friction tuners and good quality ones too. I think they are Grover style copies, but good ones based on the 4's or similar. In other words, lot's of washers, metal collars and a smooth tuning experience without overly grippy tension. The button shape is intriguing though and not something you will have seen on the market in the recent half century or more, but there is a good reason for that. Ken takes regular kidney shaped buttons and re-shapes them by hand on his lathe. How nice is that? They look more traditional, they are smaller (and therefore don't crowd the headstock) and you will also be sure that you have pegs that are just 'different' from most others around. Yet for all that - you know that they will still work as intended as it's only the button that has been adjusted. I absolutely love that.
The package finishes with Aquila strings, which would not be my first choice to be fair, but, you know... it's just strings innit? Such a boring topic that I am now totally fed up with. They are easily changed and they don't affect the score so long as they are not abominable. And this one was bought by me for £325 direct from Ken. In fact I think his prices have been pretty unchanged for several years and for what you are getting here that is extremely good value. More on how to get hold of one later on. Lets have a play!
With the sort of attention to detail I have explained above it will come as no surprise to you to hear that the instrument is supremly light (one of the lightest sopranos I have ever played), supremly lively and resonant, wonderfully balanced and expertly set up at both the nut and saddle. Fit and finish wise I have absolutely no complaints whatsoever. As mahogany sopranos go it's simply perfect. It feels great in the hands and, yes, it smells good too. There is nothing artificial or synthetic coming through here. You know you are holding something that is craftsman made.
And like other good quality handmade sopranos I have played, this one feels resonant almost before you even touch the strings. It's like it is dying to play and sing. Almost like it's a coiled spring. So I knew this was going to have a strong voice from the off, but really, this is about the best projecting soprano ukulele I think I have ever played. It just keeps giving. The harder you play it the more it's got, and it never loses control or loses it's way. Dont get me wrong, it's not all about the punch, as it sounds wonderfully clear and melodic when played softly too, even with just the pad of the thumb. What we are getting at here is wonderfully broad dynamic range. Quality of tone no matter how you dig in. That's something of a holy grail in instruments that not everybody gets right. More often than not I review instruments that sound great played softly and get muddy when driven, or only sound good when driven, but kind of sound bland when played soft. This does both. And it does both very well indeed.
This is bright, as a soprano should be but not overly so like some I have reviewed recently. It has a warmth and roundness to the tone that is really pleasing and for me is reminiscent of the significantly more expensive Kiwaya KTS-5 I reviewed. It's a wonderful tone, and one you can easily shape depending on your playing style. And it's comfortable and easy to play too. Like I say, it's like it's aching to be played.
And as a final touch, I suppose I should not be surprised that with a build that so closely follows the Martin style that it has the Martin jangle. It really does. And that is the last box of what I want in a good soprano ticked!
I have read at least three different people online talking about Ken Timms ukuleles as saying that his instruments are the ones that cured their UAS. And I now totally get why they say that. Now I have this, I honestly have no need for any other soprano. Perhaps I don't have a need for another ukulele full stop. It's simply wonderful. A Martin replica that is anything but a quick knock off, and rather is a truly sympathetic recreation done with an incredible level of care and respect for the original. No it's not glitzy. No it doesn't have a tonne of decoration. But what it is, is a flawless example of a terrific ukulele that does the job it was intended to do wonderfully. And for that reason, (drumroll please) the scoring below puts Ken at the top of all the reviews I have written on Got A Ukulele. Honestly, I don't have a single gripe with it. In nearly eight years of testing over 150 instruments in detail, I've not been happier than with this one.
As for how YOU can get one. Well, Ken does not build to order. He builds continually during the spring to autumn months and then shuts down for the winter when he works on his toolmaking. All his instruments go on eBay under the name Squarepeg_3000 and he also ships to the USA and other international places. In fact I know Ken Timms owers all over the globe. If you want to get in touch with Ken you may also reach him via his eBay channel, or via Ukulele Underground or the Ukulele Cosmos under the account name 'Timbuck'. What I will add though is this. Regardless of this review, this is not a sales pitch for Ken. He doesn't need it. His ukuleles sell themselves and sell extremely quickly. I have missed more on eBay than I care to remember. If you see one - don't dawdle - it will be gone in a flash!
So, do I recommend his ukes? I think that much is obvious! If you know your ukuleles you will already know of these and the excellent reputation. If you are newer to ukulele and wanting to step up in the luthier stakes - trust me - these deserve your very serious attention. Outstanding.
Attention to detail in every department
Really, nothing. I'd change the strings... that's it.
Look 9.5 out of 10
Fit and finish - 10 out of 10
Sound - 9.5 out of 10
Value for money - 9.5 out of 10
OVERALL UKULELE SCORE 9.6 out of 10
UKULELE VIDEO REVIEW
© Barry Maz
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