06/01/2016 - 07/01/2016

17 Jun 2016

Waverly Ukulele Friction Pegs - REVIEW

Well it's the ukulele myth that just never seems to go away. The 'friction pegs are universally awful' claim seems to be alive and kicking in the ukulele world. And it really gets me down for the simple reason that it's just not true. (What is it with the ukulele world that makes untruths 'stick' so easily??)

Waverly Friction Ukulele tuners
Waverly friction pegs on my Bruko tenor


Regular readers will have seen me rant about this before, and I include an original video of mine on the subject at the foot of this article which shows you what I mean. Put simply, CHEAP friction tuners are indeed awful, but GOOD friction tuners are sublime. They simply dont suffer from the problems people encounter when they are dealing with cheap ones. The trouble is, people assume the problems they face with cheap tuners (slipping and sticking) applies to all friction pegs. It doesn't!

And why exactly do I like friction pegs? Well lots of reasons, but mainly because they dont weigh a headstock on a soprano down like gears do and I think they just look better. They remove the look of 'ears' that geared tuners create. But, I ONLY use friction pegs that work well!

Anyway, back to the point at hand. The Waverly tuners. I'd been looking for some time to try these out. For good quality friction pegs I usually go for Grover 4 style pegs, that move like butter and hold like a rock. However I was looking to change the tuners on my John Daniel Pixie ukulele which has a very small headstock. I kind of thought the Grovers were a little too big for that headstock, and possibly a little heavy as well. I'd actually changed the tuners on the Daniel before and was using fairly standard basic pegs.

John Daniel ukulele tuners
The John Daniel before with cheap friction pegs


Waverly make a whole range of instrument tuners and are kind of the 'Rolls Royce' in the tuner world. They are used by brands like Martin, Collings and Santa Cruz on their high end guitars and for good reason. They represent an acclaimed choice where 'only the best will do'. They are based in Montana, USA.

And I will be frank here. The reason I had shied away from the Waverly tuners was because they are expensive. By that I mean they are around $45 dollars a set (not a huge amount of money, but still expensive) but bear in mind that I am in the UK so international shipping pushes that yet higher. That's about twice the price of the Grovers I normally go with. Still, they seemed a perfect option for a small ukulele on account of how sleek they look. Add to that the fact that I read nothing but great user reviews of them and I thought it was time to bite the bullet.

ukulele friction pegs
Pegs compared: From L-R Grover style 2, Grover style 4, Waverly


The Waverlys arrived. I actually bought a couple of sets, one with black buttons that I retro fitted to a Brüko Tenor ukulele and another set with Koa buttons for the John Daniel.

The friction element of the Waverly tuners is simplicity itself, and genius too. As you will have seen from the video below, the improvement on sticking and slipping with good geared tuners like the Grovers is created through the use of many internal parts (washers, bushings and collars) that hold when tight, but equally move extremely smoothly. The Waverly brand are different though - in fact there are a minimal number of parts - just 5 parts in fact, or 6 if you count the screw.

waverly ukulele friction peg


First we have a collar bushing for the front face of the ukulele. This needs the outer face to have a countersink chamfer, which wasn't really needed on the Daniel as the holes were already quite large, and was also in place on the Brüko. This allows the collar to sit flat against the headstock and not protrude and the collar serves to centre the post. If you dont have a counter sunk hole it's pretty easy to drill one and Waverly even make their own drill bit for the purpose (though most drill counter sink bits will do the job).

John Daniel ukulele headstock

Through that runs the tuning post which is a pretty standard affair. A hole in one end for the string and a hole in the other into which to screw the button.

On the back of the headstock you fit the metal chromed collar (its nickel plated brass), complete with the embossed Waverly name (which I think looks extremely classy) and into that fit a spring. Yes, a spring. These are the first friction pegs that I have seen that use a spring to create the friction effect. You then attach the button and screw it down. The action of screwing the button compresses the spring and that creates the friction. There are no metal on metal, or plastic on plastic faces that are creating the friction - these work though that spring creating the grip between the tuner and the headstock. Bear in mind that Waverly also recommend a chamfer on the back of the ukulele like the one for the collar on the front although I am not totally sure how essential that is.

It works kind of perfectly I found. At first I needed to work out how much tension to apply to stop the pegs slipping but with a few turns of the screwdriver eventually I found the nice balance between them holding and yet still turning for tuning purposes. And that turning is just ultra smooth and accurate. Unlike cheap friction pegs there is no judder, they simply turn when you want them to and then hold. Perfect!

When completely fitted I think they look the part too - and certainly for soprano ukuleles or smaller they will really look classy and remove the neck heavy 'ears' look of geared tuners. Saying that - I also fitted them to a tenor and they look great too!  If I had one complaint its that the adjustment screw uses a flat head screwdriver rather than a posi-drive / cross head. It's a minor complaint, but I just find it easier to quickly apply a cross head screwdriver than I do a flat head. Other than that though - I am absolutely delighted.

waverly pegs on John Daniel ukulele
The John Daniel after!


Now - in both of my cases, the Waverly tuners slipped right in to the holes that were already there. I can't, however, say that will the case for every instrument. According to Waverly these will retrofit directly into holes between 5.56mm and 6.35mm so that should allow you to check. Don't panic though - widening a peg hole is not as scary as you might think - I've done it to several instruments. Simply use a drill with the correct sized bit, cover the back and front of the headstock with masking tape and GO CAREFULLY and slowly - remember you are not drilling a new hole, rather enlarging one very slightly. In terms of headstock thickness, Waverly say that these will work on headstocks anywhere between 7.94mm and 14.29mm.

So yet another example of a tuner that completely disproves the myth that all friction tuners are bad. Whether you choose good quality Grovers or these Waverlys, I recommend them both. Both will show you the world of difference between cheap pegs and good quality pegs. I fully understand why the cheapest ukuleles dont fit these - it just couldn't be done for the price, but then tuners are only one of the things that are wrong with cheap ukuleles...  You get what you pay for! And to be honest with you, I would happily see these on all instruments!

(and if you want to know where I got these - StewMac)

And here is that original rant about the untruths surrounding friction tuners.



And be sure to read my other ukulele and ukulele product reviews here!

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4 Jun 2016

Mahalo 2016K Soprano - REVIEW

Another Mahalo ukulele on the Got A Ukulele reviews bench. This time another soprano, but one of their slightly higher end models - the 2016K soprano.




This one also goes under the less glitzy name of the Mahalo U/LTD2/G ukulele, and what all that stands for I have NO idea. I'm told that it's a Limited Edition (no idea what makes it Limited - it's readily available in loads of stores), but the confusion doesn't end there as you will see.

The 2016K is a standard shaped soprano scale instrument, with a double bout, and a fairly flat base. It's also made from a variety of woods.

Firstly we have a solid top made of mahogany. It's hard to tell, but I think it's in two pieces, but the very straight mahogany grain leaves nothing really to bookmatch. Regardless, it's a nice piece of wood and no complaints here. I suppose it's pretty plain on top, but I have a liking for plain looking mahogany sopranos.



Things get more confusing when we go to the back and sides. These are made from laminate wood with an outer veneer. Most dealers suggest that the outer veneer on this is koa, and from the stripe, I can see why. Saying that, the stripe is a little uniform and a check on the Mahalo website says the outer veneer is Malapoga wood. I know very little about malapoga and have never seen it on an instrument, but I believe it's a type of cedar. Answers on a postcard please.... Anyway, whatever it is, it does actually look nice and I do like the stripes. Being laminate of course it wont affect the tone distinctly so perhaps it doesn't matter what it is! If I sound confused though, it's because I am!



The back is very slightly arched and made from two pieces, and the sides are also in two pieces with an inlaid wooden stipe at the base join.



Decoration wise we have a few things and they are not overly blingy. Firstly we have some thin black white black edge binding on the top and back together with some wood edging on the binding too. It's not overly done and I think looks very nice actually. Around the sound hole we have an abalone inlay which doesn't match the binding but again is nicely done. The whole of the body is finished in a satin coat which also tones down the bling and gives it a rather nice tactile finish and look.



Unlike many Mahalos I have looked at, the finish on this one is pretty good actually and I am not spotting any rough patches, drips or bubbles. All ok on this front.

The bridge is a rosewood slotted type and the saddle appears to be NuBone and is compensated to assist with intonation.

Inside the instrument is nice and tidy too, with notched kerfing and no glue blobs. The bracing looks a little chunky to me, including a back brace that is not only overly thick but questionable on a laminate back in any event.

Up to the neck and this is made from 'nato' wood and is finished in the same satin. It's made from three pieces with a joint at the heel and one at the headstock. The heel is also nicely capped with a sliver of mahogany.



Topping the neck is a rosewood fingerboard. It's unbound at the edges, but looks to be in good condition.

We have 12 nickel silver frets and none past the body join. They are actually a little sharp on the edges, but a good store can easily tidy these for you I suppose. We have pearloid position markers at the 5th, 7th and 10th spaces and these are thankfully repeated on the side.

Past the nut, (which appears to be made of plastic and not NuBone like the saddle) and we have a generic crown shaped headstock, complete with a screenprinted Mahalo logo. I said in an earlier review that I think the Mahalo logo looks cheap and old fashioned now and I still think that.



The tuners are a real letdown - the same dolphin shaped brass open gears that adorn so many Mahalo instruments, complete with MASSIVE black plastic buttons.  They are grindy to use (some are looser than others) and look, frankly, horrible.  I dont like geared tuners on a soprano at the best of times, but if you are going to use them, please dont choose ones with tuning pegs that would fit a guitar. It looks silly and can affect the balance of the instrument.



Completing the deal are (what else) Aquila strings and a rather nicely made padded and branded Mahalo gig bag. And all that for.... £80. So a pretty nice price really.



So as you have probably gathered, this is not what most people think about when they think Mahalo and it is a far cry from the brightly coloured cheap ukuleles that flooded the market in the Mahalo name. It's actually a nice looking solid top instrument for a pretty reasonable price. Is the playability a let down though?

Well, the body is pretty light and comfortable to hold, and that satin finish is nice on the fingers. Sadly it's totally neck heavy on account of those mahoosive tuners. If you try to balance this at the 12th fret the headstock just dips to the ground. More established players wont perhaps notice it, but beginners learning to hold and play the ukulele for the first time will find they fight against it. This would be so easily solved with different tuners.

Setup wise, the action at the saddle is perfectly acceptable. A little high for my liking but within reasonable tolerances and easy to take down. The nut however is cut too high, particularly on the C and E strings, meaning intonation issues at the first and second fret. Whilst the saddle is easily remedied by a beginner, the nut is a more complex job. And there is no point throwing a compensated saddle on an instrument if your setup then undoes all the work on tightening up the intonation..

The sound is actually far better than I imagined it to be, and I will stick my neck out to say it's the nicest sounding Mahalo soprano I have ever played. Volume is just about acceptable, although I would prefer a little more bark and bite from a soprano. Perhaps it's being hampered by that thick bracing. No real punch to it, but it would hold it's own I think.

It's not the sweetest tone in the world and it can get a bit one dimensional when strumming and can get a bit muddy and confused. Sustain isn't too bad, but as a whole it just doesn't really set me alight. Massively better than a lot of the Mahalo stable, and perfectly acceptable as a cheap soprano though.

I also think that it's a shame that Mahalo strode away from the ultra cheap, creating a nice looking instrument with a solid top, but then totally let it down with terrible tuners.

And that I suppose is my main gripe with it. At £80, yes, it's reasonable on the face of it, but I think I would be more pleased with a decent fully laminate instrument from the likes of Kala or Baton Rouge or perhaps a solid topped Ohana for the same sort of money (or less). Saying that, it really doesn't fit in the 'avoid Mahalo at all costs' category and is a quite passable instrument. Mixed feelings I suppose and it will serve you better than a lot of the real cheap and nasty stuff out there. Shop around though!

Be sure to read all my other ukulele reviews here!

And if you are still interested in this one

UKULELE PROS

Looks classy
Nice finish
Nice gigbag

UKULELE CONS

Poor setup at nut and sharp fret edges
Terrible tuners
Unbalanced
Over braced
Price seems reasonable but over priced compared to competition

UKULELE SCORES

Looks - 8 out 10
Fit and Finish - 6.5 out of 10
Sound - 7.5 out of 10
Value for money - 7 out of 10

OVERALL UKULELE SCORE - 7.3 out of 10



UKULELE VIDEO REVIEW


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Got A Ukulele Gets Around

I was delighted to see this picture appear on Facebook the other day for a whole heap of reasons, and not just because there is a Got A Ukulele T Shirt in the picture!



pUKEs Paul Redfern in a Got A Ukulele Shirt
Credit - Liam Capper-Starr


First of all - that fine fellow in the photograph is Paul Redfern - ukulele player and performer in one of my favourite outifts that I have featured on this site many times - The pUKEs!

Second of all, the photograph was part of a series of wonderful shots taken by another ukulele player, the supremely talented Liam Capper-Starr - performer in his own right and organiser of the much lauded Uke-East Festival. Incidentally - Liam has a new full album out now which you can find on that first link!

The third reason is a sadder one - it was taken at GNUF and I wasn't able to go. Still - nice when things from friends come together like this!

Thanks both!

http://gotaukulele.spreadshirt.co.uk

http://gotaukulele.spreadshirt.com



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