08/01/2013 - 09/01/2013

28 Aug 2013

New Got A Ukulele Poll

Time for another Poll on Got A Ukulele. This time, tell us about your preferred music styles you play on uke.




You can find the poll buttons over on the left hand side of the blog, and you can pick more than one answer if you wish.

I'm also sure that I have probably missed some styles, or you may find that what you play doesn't quite fit - simply go with the best match. With a good few entries we will get an insight into what the readers of this blog most like to play.

Have fun!
Read More »

24 Aug 2013

Stand - R.E.M - Ukulele Chords

Another easy one which just follows a repeating pattern of three chords. Stand, by R.E.M, from the album Green.


The key change at the end can be a bit tricky, but suppose that could be optional.


As usual, video at the end to play along to.

[E] Stand in the [A] place where you [B] live (now face north)
[E] Think about di [A] rection wonder [B] why you haven't before
[E] Stand in the [A] place where you [B] work (now face west)
[E] Think about the [A] place where you live [B] wonder why you haven't before

[E] If you are con [A] fused, [E] check with the [B] sun
[E] Carry a [D] compass to [G] help you a [B] long
Your [E] feet are [A] going to [E] be on the [B] ground
Your [E] head is [D] there to [G] move you a [B] round

So [E] Stand in the [A] place where you [B] live (now face north)
[E] Think about di [A] rection wonder [B] why you haven't before
[E] Stand in the [A] place where you [B] work (now face west)
[E] Think about the [A] place where you live [B] wonder why you haven't before

Your [E] feet are [A] going to [E] be on the [B] ground
Your [E] head is [D] there to [G] move you a [B] round
If [E] wishes were [A] trees the [E] trees would be [B] falling
[E] Listen to [D] reason the [G] season is [B] calling


[E] Stand in the [A] place where you [B] live (now face north)
[E] Think about di [A] rection wonder [B] why you haven't before
[E] Stand in the [A] place where you [B] work (now face west)
[E] Think about the [A] place where you live [B] wonder why you haven't before

Instrumental verse over E, A, E, B and E, D, G, B


If [E] wishes were [A] trees the [E] trees would be [B] falling
[E] Listen to [D] reason the [G] season is [B] calling
Your [E] feet are [A] going to [E] be on the [B] ground
Your [E] head is [D] there to [G] move you a [B] round

So [E] Stand.... (stand) [A] [B] (now face north)
[E] Think about di [A] rection wonder [B] why you haven't before
[E] Stand..... (stand) [A] [B] (now face west)
[E] Think about the [A] place where you live [B] wonder why you haven't before

Key Change!


[F#] Stand in the [B] place where you [C#] live (now face north)
[F#] Think about di [B] rection wonder [C#] why you haven't before
[F#] Stand in the [B] place where you [C#] work (now face west)
[F#] Think about the [B] place where you live [C#] wonder why you haven't before

[Ab] Stand in the [C#] place where you [Eb] are (now face north)
[Ab] Stand in the [C#] place where you [Eb] are (now face west)
[Ab] Stand in the [C#] place where you [Eb] are (your feet are going to be on the ground)
[Ab] Stand in the [C#] place where you [Eb] are (your head is there to move you around)

So [Ab] Stand....







Read More »

11 Aug 2013

Ukulele News 11 August 2013


Another round up of ukulele stories from the press in the last couple of weeks or so.




Am wondering how many news stories it will take exactly before the press stop claiming the uke is booming?

-------------


-------------


-------------

Sorry, but I don't know who Max Schneider is ?

------------

Can't say I agree with many of these being 'the best'..

------------


-------------

More news soon!
Read More »

10 Aug 2013

Gerald Ross - Take The 'A' Train

Every now and then, amidst the ukulele noise on YouTube, up pops something quite sublime. Take this from Gerald Ross as an example.

Dreamy playing, and dreamy Talsma ukulele too!



( DIRECT LINK )
Read More »

8 Aug 2013

Godin MultiUke Tenor electro ukulele - REVIEW

Time for a ukulele that is a little out of the ordinary, and perhaps a uke that will divide opinion. Say hello to the Godin MultiUke.


godin multiuke tenor ukulele

I have been a fan of Godin guitars for many years - a Canadian company from Quebec with a reputation for making excellent instruments, and products with something of a difference. Some years ago, Godin launched their Multiac electro acoustic guitars - strikingly different looking instruments with a rather unique pickup system. They are very highly regarded for studio and stage work, yet do, it must be said, divide opinion. In recent years, Godin have used that technology on a range of other stringed instruments, so it was a matter of time before they tackled the ukulele.

The MultiUke takes that Multiac technology (and looks) and applies it to a quite unique tenor instrument. In short summary it is primarily an electric ukulele, but built around a semi hollow chambered body to give resonance without feedback (there is no sound hole!). The devil is in the detail with the MultiUke and Godin say they designed this, and the pickups from the ground up in order to give superior sound and playability. With an RRP of $850, this is no cheap ukulele, but more on where that money has gone below.

So we have a regular (ish) tenor scale ukulele (17" scale). The main body is made of chambered mahogany, actually made of two pieces joined down the middle, and topped with either a solid cedar top (as in this case) or an alternative sunburst spruce top. As pretty as the sunburst looks I opted for the understated looks of solid cedar. The chambering inside the body of the instrument is otherwise hidden but serves a couple of purposes. First it is mainly chambered around the lower bout of the uke and under the bridge to give resonance and to allow that top to move. This is essential for sustain and tone. The chambers also house the various wiring, pickups and batteries that drive the thing.

So first, let's take a look at that top. It really is a rather pretty piece of wood. There is no curl in this (being cedar I suppose) so we have nice straight bold grain lines that run perfectly from tail to neck. It is made of two pieces of solid cedar joined down the middle. And there is a LOT of cedar to look at. Whilst this is a tenor scale, the uke is wider than most tenors I have played, particularly around the butt. As I say above, there is no sound hole on the MultiUke - a plus point for live performance, as no feedback from the sound hole, but meaning more cedar on show. The only holes on the top are the entry point for the neck truss rod bolt and the channels for the sound control sliders next to a Godin name label. More on those further on. The finish of the top is a high gloss, and whilst I am not normally one for gloss, this is beautiful and will protect what is otherwise quite as soft wood. It's simple looking, yet on a far from traditional design. In that sense I suppose it doesn't need any bling!

godin multiuke cedar top
Cedar top

The top is joined to the chambered body with cream edge binding with a black trim. It is applied very nicely and quite deep and I think provides a nice contrast with the much darker coloured back. Overall I love the shape of the top, which is vaguely Telecaster ish, using a slightly squarer top horn to house the controls, and a cutaway for high fret access on the bottom horn.

I won't talk about the sides separately from the back as they are part of the same construction. The back is a chunky affair, finished in a beautiful deep red gloss that really shows of the mahogany grain beneath. The back is also shaped and tapered rather like a Stratocaster with a slight curve inwards on the top edge of the back, and also on the horn making for a more comfortable playing experience when you have this thing strapped to your body. I think it looks wonderful. Elsewhere on the back we have the access port for servicing the pickup controls, and a compartment for a 9v battery. Strap buttons are provided made of blackened metal on the butt and on the top horn adjacent to the end of the neck. The jack socket is not square on the base but offset like you will find on many electric guitars and is mounted on a black metal surround.

godin multiuke back
That gorgeous contoured back


The whole body feels very solid and makes it come across as a serious instrument. It's rather like the first time you pick up a Gibson Les Paul... That construction also shows in the weight - this is a heavy ukulele and certainly heavier than any traditional electro acoustic you will find. That is not to say it is overly heavy but serves as another element that may divide opinion. If you play this uke standing up you WILL want a strap.

godin multiuke jack socket
bottom strap button and jack socket

On to the neck, and the first thing you notice is that it is bolted with three screws to the body, making it one of the first ukes I have seen to employ that design. I suspect the reason is down to the construction of the chambered body meaning it would have been too much of a job to create a set neck in a pocket. The debate always rages in the electric guitar world as to whether set necks or bolt on necks are better, but I have never been convinced either way. At the end of the day, it works for the Stratocaster, the worlds best selling electric guitar, but I appreciate this too may put off ukulele purists. Another point on that though. The bolt on design means that the uke action can also be tweaked over time by re setting the neck with a shim to raise or lower it away from the strings. I suspect you will never need it but the option is there if you are that way inclined. In addition, if you snapped the neck, fitting a replacement would be a five minute job!

The neck is made of mahogany and I was pleased to see it is finished in satin and not gloss like the rest of the uke. A gloss finish neck can, I find, feel quite sticky on the hands. This is silky smooth and very nicely finished.  The neck is made of three pieces with a joint at the heel, and one at the very end of the headstock. This is a slight disappointment on account of the price, but will in no way affect the sound (nor is it noticeable). I really do like the whole design and shaping of the neck joint, but I am geeky like that.

godin multiuke neck joint
Neck joint and bolts

The neck is topped with rosewood and comes with 19 fairly chunky nickel silver frets. The rosewood grain is dark and straight with no pale patches or stripes. Fret markers are in mother of pearl at the 5th, 7th, 10th, 12th and 15th and these are, thankfully, repeated on the side. The edge of the fretboard is unbound which I found surprising, meaning the edges are visible. I think a cream edge binding would have really set the ukulele off and matched the body. That said, the whole neck and the frets are finished beautifully with not a rough edge in sight. The fret board is also radiused which is usually something reserved for the highest end ukes. That means the frets are not set completely flat, but the fingerboard has a very slight curve to it (a 24" radius in fact). This adds to playability as it provides the fingers with a more natural landing position. And yet another plus, the edges of the fretboard are rolled and curved - another high end uke trait, meaning no hard edges and a silky smooth feel.

And.... we have a truss rod! This is a threaded bolt of metal that runs through the length of the neck and is adjustable to create a slight bow in the neck. This is common on guitars, and an essential tool for adjusting action (to some degree) but more importantly playability. It allows a small amount of concave relief to be put into the fingerboard making playing easier, and reducing buzzes. Rarely seen on a uke (with the exception of Pono) it's a nice addition. Access to the truss rod is via a small opening on the top, and Godin even supply you with an allen key to adjust the hex bolt.

godin multiuke truss rod opening
Truss rod opening

Up to the headstock, we first pass the nut which is made of Tusq Nubone. I adore the shape of the headstock and the finish of the facing plate which is in a kind or raised glossy black wood finish. It really does give the instrument a high end feel and look. The Godin logo is emblazoned across the top, with the words MultiUke and MADE IN CANADA in a different orientation which jarred on me a little I must say. I don't think either are really necessary, so why not stick with just 'Godin'?

godin multiuke headstock
Headstock

Flipping the headstock over we have unbranded but very pretty open geared tuners, with classy shaped silver buttons. The instrument serial number is also embossed in the back of the headstock wood.

godin multiuke tuners

Yet, so far we haven't actually looked at what makes this ukulele rather different. The pickup system. Godin have utilised a custom voiced RMC brand system on the MultiUke. They say it was developed specifically for this instrument, but underneath its basically the technology they use on their Multiac guitars. This is a seriously high quality pickup and goes some way to explaining why this instrument has the price tag it has. You will spend the best part of $200 to get an RMC acoustic pickup system on it's own, so this is no cheap $50 piezo strip.

A quick word on that. Readers of this site will know that I normally prefer passive systems to those with on board electronics. Generally it means the uke will sound more natural. This is not a passive system, it's a powered one and therefore may seem to go against what I prefer. All I will say is, read on, and bear in mind that this is a professional pickup system, not a cheap Belcat that get's fitted to a $150 ukulele.

The RMC pickup differs from most other systems you will have seen in that it provides an individual pickup to each string. That's right, four pickups! There is no normal saddle on this instrument as you will see, rather each string sits on it's own pickup saddle that have been placed into the rosewood bridge. They look great and are finished in gold, like four little shiny pyramids. On the top of each is a groove to keep the string in place.

Controls for the system are provided on the top left of the top of the uke, by way of four sliders. These control volume, treble, middle and bass providing a lot of sound shaping options. Again, more on that later.  The whole thing is powered by a 9v battery in the back of the uke and outputted via a standard 1/4 inch jack socket.

godin multiuke pickup controls
Pickup controls

A couple of things to note about those pickup saddles. They are set in one place and one place only, admittedly in a compensated layout. I've seen a few people complain about that as they cannot adjust the scale length when moving to a low G string. I am not sure I am convinced by that as an issue, and equally have read words from some very experienced uke techs saying that it won't be a problem. You may need to experiment with string guages, but on a scale length like this, you should not have an issue (unless you are so OCD about your 15th fret note being within 0.01% of accurate...). Put another way, my Kanile'a Tenor uke doesn't have a compensated saddle, and I switched to low G on that with no issue on intonation whatsoever. The other issue is saddle height, but I am told that these individual saddle pieces can be taken down.


godin multiuke pickups
Pickup saddles - shiny pyramids!

Completing the package are a set of D'Addario Titanium strings, and a rather lovely and chunky zippered gig bag that comes with the Godin logo, accessory pocket and strap (quite honestly the best quality padded gig bag I have yet come across).

Enough description, on to playing the thing! First up, how does it feel and what is the playability like?

Well as I said, it's a chunky, quite heavy instrument, but it is a delight to hold and feels really solid in the hands. That contoured body is extremely comfortable when used with a strap, and when seated, the size of the body when rested on the knee means it doesn't get lost on your lap as can happen with standard ukes. In fact, whilst the uke world usually despise the instrument being referred to as a 'small guitar' that is exactly what it feels like. That size though has it's disadvantages, as I have not yet found a hard case that it will fit into. And as nice as the padded bag is, for travelling I think that for the money Godin should have stretched to a hard case for it. Without wanting to get into the strap debate yet again on Got A Ukulele.. when I say you WILL want a strap, that is about weight on extended playing sessions. The uke is actually very nicely balanced though and I found it quite easy to play without one, perhaps helped by the large body width and narrow profile making it easy to grip with the forearm.

The neck is somewhere else I think this uke really shines. Firstly, we have quite a wide nut which I much prefer, but also a deep and chunky profile which I find really comfortable The rolled edges and radius on the fingerboard are also immediately noticeable making it an absolute joy to hold and play. Guitarists use the term 'fast neck' on instruments that are easy to play, and this MultiUke fits that bill. Chord changes are a breeze, as are fingerpicking runs. It's a neck that just longs to be held and is the first uke I have come across that feels as good as my Kanile'a Tenor in that regard (and that is a delight to play and hold!)

The setup is just about perfect for me, with zero buzz, a well cut neck and action all over the uke to my liking. No complaints there. As I say, there is a truss rod here, so if you did have buzz or high action that can easily be fixed and may only need a tweak and a possible change to the nut slots. Easy.

On to the sound, and I will deal with the acoustic side first. I was actually surprised to read that so many people being interested in the acoustic sound, as this is predominantly an electric instrument designed for plugging in on stage or in the studio. As such, the acoustic sound was not something that really crossed my mind when ordering it. That said, it's really surprising as there is a half decent sound to it. It's not the loudest uke I own, but as loud as some, and certainly louder than things like the Epiphone Les Paul (another chambered uke). The acoustic sound is a little thin though, as the uke is lacking a soundhole to project the more complex tones a traditional ukulele will give you. Perfectly passable though, and great for more refined practice or late night, and MUCH louder than a solid body electric uke. The balance between the strings is clear and it has some really nice chimes to it. But that's not really what the MultiUke is about. Let's plug it in!

WOW...

Yes, I really have been blown away. The sound plugged in is, frankly, wonderful. Every string is bang out clear in the mix, and the harmonics both when strumming and even more so on clawhammer picking are quite sublime. In fact the nicest I have heard on an electro uke before. I have read some find the sound a little clinical, but I think it is far from that. It has a shimmery warmth to it. And as for the sustain - quite incredible really. The uke sings and sings when picked. At this early stage in ownership I can't say enough nice things about the sound. I will get around to a recording at some point, but at the moment the studio recording gear is packed away and all over the place. I will do it though! All in all, it certainly has a voice of it's own and has not disappointed me one bit but of course, your mileage may vary.

But this is more than a plug in and play uke.  As well as the high end pickups themselves, you have a high end EQ system. On many cheaper ukes I tend to bypass these systems and EQ the uke either on a mixer or amp / pre amp to get the sound I prefer. That's because on cheap systems they tend to really only offer tinny or muddy with one balance sound in between. Not so here. These sliders really do make all sorts of subtle differences, and even a slight tweak of just one of them gives a noticeable change to the sound. This means you can spend hours shaping your tone to suit exactly what you are playing. Even cranking the bass fully up doesn't lead to a muddy sound, it just adds more clean bass. A tweak up of the middle and a drop on the treble and bass gives a more electric guitar type sound, and with the EQ flat it sounds like a very, very nice acoustic uke. That's not to say a pre amp wont be helpful, but it is common for Godin Multiac guitar users to happily plug straight into the desk.

And the lack of a sound hole ( and therefore no feedback) means you can really crank it if you want to. I played it this morning in a small study plugged in to a Marshall 50W acoustic amp and could pretty much turn it fully up with virtually no distortion or feedback. At any volume the notes are all there in the mix. As such this will make an excellent stage ukulele (the very reason I bought it).

The sound is balanced, helped by those individual saddles, so there is no chance of you endlessly chasing dead spots in under saddle piezo strips sending one string quieter than the others. It's kind of like having four individual microphones on four different strings!

So I am rather pleased with this one. And as I said from the off, I know this may divide opinion. It's certainly not traditional looking, but then I prefer builders to break from the norm. Why does every uke need to look the same? But do I have any gripes? Well, it is expensive, there is no escaping that. I understand why though, but still think the price is a little over cooked. And for that money, I think there are a couple of minor corner cuttings, such as the lack of binding on the fingerboard, the gig bag not being a hard case, but they are indeed minor.  I suppose there is some concern at the serviceability of that pickup system - changing a piezo strip and saddle is easy - this one, less so. But then Godin do have a good name and I wouldn't expect a problem.

At the end of the day, for many it will be a love it or hate it instrument, but either way, if you come across one I would urge you to give it a play. It may change your mind!

godin multiuke gig bag
The high quality gig bag



SCORES

Looks  - 9.5
Fit and finish - 9
Sound - 9.5
Value for money - 8

OVERALL - 9 out of 10


To understand my review scoring and see this result in context - visit my review page at

Read More »

5 Aug 2013

Ukulele Myths

Been toying with writing this ukulele post for a while now, and was unsure as I suspect it may raise some eyebrows or elicit a negative comment or two.


The thing is though, the boom in popularity of the ukulele over the last few years has coincided with the boom in social media. As such, LOTS of people are talking about ukuleles online and it can be hard sometimes to cut through the noise. Within those discussions are a lot of very knowledgeable and helpful people, but equally I repeatedly see bad advice being given out to beginners, and that is a worry. I therefore thought I would share some of my views, (and they are just that, views). Feel free to take exception to them, but do read carefully! Here are ten of the common misconceptions I see floating around.

ukulele myths


1. You should / shouldn't use a strap

I've blogged on this topic before and yet the debate online still rages on. Debate is good, opinions are good, but increasingly I am seeing people telling others that it is either definitely right or definitely wrong and that is just crazy. On a recent post I wrote about straps, I received an online message telling me I was an idiot and that 'I've got two hands, why do I need a strap'. One chap recently, and proudly stated online that 'you are not playing a ukulele properly if you use a strap'.... Seriously - this is quite common.

Honestly - if you want to use a strap, use a strap, if you don't, then don't. But please don't state its completely wrong. For me it's about giving me free hands when gigging, which is likely the same for professional players like James Hill, Brittni Paiva, Jake Shimabukuro etc who use straps. Yes, you read that right - some of the top players on the planet.....

I will drop in one exception - if you play banjolele in the Formby style, then I can see how a strap will totally go against the technique you are using. Fair play. But I am making this point regarding ukuleles in general.


2. After a soprano, a concert is an 'upgrade'

I am seeing this statement bandied about more and more. The suggestion is that the soprano is the beginner instrument, and once you have learned your chops you are allowed to move on to a 'better' ukulele which happens to be bigger. I've seen the same people recommending first time buyers should 'buy up a size from the start, as it you will only upgrade anyway'... I struggle with this logic. The soprano is not a beginner ukulele, it is THE traditional ukulele scale. If anything, the soprano is the daddy of the ukulele world. Some players I know prefer sopranos solely and have been playing for years. For me, my favourite sizes are sopranos and tenors. Both have their attractions for me. If you are a beginner and like a soprano, please don't feel that you MUST 'upgrade'..

Choose your instrument based on the tone you want, how comfortable you find it, and how it looks and speaks to you. No one size is 'the winner'.

Please do read my article about the soprano and host of myths associated with that here.


3. Larger scale ukuleles are easier for beginners to play

This statement is extremely common and is closely linked to point 2 above. Beginner X asks for help online saying he finds the fingerboard cramped on a soprano, and dozens say 'get a bigger uke'. A couple of points here. All fingerboards on ukes are pretty cramped. It's a ukulele! Second, whilst a bigger uke can help, it is not always going to be the case. The misconception that a concert is naturally easier because the fret spacing is wider is just plain wrong. The difference in scale is actually pretty small, and what is FAR more important to giving you comfort on the neck are a range of things, namely; The scale, the neck width and the neck profile. Other factors can also come in to play that are a little more subtle too, such as the size of the frets, string choice and action, but generally it's the first three.

What tends to happen here is people struggle with cheap sopranos and then buy concerts and tenors and think 'oh, this is easier'. But it's almost always easier because the nut has naturally become wider. And THAT is where you feel relief - across the neck. And here's the thing. You CAN get sopranos with necks just as wide as tenors! So it's not the scale increase that is giving you the space, it's the nut width!

I have owned soprano ukes that have wider nut widths than concerts, as much as most tenors and as such have more space on the fretboard.  The Bruko 6, the Flea and the Koaloha all fit this category and have far more space than narrow neck concerts. Most Kiwaya ukuleles do regardless of scale.  The only real answer is go to a store and try a few out. You may find that a concert is indeed easier for you if you are a beginner and that is great, but depending on the ukes you play, you equally may not. I also know accomplished players who find tenors difficult to hold and get their arms around, even with a strap. Please, please please - it is NOT the scale increase that is helping you!

Bruko 6 ukulele
The wide nut Bruko No.6 Soprano



4. The electro uke price conundrum...

Quite simply, a pickup in a ukulele costs money. They are not thrown in for free.  If you have £150 to spend on a ukulele, and get an electro acoustic for that price, you are NOT buying a £150 ukulele. The pickup has to have a price. Putting that in perspective, a half decent entry level piezo pickup, such as a Shadow under saddle, will cost you RRP about £50. Let's say that the cost price is half that (I am guessing), then if you want a £150 quality ukulele that has a pickup, perhaps you should extend your budget to £175?

The real issue here comes at the absolute entry level price point, where people pick up an electro for about £75. This means that either the ukulele or the pickup is woeful in quality (usually both). I've inspected the pickup strips on some of these ultra cheap electro ukes, and they really are poor quality, and often badly fitted. That means a muddy, electric sound, and often volume differences between the strings. Prime example. And back to prices, you can pick those Peanuts up for only a little more than the cost of a shadow piezo pickup. Corners are cut somewhere!

Plugging in a uke is a lot of fun, and essential for our band, but I am afraid it will cost you more, not the same amount. Choose wisely!


5. The Ukulele Orchestra Of Great Britain use music stands, so should we!

OK, I 'ummed and ahhed' about whether to post this one, as it's most likely to get me flamed. But the UOGB have an act (a very good one). They sit down, wear bow ties, tails and evening gowns, they read from music stands..... Because of the word 'orchestra' in their name. They are aiming to look like a full blown orchestra. Behind that though are some of the most talented performers you will meet. Do you think they really need sheets to tell them the next chord is a G7? They are props in the main.

So, why am I making that point? Well because I suspect that because of their act, ukulele clubs up and down the country use music stands in the same way. Now, time to dig myself somewhat out of the hole I appear to be digging... I am not against music stands at all. Our band use them for practice all the time. They are absolutely essential for large clubs to ensure everyone is on the same page, particularly for beginners. But if you go out as a club to perform a real 'gig', particularly one where you may be getting paid, I just think it looks all wrong if you are staring at them, and to some extent is taking liberties with your venue. Go out to your local live music venues and watch a few bands. How many stand stock still behind music stands? Very few. Would you be impressed if you went to see your favourite musical artist and he or she stood behind a music stand, head down, reading?

Please don't get me wrong, performing a show takes a lot of work, and that means a lot of words and progressions to learn. It takes time and effort. And heck, crib sheets on music stands are absolutely fine - but why not place them where they are not directly in front of your face? Engage with your audience. My band used them all the time, but kept them hidden or subtle and out of the way! Lot's of the worlds biggest professional acts do this. Some players stick reminders on the back of their instruments too! The point being, you are not hiding behind a music stand, and playing to your audience whilst looking down as opposed to looking at them! In live performance I just think they kill interaction and look unprofessional.

And I am not knocking clubs here - as I say, stands and sheets are essential for those with huge songbooks and many beginner players. But try to encourage people to step away from them as they progress and play from memory or use them as subtle prompts only learning to play glancing at them rather than with their noses buried in a folder of sheets.

Oh, and if you do play full on classical music, then of course, a music stand is entirely appropriate, as it would be if you were playing violin at the Royal Albert Hall.

And as I type this, next to me in my room, is a music stand....


6. Ukulele X is cheaper on Amazon, buy it there!

Ah, Amazon... Strange of me to knock them considering I sell my books through them, but to me, that is what they are at heart - a bookseller.

I see countless examples of people recommending beginners get their first uke from Amazon, usually because it means you save a dollar or two on the price compared to a music shop. With ultra cheap ukes though, whilst you can find a good one slip through, you really want them to be checked over by a musician or tech who can ensure that things like intonation and action are acceptable. Amazon will NOT do that. What you will get is a box straight from the factory in China that has probably not even been opened. I have seen people on line asking for help, having bought a £30 uke on Amazon which is unplayable. They then either spend another £25 on a tech giving it a setup, or they buy another uke. Suddenly their basic outlay has jumped up dramatically. Do yourself a favour if you are buying your first instrument, go and support your local music shop!

And yes, someone will point out I do have links to Amazon products on this very site. I am not saying you shouldn't buy from Amazon - anyone who is confident in adjusting action and changing strings themselves will likely be fine with them. This advice is really aimed at the first time buyer.


7. Koa is the holy grail..

This one may ruffle a few feathers too, but seriously, Koa wood, as pretty as it is to look at, is not some sort of holy grail in ukulele construction beyond which nothing can be bettered. Koa does make (in my opinion) a very nice sounding ukulele. It's also the traditional wood used in Hawaii, so I appreciate it has some real heritage. But, that is only my opinion. Wood choice is totally personal, and it is in no way wrong to play a uke made of mahogany, cedar, spruce or whatever. Nor is it any way sub standard to a koa uke. It is just different. Vintage Martin sopranos tended to be made of mahogany, and some of those can fetch huge prices. Play a few ukes, and choose a wood type based on what your ear tells you, not based on what Facebook told you about Koa.


8. Volume is not everything

Take a cheap laminate ukulele, add Aquila brand strings and have a strum. Big noise! But if I strapped Aquila strings over a biscuit tin I would get a big noise.

I know many players who moved on from their first laminate uke to a solid wood instrument and then complained that it was too quiet. What you are gaining moving to more serious instruments is an increase in tone, sustain, harmonics and just ukulele loveliness that you just don't get on an entry level laminate uke. Your ears will adjust, and as you progress as a player you will learn to spot these nuances and never turn back.




9. These strings are THE BEST!

Another extremely common piece of 'advice' you will see online is the string recommendation. Of course it is always great to hear other peoples views on strings (and I have reviewed several brands on this very site), but always bear in mind the phrase, 'your mileage may vary'!

String choices are a very personal thing. How they perform on an instrument will depend on a variety of factors; the instrument itself (and even two identical models can perform differently), your own playing style, and perhaps most importantly, your own ears. Nobody else can tell you what a particular string brand will sound like to YOU. Only you can decide that. I use a variety of strings, and that is because on each uke I own, I have tested several brands. Eventually I will settle on the strings that suit that particular instrument when using my own ears. You might not agree with my choices and that is just fine. All that matters is that you like the strings you choose yourself.

And as a final point. No set of strings will make you a better player.


10. The Ukulele is easy to play!

Ah the big one! Perhaps the most commonly used statement trotted out, usually by local newspapers to start a piece on a local event, club or whatever. The ukulele is not 'easy'. No musical instrument is easy to play (well, perhaps the tambourine...). Learning any instrument takes time, dedication and practice.

What the ukulele does have though is a shallower learning curve in the early stages of learning than many other instruments. That means an absolute beginner can get going in a relatively short space of time and get a two or three chord song basically right. That is a huge plus point for the instrument, as it allows clubs to be inclusive and encourages new players to keep going.

But easy is not the right word. If you want to master the ukulele, you may need to spend a lifetime, like most things in life!


11. You MUST go for solid wood!

This is a wildly popular opinion trotted out online - the concept that if you want a decent ukulele that it MUST be made of solid wood, and that is somehow better. Wrong...

Solid wood instruments use solid pieces of tone wood in the body construction as opposed to laminate ukes which use thin sandwiches of wood to create the same thing. Generally speaking, solid wood is more expensive and that has led to the misconception that it therefore must be 'better'. It's actually more expensive because it takes more work to get it right without the ukulele splitting or collapsing, but 'better'? Not necessarily. Sure, at the higher end, you really want to be looking at solid wood, but at the lower and intermediate level price points you will see a lot more laminate. That doesn't mean they are 'worse' though, and in fact there are some stellar laminate made ukuleles out there from brands like Kiwaya. My summary is that I would take a well made laminate ukulele over a poorly made solid wood uke every day of the week. And that matters because in this drive to get the ukulele as cheap as possible a lot of brands are putting out impossibly low priced solid wood instruments because they know the market is telling buyer they are better. But in reality they are poorly finished, poorly seasoned, poorly built and often overly thick and heavy. This is a huge topic and you will find more on the subject here -  https://www.gotaukulele.com/2015/03/theres-good-and-bad-ukuleles-whether.html  I really would urge you to read this one if you have someone in your ear telling you that solid wood is better.

12. If you are left handed you MUST play this way!

Ah yes, the scourge of the right handed player telling the left handed beginner that they know what is best. No they don't. They are not left handed and they don't know whats best. Even if that advisor is left handed themself, they don't know what is best for another player - they only know what is best for THEM. The truth is there are lots of established ways that left handed players have approached playing stringed instruments like guitars and ukuleles - and they are ALL right depending on the person. The correct approach is to try a variety of methods and go with the one that works best for you. It's not wrong if it works for you and you should not put up with anyone else telling you what is best. Only you can know that. Take a look at the options for left handed ukulele players here.


So, there you go. If you are a beginner just starting out do be careful with what advice you take on board. Social media creates a lot of noise, but not all of it helpful. Be wise though and you will have many years of fun with this little instrument!


AND! Be sure to check out my other ukulele RANTS - where I explode the many myths and bad advice that surrounds the instrument - CLICK this link! http://www.gotaukulele.com/search/label/rants
Read More »

3 Aug 2013

Neotech Ukulele Strap - REVIEW

I do come across a lot of ukulele products writing this blog, so when I was offered (yet another) ukulele strap to review, I must admit I was thinking, 'isn't a strap just a strap'? I was wrong. Say hello to the Neotech Ukulele Strap.


Neotech ukulele strap
Neotech ukulele strap

This strap is made in the USA and comes with a promise of a 'weight reduction system' (more on that later!). It's also actually billed as a mandolin strap - similar sized instrument I suppose.

In essence though it is a pretty standard strap that comes with some nifty features. First of all is the shoulder strap element. I am not a fan of large wide guitar style straps on an instrument as small as a ukulele, so tend to go for narrow bands. That also helps when playing as you don't have a fat wide band getting in the way of your fretting hand. The downside to those I find is that after an extended playing session, they can dig in to the shoulder a little. Neotech therefore decided to keep most of the strap narrow, yet fitted a central part which is made of wide spongy neoprene to aid comfort.

Neotech ukulele strap
Headstock attachment

Neotech ukulele strap extension pieces
Extension pieces


Adjustment of the strap to get that pad in the right place is achieved by some sliding buckles on the thin webbing either side of the neoprene part to allow you to get it in the right position. If you are a larger person and find that the uke is riding too high, it helpfully comes with two five inch extension pieces that can lengthen both ends of the strap. These attach with nifty little click buckles. I found I needed to experiment with a few types of extension to get the strap just where I needed it, but the variety of buckles really does give you a lot of options.

Neotech ukulele strap connector
Strap button connector


For connecting to the instrument itself, it comes with two leather tab connectors for strap buttons, and another piece with a loop of cord for attaching around the headstock. Again all options covered and that loop would work very well around a scroll on a mandolin.  Quite a nice little package really. But how does it feel?

Well, I've delayed writing this review (sorry Neotech) as I really wanted to give it a good run out in the field as it were. I've since used this strap at three  gigs, each one in the height of summer, hot, sweaty affairs. As such comfort is essential when you are playing a two hour set. And I can say it performed extremely well. The comfort on the shoulder really did make it feel like there was nothing there. As for that 'weight reduction system' - the neoprene has a spongy slightly stretchy quality to it, and that means the strap has a bit of give in it. As such it kind of feels like the uke is floating in front of you. So that's a real world test for you!

One other element I was worried about was damage to the uke from rubbing, but the leather tabs are super soft, and the position of the buckles meant that nothing rubbed on the ukulele. That's pretty important to me when standing playing a £500 high gloss Pono on stage!

So, yes, a strap is a strap, but I am very impressed with this one. It looks great, feels great on the shoulder and is also extremely well made. I'd recommend you check it out.

The Neotech Ukulele strap has an RRP of $29.25 and can be found at http://neotechstraps.com as well as other musical instrument dealers.


Read More »

1 Aug 2013

N'Ukefest 2013 - The videos

We made it our business to take as much video of the open mic ukulele performers we could during N'Ukefest. That isn't video of the N'Ukes, but of the friends and guests that made the get together what it was.


I would crash your browser if I embed every video on this page, so you can find them all HERE. For now though, I've selected some of my favourites for easy access. Enjoy!



Tony Casey


Jez Quayle




Rob Collins of Tinguitar.com





Ken Middleton
Read More »

Help Support Got A Ukulele

Please Help Keep This Site Going!

If you enjoy this blog, donations are welcomed to allow me to invest more time in bringing you ukulele articles. Aside from the Google ads, I don't get paid to write this blog and for reasons of impartiality a not sponsored by brands or stores. Your donations all go back into the site to allow me to keep bringing you reviews, and in the end the ukuleles acquired are given to local schools and charities.