Back to Got A Ukulele turning it's pages over to uke brands and performers for some help with promotion in these difficult times. This time, the intriguing 'Wireless Ukulele Festival'.
Showing posts with label festival. Show all posts
Showing posts with label festival. Show all posts
9 Apr 2020
7 May 2017
7 May 2017T21:02
Grand Northern Ukulele Festival 2018!
I was very disappointed this weekend that car troubles stopped me visiting GNUF 2017 in Huddersfield..
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15 Jan 2017
15 Jan 2017T20:20
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LesFest - A Testimonial Musical Extravaganza for Les Hilton
Long time readers of Got A Ukulele will know how much I think of the duo that is Chonkinfeckle. In fact anyone in the ukulele world should know Chonkinfeckle!
24 Jul 2016
24 Jul 2016T11:15
Some will immediately agree with that statement, some will recoil in horror. I would like to think that Got A Ukulele has established a name for itself in not shying away from the difficult subjects and doing a certain amount of telling it like it is. I think it would therefore be wrong of me to avoid the subject. Bear with me....
Regular readers will know that for the last few years I have been compiling the Ukulele Festival Calendar on this site. Even a swift glance at it will show you just how many festivals there are these days. Pretty much one per weekend through the summer months and in several cases, more than one on the same weekend. I should also just make clear that I think the congestion is related mainly (if not solely) to the ukulele festival scene in the UK. It's not anywhere near as busy in mainland Europe, and whilst there are a lot of festivals in the USA, that kind of makes sense as the country is so large.
But the UK is a small place geographically, and has a small (ish) population, so when you have one per weekend (or more than one) so consistently, and ultimately not that far apart in distance - is there a danger of the whole thing becoming overloaded?
There are several ways of looking at this, and clearly there is a clear distinction between the artists that perform and the punters that go to watch.
For artists, naturally they WANT to play festivals and be heard. It's what they do, and if not their actual job, it's certainly their devoted vocation. It's totally understandable that they want to perform and perhaps in that sense the more the merrier? Perhaps. But I actually think there is another angle worth considering and that surely has to be over-exposure on the circuit? If you are the sort of person that likes to go to lots of festivals, having the same acts on the bill of each one would (for me at least) get extremely repetitive. I prefer variety and certainly wouldn't go to non-ukulele music festivals if they all had the same acts each time. Perhaps the artists themselves are aware of this and try not to appear everywhere, but I guess it's hard if you are doing very well and every festival is asking you to play. Artists dont like turning down gigs!
There are also a couple of angles on the punter side of things. On the one hand a large number of festivals spread around the country gives more people a chance to go and see one without ridiculous travelling times. In fact some people struggle with travelling full stop, so perhaps one in every town makes sense. There are people who adore filling their summers with festival after festival, and for them, the calendar is a real treat. On the other hand though, there are the people who are still addicted to the ukulele and for whom going to quite so many events would just not be financially possible. These things cost and it certainly adds up. So perhaps having so many becomes a temptation they just can't realise, and then find themselves bombarded on Facebook with pictures of their friends enjoying what they couldn't justify. I know a few people in this camp and feel 'left out' by not being able to go to more.
And aside from the artist / punter side of things, it's worth considering another important point. Just how many ukulele receptive audience members are there in the UK? The answer to me is clear, but it also is an answer that many people I dont think actually want to hear. Whilst I dont know of any reliable census information to be definitive, it is surely a fact that the number of ukulele players in the UK is TINY compared to general music fans. It's a niche thing, pure and simple. If you are within the bubble it may be hard to see this, but it's true. This is no Glastonbury (175,000 attendees), or even something more niche like a folk Festival (Cambridge gets an estimated 10,000, Cropredy and estimated 20,000). No, ukulele festivals tend to attract anything from small multiples of 10, through to a few hundred and in the case of the biggest ones, perhaps 1,000 or so. These are small numbers of potential customers, and expecting those numbers every weekend of the year (pretty much) is a big ask I would say. And at the rate that the small festivals are developing into big ones, I just dont see how the audience numbers are sustainable for everyone.
Looking back a few years, there were still lots of ukulele events around, but as I say, it's the scale of the festivals seems to have changed in the last 1-2 years. In the past you had a couple of large festivals and then a host of smaller, often free or charitable events in towns and villages around the UK. The larger festivals had the bigger names, often international players included, but the local events served to showcase up and coming talent and local clubs more (I even ran one myself). All were enjoyed, and there were far fewer cases of people having to think 'which ticketed event do I choose to go to'. These days some of those local events still happen, but they now also find themselves competing with a big increase in larger, ticketed events themselves. And if you are running a ticketed event you DO have costs. You are either needing to make money, or in the case of many, not make a profit but to avoid LOSING money. And to not lose money means getting people through the door. And so lies the problem. We have a finite number of weekends in the year, and a finite and small number of potential customers. Some will go to lots, but many can't afford that and need to pick and choose. And that surely puts pressure on the organisers with some struggling to get the numbers they need to avoid being in debt. That just seems a crazy situation. The concept of 'build it and they will come' just really doesn't apply when there is cost involved and the country is on the verge of heading into another recession. And bear in mind that in to 2017 it looks like the UK will be going into recession. There will be less disposable money around for most people, and the value of the pound in your pocket will be far less. All in all it's not conducive to the survival of so many large events.
Like all my rants, some people misconstrue them as me telling people 'what to do'. They aren't and it's sad that I need to point out that they are just discussion pieces that I hope make people think. And that's the case here. It's not for me, or anyone else to tell any festival team what to do, or tell small festivals that they can't grow. They can do whatever they like. I am however entitled to an OPINION of my own, and I have been saying this for some time. I personally think there are too many large events, and if they continue growing in the way they have in 2016, I think that will ultimately (and fairly swiftly) be to the detriment of all ukulele festivals. And that will affect both punters AND artists alike. And I think that would be really sad - both for punters and organisers. I'd love to wave a magic wand to allow every event to be over-subscribed, but that's impossible.
So what do I suggest? Well certainly more of the obvious - and thats COMMUNICATION between organisers. There really should be no need for events to clash with a bit of advance communication, but in fact clashing isn't the only problem here. Having large events week after week after week must surely affect which ones many punters choose to go to. I think that communication should extend to keeping the larger festivals spread out as much as possible. I know a few festival organisers and I know how much work they put in to doing exactly this outreach work. Clearly though, a look at the calendar shows that this doesn't apply to everyone. And if everyone is not playing nice, the system then falls down. It's the 'this is why we can't have nice things' argument. The few making it difficult for the many.
For me, in a country the size of the UK with a ukulele fanbase as big as I think it is, I would suggest (please - it's only a suggestion!!) that a couple of large festivals in England, plus one in Scotland, and one in Wales would be plenty. Then fill the rest of the year with smaller free events for local clubs to try to get on the ladder. Kind of like it used to be really....
And I'm having second thoughts about running the festival calendar in 2017. As much as it serves to help punters, I had always hoped that it would help organisers know what is happening where and when to help avoid congestion and clashes. Clearly that didn't work. No doubt it's been helpful for punters, but less so for organisers.
But as I say, it's not for this site to tell anyone what to do. I do hope though it creates some discussion and I would very much like to hear your own perspectives. Are you a punter that relishes the thought of attending something every week, or are you the sort that can only justify one and has to think very carefully about what to miss out on?
(nb - I am happy to take comments on this post, but any comments naming names on festivals wont be published. This is a general discussion post and not intended to target any particular events)
- STOP PRESS -
I kind of knew that this piece would create some debate and difference of opinion. That was the point - to get those with differing opinions actually talking about it. Because there ARE differences of opinion. Sadly I am seeing those who think the number of festivals is 'just fine' are now deliberately scoffing at those who dare say different. Making out that because I dare to question what we have is in some way troublemaking. This morning this led to one festival organiser claiming publicly that I am 'hoping ukulele festivals will fail'... The fact that this piece has the intention of avoiding EXACTLY THAT happening, seems lost on people. That's not only pretty stupid, but it's pretty hurtful.
Yes, of course - if you love going to lots of ukulele festivals, of course you will support the busy calendar - the blog post even SAYS that as being a valid point of view, but to just ignore any contrary position as not being relevant is crazy. I've had direct comments in praise of the piece from people who say they have been 'totally put off' ukulele festivals full stop because of the repetitive nature of events. And I've had even more messages of support from people who simply cannot afford to go to more than one. And that final point was perhaps my main concern - you can bleat all you like about how great it is to have lots of festivals, but if they start losing money because they cannot get punters through the door, you will soon have very few again....
© Barry Maz
Read More »
UK Ukulele Festival Overload?
A difficult and contentious topic this one, but one I am seeing discussed more and more on social media. Are there too many ukulele festivals in the calendar year?
Some will immediately agree with that statement, some will recoil in horror. I would like to think that Got A Ukulele has established a name for itself in not shying away from the difficult subjects and doing a certain amount of telling it like it is. I think it would therefore be wrong of me to avoid the subject. Bear with me....
Regular readers will know that for the last few years I have been compiling the Ukulele Festival Calendar on this site. Even a swift glance at it will show you just how many festivals there are these days. Pretty much one per weekend through the summer months and in several cases, more than one on the same weekend. I should also just make clear that I think the congestion is related mainly (if not solely) to the ukulele festival scene in the UK. It's not anywhere near as busy in mainland Europe, and whilst there are a lot of festivals in the USA, that kind of makes sense as the country is so large.
But the UK is a small place geographically, and has a small (ish) population, so when you have one per weekend (or more than one) so consistently, and ultimately not that far apart in distance - is there a danger of the whole thing becoming overloaded?
There are several ways of looking at this, and clearly there is a clear distinction between the artists that perform and the punters that go to watch.
For artists, naturally they WANT to play festivals and be heard. It's what they do, and if not their actual job, it's certainly their devoted vocation. It's totally understandable that they want to perform and perhaps in that sense the more the merrier? Perhaps. But I actually think there is another angle worth considering and that surely has to be over-exposure on the circuit? If you are the sort of person that likes to go to lots of festivals, having the same acts on the bill of each one would (for me at least) get extremely repetitive. I prefer variety and certainly wouldn't go to non-ukulele music festivals if they all had the same acts each time. Perhaps the artists themselves are aware of this and try not to appear everywhere, but I guess it's hard if you are doing very well and every festival is asking you to play. Artists dont like turning down gigs!
There are also a couple of angles on the punter side of things. On the one hand a large number of festivals spread around the country gives more people a chance to go and see one without ridiculous travelling times. In fact some people struggle with travelling full stop, so perhaps one in every town makes sense. There are people who adore filling their summers with festival after festival, and for them, the calendar is a real treat. On the other hand though, there are the people who are still addicted to the ukulele and for whom going to quite so many events would just not be financially possible. These things cost and it certainly adds up. So perhaps having so many becomes a temptation they just can't realise, and then find themselves bombarded on Facebook with pictures of their friends enjoying what they couldn't justify. I know a few people in this camp and feel 'left out' by not being able to go to more.
And aside from the artist / punter side of things, it's worth considering another important point. Just how many ukulele receptive audience members are there in the UK? The answer to me is clear, but it also is an answer that many people I dont think actually want to hear. Whilst I dont know of any reliable census information to be definitive, it is surely a fact that the number of ukulele players in the UK is TINY compared to general music fans. It's a niche thing, pure and simple. If you are within the bubble it may be hard to see this, but it's true. This is no Glastonbury (175,000 attendees), or even something more niche like a folk Festival (Cambridge gets an estimated 10,000, Cropredy and estimated 20,000). No, ukulele festivals tend to attract anything from small multiples of 10, through to a few hundred and in the case of the biggest ones, perhaps 1,000 or so. These are small numbers of potential customers, and expecting those numbers every weekend of the year (pretty much) is a big ask I would say. And at the rate that the small festivals are developing into big ones, I just dont see how the audience numbers are sustainable for everyone.
Looking back a few years, there were still lots of ukulele events around, but as I say, it's the scale of the festivals seems to have changed in the last 1-2 years. In the past you had a couple of large festivals and then a host of smaller, often free or charitable events in towns and villages around the UK. The larger festivals had the bigger names, often international players included, but the local events served to showcase up and coming talent and local clubs more (I even ran one myself). All were enjoyed, and there were far fewer cases of people having to think 'which ticketed event do I choose to go to'. These days some of those local events still happen, but they now also find themselves competing with a big increase in larger, ticketed events themselves. And if you are running a ticketed event you DO have costs. You are either needing to make money, or in the case of many, not make a profit but to avoid LOSING money. And to not lose money means getting people through the door. And so lies the problem. We have a finite number of weekends in the year, and a finite and small number of potential customers. Some will go to lots, but many can't afford that and need to pick and choose. And that surely puts pressure on the organisers with some struggling to get the numbers they need to avoid being in debt. That just seems a crazy situation. The concept of 'build it and they will come' just really doesn't apply when there is cost involved and the country is on the verge of heading into another recession. And bear in mind that in to 2017 it looks like the UK will be going into recession. There will be less disposable money around for most people, and the value of the pound in your pocket will be far less. All in all it's not conducive to the survival of so many large events.
Like all my rants, some people misconstrue them as me telling people 'what to do'. They aren't and it's sad that I need to point out that they are just discussion pieces that I hope make people think. And that's the case here. It's not for me, or anyone else to tell any festival team what to do, or tell small festivals that they can't grow. They can do whatever they like. I am however entitled to an OPINION of my own, and I have been saying this for some time. I personally think there are too many large events, and if they continue growing in the way they have in 2016, I think that will ultimately (and fairly swiftly) be to the detriment of all ukulele festivals. And that will affect both punters AND artists alike. And I think that would be really sad - both for punters and organisers. I'd love to wave a magic wand to allow every event to be over-subscribed, but that's impossible.
So what do I suggest? Well certainly more of the obvious - and thats COMMUNICATION between organisers. There really should be no need for events to clash with a bit of advance communication, but in fact clashing isn't the only problem here. Having large events week after week after week must surely affect which ones many punters choose to go to. I think that communication should extend to keeping the larger festivals spread out as much as possible. I know a few festival organisers and I know how much work they put in to doing exactly this outreach work. Clearly though, a look at the calendar shows that this doesn't apply to everyone. And if everyone is not playing nice, the system then falls down. It's the 'this is why we can't have nice things' argument. The few making it difficult for the many.
For me, in a country the size of the UK with a ukulele fanbase as big as I think it is, I would suggest (please - it's only a suggestion!!) that a couple of large festivals in England, plus one in Scotland, and one in Wales would be plenty. Then fill the rest of the year with smaller free events for local clubs to try to get on the ladder. Kind of like it used to be really....
And I'm having second thoughts about running the festival calendar in 2017. As much as it serves to help punters, I had always hoped that it would help organisers know what is happening where and when to help avoid congestion and clashes. Clearly that didn't work. No doubt it's been helpful for punters, but less so for organisers.
But as I say, it's not for this site to tell anyone what to do. I do hope though it creates some discussion and I would very much like to hear your own perspectives. Are you a punter that relishes the thought of attending something every week, or are you the sort that can only justify one and has to think very carefully about what to miss out on?
(nb - I am happy to take comments on this post, but any comments naming names on festivals wont be published. This is a general discussion post and not intended to target any particular events)
- STOP PRESS -
I kind of knew that this piece would create some debate and difference of opinion. That was the point - to get those with differing opinions actually talking about it. Because there ARE differences of opinion. Sadly I am seeing those who think the number of festivals is 'just fine' are now deliberately scoffing at those who dare say different. Making out that because I dare to question what we have is in some way troublemaking. This morning this led to one festival organiser claiming publicly that I am 'hoping ukulele festivals will fail'... The fact that this piece has the intention of avoiding EXACTLY THAT happening, seems lost on people. That's not only pretty stupid, but it's pretty hurtful.
Yes, of course - if you love going to lots of ukulele festivals, of course you will support the busy calendar - the blog post even SAYS that as being a valid point of view, but to just ignore any contrary position as not being relevant is crazy. I've had direct comments in praise of the piece from people who say they have been 'totally put off' ukulele festivals full stop because of the repetitive nature of events. And I've had even more messages of support from people who simply cannot afford to go to more than one. And that final point was perhaps my main concern - you can bleat all you like about how great it is to have lots of festivals, but if they start losing money because they cannot get punters through the door, you will soon have very few again....
© Barry Maz
8 May 2016
8 May 2016T09:17
I've said many times before that one of the things that makes GNUF very special is their ability to get artists to the UK that haven't previously been over here. And that is to say, they create a bill that stands out from the multitude of other ukulele festivals where you tend to see the same names over and over. The breadth of the bill is astounding year after year. GNUF brought Aaron and Nicole Keim over for their first UK Festival last year (and they are back this year). GNUF is bringing Danielle Ate The Sandwich over for her first UK dates, and of course the GNUF organiser was responsible for the first UK tour of Jake Shimabukuro and the first ukulele festival appearance for the Ukulele Orchestra Of Great Britain. This year sees the appearance of another US outfit who are revered in ukulele circles - the Flea Bitten Dawgs.
Formed in 2010 by three musicians with MANY years experience in performing (and having shared stages with some seriously impressive names), Flea Bitten Dawgs consist of David Henry Spangler and Thom Pallozola on ukulele and vocals, with percussion provided by Lee Kram. These are real players players and have opened for / shared the stage with some of the ukulele worlds biggest names, such as Gerald Ross, Stuart Fuchs and Cali Rose. Their style? 'Ukulele Jazz Americana'. Sounds great to me!
Their slot at GNUF this year marks the end of a mini tour of the UK and Europe also being organised by GNUF. It sees them perform in Brussells, Bradford, Reading, Belper (with Phil Doleman and Ian Emmerson) and Liverpool.
Take a tip from me - this is an act to watch. Take a look at their 'hello' to the UK!
And have a tune!
Nice huh?
The Grand Northern Ukulele Festival takes place on 27-29 May at Huddersfield, UK.
http://northernuke.com
http://fleabittendawgs.com
© Barry Maz
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GNUF Preview - Flea Bitten Dawgs
Another look forward to this years Grand Northern Ukulele Festival and a real treat for ukulele fans. The Flea Bitten Dawgs in their first UK mini tour and festival slot.
I've said many times before that one of the things that makes GNUF very special is their ability to get artists to the UK that haven't previously been over here. And that is to say, they create a bill that stands out from the multitude of other ukulele festivals where you tend to see the same names over and over. The breadth of the bill is astounding year after year. GNUF brought Aaron and Nicole Keim over for their first UK Festival last year (and they are back this year). GNUF is bringing Danielle Ate The Sandwich over for her first UK dates, and of course the GNUF organiser was responsible for the first UK tour of Jake Shimabukuro and the first ukulele festival appearance for the Ukulele Orchestra Of Great Britain. This year sees the appearance of another US outfit who are revered in ukulele circles - the Flea Bitten Dawgs.
Formed in 2010 by three musicians with MANY years experience in performing (and having shared stages with some seriously impressive names), Flea Bitten Dawgs consist of David Henry Spangler and Thom Pallozola on ukulele and vocals, with percussion provided by Lee Kram. These are real players players and have opened for / shared the stage with some of the ukulele worlds biggest names, such as Gerald Ross, Stuart Fuchs and Cali Rose. Their style? 'Ukulele Jazz Americana'. Sounds great to me!
Their slot at GNUF this year marks the end of a mini tour of the UK and Europe also being organised by GNUF. It sees them perform in Brussells, Bradford, Reading, Belper (with Phil Doleman and Ian Emmerson) and Liverpool.
Take a tip from me - this is an act to watch. Take a look at their 'hello' to the UK!
And have a tune!
Nice huh?
The Grand Northern Ukulele Festival takes place on 27-29 May at Huddersfield, UK.
http://northernuke.com
http://fleabittendawgs.com
© Barry Maz
29 Mar 2015
29 Mar 2015T22:49
The trouble with this post though, there are so many acts performing this year, that I couldn't possibly feature them all in one post. Your browser and your internet connections wouldn't thank me.... So first up, let's take a look at some of the headliners for 2015.
Manitoba Hal Brolund
A regular in the headline slot in festivals all around the world, and a top end performer. Hal has a natural 'blues gift' that transcends the ukulele he chooses to play it on. I've featured him on Got A Ukulele before which was a joy! Not to be missed.
Here he is performing at the UK's Southern Ukulele Store last year.
Sarah Maisel
Sarah made her UK debut in 2013 and absolutely blew the audiences away. Another Got A Ukulele interviewee, and another performer who not only oozes talent but is one of the nicest people you would ever meet. Can't wait to see her again.
Here she is performing in the UK in 2014. Sublime.
The Quiet American
The Quiet American are husband and wife duo Aaron and Nicole Keim from the USA, who deliver a great set of old time Americana with some style. I've not yet seen them live or met them, so I am really looking forward to this one.
Check out the video what also includes Keim Jr!
Craig Chee
Whilst understandably associated with Sarah Maisel since he became engaged to her (!), Craig has been an extremely well known name in his own right on the ukulele circuit and someone else I will be meeting for the first time this year.
Have a listen to him performing with Sarah and Ukulele Undergrounds own Aldrine Guerrero here.
Phil Doleman
Where would a UK festival be without an appearance from one of the UK's best loved stars - Phil Doleman? A real 'players player' and a jolly good egg too. Cover star of the new UKE Magazine as well don't you know?
Here he is at last years Uke East festival in Norwich.
Zoë Bestel
When she performed at her first ukulele festival last year at GNUF 2014 she absolutely knocked the audience sideways. I should know, I was there! A true rising star who is going to go on to great things in the world of music.
Oh boy that voice!
And there you go - she says herself that the Grand Northern Ukulele Festival was the best festival she has ever played at EVER! Wise words Zoë!
So that's about it for this main stage round up - but there are 30 plus artist in total across several stages. Really something for everyone. Hope I may see you there!
I know that tickets may well have run out now - but now it's time to book your Workshops!!
http://northernuke.com
© Barry Maz
Read More »
Grand Northern Ukulele Festival - A Main Stage Preview
Well, only about a couple of months to go before one of the worlds most 'feel good' ukulele festivals takes place in Huddersfield. Time, I think, for a preview of some of the leading acts on show this year.
The trouble with this post though, there are so many acts performing this year, that I couldn't possibly feature them all in one post. Your browser and your internet connections wouldn't thank me.... So first up, let's take a look at some of the headliners for 2015.
Manitoba Hal Brolund
A regular in the headline slot in festivals all around the world, and a top end performer. Hal has a natural 'blues gift' that transcends the ukulele he chooses to play it on. I've featured him on Got A Ukulele before which was a joy! Not to be missed.
Here he is performing at the UK's Southern Ukulele Store last year.
Sarah Maisel
Sarah made her UK debut in 2013 and absolutely blew the audiences away. Another Got A Ukulele interviewee, and another performer who not only oozes talent but is one of the nicest people you would ever meet. Can't wait to see her again.
Here she is performing in the UK in 2014. Sublime.
The Quiet American
The Quiet American are husband and wife duo Aaron and Nicole Keim from the USA, who deliver a great set of old time Americana with some style. I've not yet seen them live or met them, so I am really looking forward to this one.
Check out the video what also includes Keim Jr!
Craig Chee
Whilst understandably associated with Sarah Maisel since he became engaged to her (!), Craig has been an extremely well known name in his own right on the ukulele circuit and someone else I will be meeting for the first time this year.
Have a listen to him performing with Sarah and Ukulele Undergrounds own Aldrine Guerrero here.
Phil Doleman
Where would a UK festival be without an appearance from one of the UK's best loved stars - Phil Doleman? A real 'players player' and a jolly good egg too. Cover star of the new UKE Magazine as well don't you know?
Here he is at last years Uke East festival in Norwich.
Zoë Bestel
When she performed at her first ukulele festival last year at GNUF 2014 she absolutely knocked the audience sideways. I should know, I was there! A true rising star who is going to go on to great things in the world of music.
Oh boy that voice!
And there you go - she says herself that the Grand Northern Ukulele Festival was the best festival she has ever played at EVER! Wise words Zoë!
So that's about it for this main stage round up - but there are 30 plus artist in total across several stages. Really something for everyone. Hope I may see you there!
I know that tickets may well have run out now - but now it's time to book your Workshops!!
http://northernuke.com
© Barry Maz
19 Sept 2014
19 Sept 2014T11:16
Uke East takes place on 25 October at Hellesdon Community Centre, Norwich and has some great acts billed.
Sophie Madeleine is performing in her only 2014 live gig and will be a huge draw. Good friend Phil Doleman is also on the bill performing his superb finger style jazz styled set. Also billed are the Bijoux Toots, Liam Capper-Starr, Artemiss, Ben Rouse and the Norwich Ukulele Society.
Tickets are £16 and all profits go to the Musical Keys charity http://www.musicalkeys.co.uk
Festival organiser Nic Rigby told me, "We are hoping to bring some of the best musicians and songwriters from around Britain to Norfolk and at the same time help the wonderful Norwich charity Musical Keys.
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Uke East 2014
From one festival to another, I am pleased to pass on details for what looks like being a great event organised by and featuring some friends of mine on the ukulele circuit. Uke East!
Uke East takes place on 25 October at Hellesdon Community Centre, Norwich and has some great acts billed.
Sophie Madeleine is performing in her only 2014 live gig and will be a huge draw. Good friend Phil Doleman is also on the bill performing his superb finger style jazz styled set. Also billed are the Bijoux Toots, Liam Capper-Starr, Artemiss, Ben Rouse and the Norwich Ukulele Society.
Tickets are £16 and all profits go to the Musical Keys charity http://www.musicalkeys.co.uk
Festival organiser Nic Rigby told me, "We are hoping to bring some of the best musicians and songwriters from around Britain to Norfolk and at the same time help the wonderful Norwich charity Musical Keys.
"The festival should be a great celebration of music and not just a ukulele festival.
"To get Sophie Madeleine, in her only live gig of 2014, should be a great attraction, while Phil Doleman is one of top ukulele players in the country and will be also be running a workshop."
Sounds like a great one to check out. Details are on their website at http://uke-east.co.uk
15 Sept 2014
15 Sept 2014T15:38
FRIDAY
A slow start for me heading up to Huddersfield on what should have been a 90 minute journey. My thanks go out to the Department Of Transport for kindly laying on road works on every single stretch of road on my route, meaning my trip was more like 200 minutes. I arrived, road weary but immediately uplifted in the hotel bar seeing many old friends, main stage acts and thoughts of a night in the town.
The (un) official opening evening for the festival was arranged for the Head Of Steam pub in Huddersfield - a smashing real ale venue that had been the choice of a range of pre festival events for the GNUF team during the summer. On arrival I was greeted to a completely full front room that was already in full swing with a uke jam in progress.
Some beers later and the evening entertainment started with some beautiful playing from Lionel K Hubert in solo mode, and thereafter, the stage was taken over by other GNUF acts giving it what for.
With a late night ahead, retirement beckoned to the hotel bar, and 'late' does not really do it justice. Needless to say I had about two hours sleep before needing to get down to Huddersfield Town Hall the next day (same day?) for the start of the main event. Safe in the protection of my blog I blame Tim and Jake Smithies of Dead Mans Uke for leading me astray.... (my own free will doesn't come into it..)
SATURDAY
So, early start and a trek down to the Town Hall with a bunch of loan ukuleles that have featured on this blog that I needed to hand back. Wristbands picked up, hellos to the organising team. Its when you look into the programme that you realise just how much was actually going on this weekend. My apologies in advance, but I cannot include everyone in this diary. I really wanted to get a broad view of the variety at GNUF this year so please don't take it to heart if you are a workshopper or performer and I couldn't fit you in!
GNUF were keen this year to introduce more acts and another venue to the festival so had introduced the Festival Fringe, taking place at a rather wonderful record store in Huddersfield. The Fringe was also FREE to locals and really did create a kind of inclusive vibe to the event across the town. I managed to get there in time for Dead Mans Uke who absolutely blasted the place with a superb set. You may have seen pictures of them on this site, but you have to go see them - its only when their music starts and Jakes bass kicks in that you will really 'get it'. The venue was rammed and their reception was hot. Other artists on the Fringe Stage included Peter Moss, Lionel Hubert, Phil Doleman, Ukulelezaza and Michael Adcock, but with my young daughter in tow it was time for her lunch and for me to return to the HQ before the main stage opened.
This also gave me time to pop my head into a few workshops (and there was some serious variety here too - not just how to play lessons, but really interactive stuff like learning to play and sing with Tricity Vogue and The Mersey Belles, or making your own recording with the Mother Ukers). I also had a bit of time now to explore the Market place - a must for any uke festival. Such beautiful instruments on display - I could have spent a fortune. Sadly for me I am keeping the collection static for the time being, but I did come away with some loan ukes that will be featuring on the reviews section in the near future!
Opening the main stage were 'Some Like It Ossett' comprising Tony Casey from the GNUF team plus Jacqui Wicks, Joe Grant- Mills and Ralph Dartford. They went down extremely well and have a smashing sound. Then an act that will be featuring on Got A Ukulele very soon in the form of the Mersey Belles with their absolutely top drawer close harmony singing. In fact, as you will read on below, they offered their singing skills to festival visitors with their singing workshop too.
Next up, an act who I was really pleased had come to GNUF. I last saw Krabbers at N'Ukefest 2014 and his beautiful (and funny) songs were really appreciated by the audience and sounded just great.
Closing the first half of the concert were a band I have been dying to see for years - Mother Ukers. I think a lot of the audience may not have known what to expect here, but the reception they were given was tremendous. And why was that? Well they just exude energy, fun and talent. Pop covers like you have not heard before! Loved it.
Finally, the Saturday headliner, Del Rey. I have known who Del Rey is, but I will be honest and state that I had not seen much of her work on video. I am so glad she was there though. Appearing on stage with Adam Franklin this was a set of such talent, mainly on resonator instruments, but also guitars, or both. If you like your fingerpicked jazz and blues with style and humour this was the set for you. I totally adored it.
And finally - an all star jam saw the performers re join the stage for a hugely fun play out to the end of the night.
And with that, the night came to a close. More jam sessions were on their way in the pub, but I (please see above, 2 hours sleep remember...) needed to retreat to the hotel bar for a nightcap with a couple of the festival organisers and then bed...
SUNDAY
There was me thinking Sunday was a quieter day. Could not have been more wrong!
Back to the Town Hall for the opening session on the main stage with a 'Mashup' of performances between the musical acts which was huge fun. Then on to a performance from a trio of guys I am proud to call good friends - Chonkinfeckle! I could blog about how Tim got to bed at about 8.00am that day before needing to get to soundcheck for 10.30, but I won't (oops). Yet, they delivered a belting set - in fact they just get better and better the more I see them. This year they were joined on stage on tub bass by GNUF team member Paul McCann and Mia Lynch (her first time on stage) for a couple of songs and got a great reception from the crowd.
Next up, more good friends in the shape of The Anything Goes Orchestra. They tore the roof off the venue in their GNUF 2013 show did so again this year. They perform such a lively and tight set it really is hard not to dance (either in your seat, or in this case in the aisles and in front of the stage). Electric performance with good humour and great songs.
A quick but important word here about Heidi Bang Tidy, the compere for the weekend, and who was the perfect choice. So funny, and equally happy to joke at audience members as she was with performers. She just sparkles and keeps the thing moving with lots of style and good laughs. She even came down to the aisle during the TAGO set to dance with my 4 year old daughter... (her highlight of the whole weekend!).
And with that, the Town Hall came to a temporary close as the Ukulele Orchestra Of Great Britain had arrived. Not only did they need to sound check, but they were also running a workshop in the hall. But that didn't mean that the festival came to a close.
Just outside the Huddersfield Gallery and library, Space to Create had set up a marquee at the Piazza where more performances took place including shows from Ben Rouse (blistering) and Vonck and Vlam (spellbinding) amongst other workshops and open mic slots.
As for this blogger, my day was not over as I had been asked to join the judging panel for the Mersey Belles busk off performance. Earlier in the festival the Belles had each worked separately with two workshop groups to learn and perform 'Tonight You Belong To Me'. Each group had been taught the vocal part of one of the Belles, and then came together to perform the whole song. I think they thought of me as a Simon Cowell type (grumpy blogger that I am), but in reality their performances were superb and it was huge fun to be a part of.
5pm brought the act that all had been waiting for - the Ukulele Orchestra Of Great Britain. Sadly for me, a combination of being dead on my feet and day job commitments the next morning meant I had to bid my farewell to Huddersfield. Needless to say though, social media this morning has been FULL of compliments for their amazing set to close the festival. They even ended up performing in the hotel bar with other festival goers and performers. How cool?
So GNUF 2014 closes. In my book this one topped last year, and in fact has topped any uke festival I have been to. It's all about the 'feel' that the organising team put onto the event and a very clever choice of acts and mix of workshops and ideas. This is far more than just a hall you turn up to and watch some ukulele performances. There were things at every turn, and acts to delight all sorts of tastes. And of course there were NO egos here. The main acts really threw themselves into affairs and mingled and mixed with the crowds. I for one was so pleased to catch up with old friends and make new ones, and having had a bit of an iffy ukulele time recently the very warm words from many mean an awful lot to me. Well done to all of the organisers of this event and long may it continue!
In fact, as for it continuing - the date has been set for 2015 already with a return to Huddersfield on 22-24 May! Early bird tickets are now available on the link below! And what a line up it looks to be - Manitoba Hal, Aaron Keim, Sarah Maisel and Craig Chee, Phil Doleman, Zoë Bestel, Chonkinfeckle, Dead Mans Uke and many more.
Grab your tickets now!! http://www.northernuke.com/2015-festival/
Until next year!
Read More »
Grand Northern Ukulele Festival - Diary 2014
The dust settles and WHAT a weekend to look back on. Time for me to share my memories of this fantastic event - the Grand Northern Ukulele Festival 2014 held in Huddersfield, Yorkshire, UK.
FRIDAY
A slow start for me heading up to Huddersfield on what should have been a 90 minute journey. My thanks go out to the Department Of Transport for kindly laying on road works on every single stretch of road on my route, meaning my trip was more like 200 minutes. I arrived, road weary but immediately uplifted in the hotel bar seeing many old friends, main stage acts and thoughts of a night in the town.
The (un) official opening evening for the festival was arranged for the Head Of Steam pub in Huddersfield - a smashing real ale venue that had been the choice of a range of pre festival events for the GNUF team during the summer. On arrival I was greeted to a completely full front room that was already in full swing with a uke jam in progress.
 |
| Friday Jam in the Head Of Steam |
 |
| Lionel K Hubert |
SATURDAY
So, early start and a trek down to the Town Hall with a bunch of loan ukuleles that have featured on this blog that I needed to hand back. Wristbands picked up, hellos to the organising team. Its when you look into the programme that you realise just how much was actually going on this weekend. My apologies in advance, but I cannot include everyone in this diary. I really wanted to get a broad view of the variety at GNUF this year so please don't take it to heart if you are a workshopper or performer and I couldn't fit you in!
GNUF were keen this year to introduce more acts and another venue to the festival so had introduced the Festival Fringe, taking place at a rather wonderful record store in Huddersfield. The Fringe was also FREE to locals and really did create a kind of inclusive vibe to the event across the town. I managed to get there in time for Dead Mans Uke who absolutely blasted the place with a superb set. You may have seen pictures of them on this site, but you have to go see them - its only when their music starts and Jakes bass kicks in that you will really 'get it'. The venue was rammed and their reception was hot. Other artists on the Fringe Stage included Peter Moss, Lionel Hubert, Phil Doleman, Ukulelezaza and Michael Adcock, but with my young daughter in tow it was time for her lunch and for me to return to the HQ before the main stage opened.
 |
| Dead Mans Uke |
This also gave me time to pop my head into a few workshops (and there was some serious variety here too - not just how to play lessons, but really interactive stuff like learning to play and sing with Tricity Vogue and The Mersey Belles, or making your own recording with the Mother Ukers). I also had a bit of time now to explore the Market place - a must for any uke festival. Such beautiful instruments on display - I could have spent a fortune. Sadly for me I am keeping the collection static for the time being, but I did come away with some loan ukes that will be featuring on the reviews section in the near future!
 |
| Del Rey Jug Band Blues Party workshop |
 |
| Team SUS at the marketplace |
Opening the main stage were 'Some Like It Ossett' comprising Tony Casey from the GNUF team plus Jacqui Wicks, Joe Grant- Mills and Ralph Dartford. They went down extremely well and have a smashing sound. Then an act that will be featuring on Got A Ukulele very soon in the form of the Mersey Belles with their absolutely top drawer close harmony singing. In fact, as you will read on below, they offered their singing skills to festival visitors with their singing workshop too.
 |
| The Mersey Belles |
Next up, an act who I was really pleased had come to GNUF. I last saw Krabbers at N'Ukefest 2014 and his beautiful (and funny) songs were really appreciated by the audience and sounded just great.
Closing the first half of the concert were a band I have been dying to see for years - Mother Ukers. I think a lot of the audience may not have known what to expect here, but the reception they were given was tremendous. And why was that? Well they just exude energy, fun and talent. Pop covers like you have not heard before! Loved it.
 |
| Mother Ukers |
 |
| Mother Ukers Barnaby has his light bulb moment |
A short break and then an act I have also been wanting to see for a long time. I first hooked up with Tricity Vogue some years ago on this site, but had never seen her perform live. This year she was at GNUF with her 'All Girl Swing Band' and WOW. Just WOW. They absolutely lit up the room with their sound, talent and energy. Originals, retro styled pop numbers and the wonderful tap dancing of Josephine Shaker (at one point dressed as a penguin!) blew the audience away. A REAL highlight of my festival weekend with no doubt.
 |
| Tricity Vogue All Girl Swing Band |
You know how a good festival should have one of those artists who just captures the room? Well say hello to Zoë Bestel who had the audience open mouthed with the quality of her performance and sublime vocals. Seriously people, watch this space with Zoë as she will be going on to much much bigger things in a very short space of time, I am sure of it. No word of a lie, there were people in the audience in tears.
 |
| Zoë Bestel |
Next up, a man who is probably the most experienced performer at the festival in Mr Andy Eastwood. Dare I use the word 'extravaganza'? Andy is a multi instrumentalist (in fact I am not sure there is much he CAN'T play) who put on a high energy performance which left the audience speechless. There are those who just pin the act as a 'Formby thing' but that misses out SO much. Yes he plays a banjolele, but you need to hear his work on wooden uke, violin and more. Mesmerising musicianship.
 |
| Andy Eastwood |
Finally, the Saturday headliner, Del Rey. I have known who Del Rey is, but I will be honest and state that I had not seen much of her work on video. I am so glad she was there though. Appearing on stage with Adam Franklin this was a set of such talent, mainly on resonator instruments, but also guitars, or both. If you like your fingerpicked jazz and blues with style and humour this was the set for you. I totally adored it.
 |
| Del Rey with Adam Franklin |
And finally - an all star jam saw the performers re join the stage for a hugely fun play out to the end of the night.
And with that, the night came to a close. More jam sessions were on their way in the pub, but I (please see above, 2 hours sleep remember...) needed to retreat to the hotel bar for a nightcap with a couple of the festival organisers and then bed...
SUNDAY
There was me thinking Sunday was a quieter day. Could not have been more wrong!
 |
| GNUF team member Robert Collins with a couple of mascots |
Back to the Town Hall for the opening session on the main stage with a 'Mashup' of performances between the musical acts which was huge fun. Then on to a performance from a trio of guys I am proud to call good friends - Chonkinfeckle! I could blog about how Tim got to bed at about 8.00am that day before needing to get to soundcheck for 10.30, but I won't (oops). Yet, they delivered a belting set - in fact they just get better and better the more I see them. This year they were joined on stage on tub bass by GNUF team member Paul McCann and Mia Lynch (her first time on stage) for a couple of songs and got a great reception from the crowd.
 |
| Chonkinfeckle |
Next up, more good friends in the shape of The Anything Goes Orchestra. They tore the roof off the venue in their GNUF 2013 show did so again this year. They perform such a lively and tight set it really is hard not to dance (either in your seat, or in this case in the aisles and in front of the stage). Electric performance with good humour and great songs.
 |
| The Anything Goes Orchestra |
 |
| TAGO |
A quick but important word here about Heidi Bang Tidy, the compere for the weekend, and who was the perfect choice. So funny, and equally happy to joke at audience members as she was with performers. She just sparkles and keeps the thing moving with lots of style and good laughs. She even came down to the aisle during the TAGO set to dance with my 4 year old daughter... (her highlight of the whole weekend!).
 |
| Heidi Bang Tidy |
And with that, the Town Hall came to a temporary close as the Ukulele Orchestra Of Great Britain had arrived. Not only did they need to sound check, but they were also running a workshop in the hall. But that didn't mean that the festival came to a close.
Just outside the Huddersfield Gallery and library, Space to Create had set up a marquee at the Piazza where more performances took place including shows from Ben Rouse (blistering) and Vonck and Vlam (spellbinding) amongst other workshops and open mic slots.
 |
| Vonck and Vlam |
 |
| Ben Rouse |
As for this blogger, my day was not over as I had been asked to join the judging panel for the Mersey Belles busk off performance. Earlier in the festival the Belles had each worked separately with two workshop groups to learn and perform 'Tonight You Belong To Me'. Each group had been taught the vocal part of one of the Belles, and then came together to perform the whole song. I think they thought of me as a Simon Cowell type (grumpy blogger that I am), but in reality their performances were superb and it was huge fun to be a part of.
 |
| Mersey Belles Busk Off performance |
5pm brought the act that all had been waiting for - the Ukulele Orchestra Of Great Britain. Sadly for me, a combination of being dead on my feet and day job commitments the next morning meant I had to bid my farewell to Huddersfield. Needless to say though, social media this morning has been FULL of compliments for their amazing set to close the festival. They even ended up performing in the hotel bar with other festival goers and performers. How cool?
So GNUF 2014 closes. In my book this one topped last year, and in fact has topped any uke festival I have been to. It's all about the 'feel' that the organising team put onto the event and a very clever choice of acts and mix of workshops and ideas. This is far more than just a hall you turn up to and watch some ukulele performances. There were things at every turn, and acts to delight all sorts of tastes. And of course there were NO egos here. The main acts really threw themselves into affairs and mingled and mixed with the crowds. I for one was so pleased to catch up with old friends and make new ones, and having had a bit of an iffy ukulele time recently the very warm words from many mean an awful lot to me. Well done to all of the organisers of this event and long may it continue!
 |
| The Main Hall |
In fact, as for it continuing - the date has been set for 2015 already with a return to Huddersfield on 22-24 May! Early bird tickets are now available on the link below! And what a line up it looks to be - Manitoba Hal, Aaron Keim, Sarah Maisel and Craig Chee, Phil Doleman, Zoë Bestel, Chonkinfeckle, Dead Mans Uke and many more.
Grab your tickets now!! http://www.northernuke.com/2015-festival/
Until next year!
 |
| GNUF 2015 flyer |
12 Sept 2014
12 Sept 2014T10:05
Concerts galore, stalls, workshops, open mics, jams, festival cider! If you are going, I look forward to meeting you there. If you are not, then why not??
Keep an eye on this site during the weekend as I will be blogging my Festival Diary from the event covering as much as I can fit in from both days.
http://www.northernuke.com
Read More »
Got A Ukulele Off To GNUF!
Well the car packing is about to commence, then off to the biggest UK uke event of the year - the Grand Northern Ukulele Festival in Huddersfield!
Concerts galore, stalls, workshops, open mics, jams, festival cider! If you are going, I look forward to meeting you there. If you are not, then why not??
Keep an eye on this site during the weekend as I will be blogging my Festival Diary from the event covering as much as I can fit in from both days.
http://www.northernuke.com
31 Aug 2014
31 Aug 2014T18:27
Anyway, I have to kick off with the totally awesome headliners. I believe I am correct in saying that this is their first Ukulele Festival appearance, so a true treat for those attending. They need little more introduction from me - its THE UKULELE ORCHESTRA OF GREAT BRITAIN!!!
Also on the main stage, a performer I am keen to see who plays sublime rhythmic blues and ragtime. Again I think this is her first UK Uke Fest appearance - its Del Ray!
Next up, a band I have not yet seen live, but love their arrangements. I suspect a good many people at the fest know at least one third of the band in the shape of Paul Tucker of the Southern Ukulele Store - its Mother Ukers! ( I had to share this one - anyone covering Janes Addiction on uke is ok by me!)
One of the youngest performers at the festival, Zoë Bestel has the voice of an angel and has already been recognised as a huge talent, with comparisons being drawn to KT Tunstall and Amy MacDonald
Next, somebody I am really looking forward to meeting in the flesh - I've interviewed Tricity Vogue on this blog and also reviewed one of her CD's - she performs with her All Girl Swing Band.
And for those wanting a dance - returning to the festival since they absolutely nailed their 2013 performance at GNUF, its the Anything Goes Orchestra!
Beyond that, they also have the likes of the Mersey Belles, Krabbers, Andy Eastwood, Chonkinfeckle, Phil Doleman, Some Like It Ossett, Ukulelezaza, Lionel K Hubert, Vonck and Vlam, Peter Moss, Michael Adcock, Eek, Uke Of Carl and more surprises to come. What I really like is the variety across the acts - really is something for everyone.
There are some tickets still available, but I believe it is now already the biggest uke festival in the UK with sales to date! 13-14 September, Huddersfield, UK
http://www.northernuke.com
Read More »
Grand Northern Ukulele Festival 2014 - Main Stage Treats!
Only a couple of weeks to go now, and thought I would share some of the delights that you will see on the main stage at this years Grand Northern Ukulele Festival at Huddersfield this year.
In fact, the whole weekend has SO many act performing I have to apologise in advance as I can't list videos of every performer - frankly this page would then load so slowly it would be useless - but if you are thinking of going, this is just a taster. The event also has workshops, a full fringe event with many performers of true renown playing in unusual venues around the town and lots of other surprises too.Anyway, I have to kick off with the totally awesome headliners. I believe I am correct in saying that this is their first Ukulele Festival appearance, so a true treat for those attending. They need little more introduction from me - its THE UKULELE ORCHESTRA OF GREAT BRITAIN!!!
Also on the main stage, a performer I am keen to see who plays sublime rhythmic blues and ragtime. Again I think this is her first UK Uke Fest appearance - its Del Ray!
Next up, a band I have not yet seen live, but love their arrangements. I suspect a good many people at the fest know at least one third of the band in the shape of Paul Tucker of the Southern Ukulele Store - its Mother Ukers! ( I had to share this one - anyone covering Janes Addiction on uke is ok by me!)
One of the youngest performers at the festival, Zoë Bestel has the voice of an angel and has already been recognised as a huge talent, with comparisons being drawn to KT Tunstall and Amy MacDonald
Next, somebody I am really looking forward to meeting in the flesh - I've interviewed Tricity Vogue on this blog and also reviewed one of her CD's - she performs with her All Girl Swing Band.
And for those wanting a dance - returning to the festival since they absolutely nailed their 2013 performance at GNUF, its the Anything Goes Orchestra!
Beyond that, they also have the likes of the Mersey Belles, Krabbers, Andy Eastwood, Chonkinfeckle, Phil Doleman, Some Like It Ossett, Ukulelezaza, Lionel K Hubert, Vonck and Vlam, Peter Moss, Michael Adcock, Eek, Uke Of Carl and more surprises to come. What I really like is the variety across the acts - really is something for everyone.
There are some tickets still available, but I believe it is now already the biggest uke festival in the UK with sales to date! 13-14 September, Huddersfield, UK
http://www.northernuke.com
11 Aug 2014
11 Aug 2014T10:31
On the playing side you can learn tips and tricks from the likes of Phil Doleman (who has created brand new classes for this festival covering unlocking the fingerboard and blues) and Chonkinfeckle's Les Hilton looking at open tunings, this year based around the Van Morrison classic, Brown Eyed Girl. Ken Middleton also makes a return to the workshop section.
GNUF also have new workshop additions from the likes of Del Ray (one of the festival headliners, with a Jug Band Blues party), Andy Eastwood (one of the most technically gifted players I have seen on stage) who is teaching Formby styles, and the magnificent Ukulelezaza teaching the 12th Street Rag. Also recently added is a workshop from Peter Moss - a hugely talented player and well respected tutor who is teaching chord sequences, minor chords and timing. Like your jazz? Adam Franklin will be on hand to teach 20's and 30's hot jazz rhythm picking styles.
On offer are a singing / busking workshop with the Mersey Belles in which you will get to perform on stage with them, musical clowning with Vonck and Vlam, and one I particularly like in which you will get to learn to record a song with the Mother Ukers, and then get a download of it after the festival. It will also appear on a future Mother Ukers album!
Read More »
Workshops With A Difference at The Grand Northern Ukulele Festival
One thing that you will always find at a ukulele festival are players workshops. Its something of a peculiarity that goes with the instrument I guess, but they are always hugely popular with those attending. The most common sort of workshops are the 'learn how to play' type, where you can often learn along with some of the headline acts from the show. This year though, the team at the Grand Northern Ukulele Festival have decided to offer some extra workshops with a difference which certainly look exciting!
In fact, GNUF this year are promising that EVERY playing workshop is brand new - they have never been done at other UK festivals, ever! Their workshops cover three distinct types this year - playing, performing and making. Check out the full listing on the grid below. |
| Click to enlarge |
 |
| Phil Doleman |
On the playing side you can learn tips and tricks from the likes of Phil Doleman (who has created brand new classes for this festival covering unlocking the fingerboard and blues) and Chonkinfeckle's Les Hilton looking at open tunings, this year based around the Van Morrison classic, Brown Eyed Girl. Ken Middleton also makes a return to the workshop section.
 |
| Andy Eastwood |
GNUF also have new workshop additions from the likes of Del Ray (one of the festival headliners, with a Jug Band Blues party), Andy Eastwood (one of the most technically gifted players I have seen on stage) who is teaching Formby styles, and the magnificent Ukulelezaza teaching the 12th Street Rag. Also recently added is a workshop from Peter Moss - a hugely talented player and well respected tutor who is teaching chord sequences, minor chords and timing. Like your jazz? Adam Franklin will be on hand to teach 20's and 30's hot jazz rhythm picking styles.
 |
| The Mother Ukers |
And finally, what a delight it would be to appear on the main festival stage with Tricity Vogue and her All Girl Swing Band! Yes, you can do that too.
 |
| Tricity Vogue and her All Girl Swing Band |
And then on to 'making', GNUF returns with two great hands on workshops from last year which were HUGELY popular last year. Making a wash tub bass or making a Diddly Bow with master UK Luthier Rob Collins. At both you get to keep the instrument you made!
 |
| Rob Collins with Diddly Bow |
So why am I telling you all this? Well places on these are going really FAST, with some I didn't mention sold out now, so not long to go. The festival takes place on 13-14 September in Huddersfield. If you want to attend a workshop, DON'T leave it until you get there as you may be disappointed.
All details on the workshops can be found at http://www.northernuke.com/2014-festival/workshops/
I will be at the festival too if you want to come and say hello! Roll on September!
15 Jul 2014
15 Jul 2014T09:33
I love a ukulele event, especially a new one - and Biddulph Ukulele Day in the UK on July 12 was just that.
Held at two locations in Biddulph town, the event was organised by the Biddulph Ukulele group and was aimed at bringing some tuition, guidance and plain good old fun to the town.
Things kicked off with workshops from two of the UK's finest players and teachers - Phil Doleman and Peter Moss, and the day then developed into an open mic, mass jam session at the Biddulph Town Hall. Phil and Peter then took to the open mic stage later on in the day to perform a blistering and unrehearsed set that blew the audience away.
The evening had booked our band The N'Ukes, and we can say that the stage was one of the nicest we have performed on. Many thanks to John Hayley for the sound and lighting rig. Take a look!
and
We loved it and reports from the full day was that the audience were thrilled with it too. I do hope they repeat it as they have the makings of something great going on.
Read More »
The Biddulph Ukulele Day 2014!
I love a ukulele event, especially a new one - and Biddulph Ukulele Day in the UK on July 12 was just that.
Held at two locations in Biddulph town, the event was organised by the Biddulph Ukulele group and was aimed at bringing some tuition, guidance and plain good old fun to the town.Things kicked off with workshops from two of the UK's finest players and teachers - Phil Doleman and Peter Moss, and the day then developed into an open mic, mass jam session at the Biddulph Town Hall. Phil and Peter then took to the open mic stage later on in the day to perform a blistering and unrehearsed set that blew the audience away.
The evening had booked our band The N'Ukes, and we can say that the stage was one of the nicest we have performed on. Many thanks to John Hayley for the sound and lighting rig. Take a look!
and
We loved it and reports from the full day was that the audience were thrilled with it too. I do hope they repeat it as they have the makings of something great going on.
28 May 2014
28 May 2014T19:07
This year we wanted to to make this one bigger and better than ever, the previous two N'Ukefests being small and ad-hoc affairs, and so the planning for this started in late 2013. A change of venue too this year, moving to the better equipped Cotton Arms in Wrenbury Cheshire.
After the months of work on the devilish details, physical setting up started at the venue on the Thursday before the festival, and we were surprised to note that some eager punters had already arrived on the campsite. After a day decorating and setting up gear and stages, we retired on Thursday to await the onslaught on Friday.
Friday was the informal start of the festival where people could meet for a chat and a drink, and enjoy it they did. After a hard day setting up the stages, the punters arrived in their droves on Friday and much beer was supped into the (very) early hours! The nice thing about uke players is they will always create a jam for others to join in with wherever they are. Top marks go to the guys from Carlisle Uke Club who led a jam and singalong (with some sublime playing) inside the pub on the Friday. But it didn't end there. The Pavilion building for which we were holding the evening concert on the Saturday was soon put to good use by Paul Elcock of the SUSSies who had rigged a projector showing song sheets for a mass play along with yet more players.
Up early on Saturday morning to rig the outdoor stage and the place was soon full. Our raffle tent was quickly set up by Mary Agnes Krell and family and was soon displaying the fantastic prizes that had been donated from around the world.
We then started the open mic performances with a day full of bands, solos and clubs from around the UK taking their turn on the stage, all ably mixed by Chuck from The N'Ukes. We really didn't know what to expect or how we would manage amplifying such a wide variety of acts, but aside from some very minor glitches, we are pleased to report that everything ran on time and nothing broke down! I shouldn't pick favourites really as all acts performed so well and with great gusto, but I particularly enjoyed The Splintered Ukes from Liverpool, Autumn McCann and Joe Grant Mills and Michael Adcocks sublime playing in the style of Roy Smeck (ably joined on stage by Peter Moss).
The highlight of the open mic day for me though was an idea created by Steve in The N'Ukes, in an attempt to make the event more inclusive for new or shy players. So we coined 'Play With A Pro' and offered people to sign up to form three groups of players to go away and work on a song they have never played before and then perform it on stage with one of the evening performers. It was a concept that could have crashed and burned I guess, but when you had pros leading the groups like Phil Doleman, Mike Krabbers and Tim and Jake Smithies, how could it go wrong?. The groups looked nervous, but the group leaders took them through it perfectly and the three performances had some of the best audience receptions of the day! Oh, and did I say that by the end of the open mic session, two thirds of all of our raffle tickets had sold out?!
With not much time to spare after finishing the open mic stage, the evening acts were ushered to the Pavilion stage for the quickest of sound checks. Minimal fuss from these artists who have performed many many times around the UK, and we were ready to go at 7pm. Kicking off the show were our pals Ooty And The Cloud from Chester who delivered a suitably dreamy and classy set and soon had the pavilion full.
Dead Mans Uke followed with their fantastic, thrilling sound that really did have the audience amazed - I love their style and attitude and it was so good of them to come.
Next up, Krabbers and his set of introspective and also funny self penned tunes was a particular highlight and drew a great audience reaction - love that mans voice.
Then on to some sublime technical skill and a guy we love and were so pleased to have along. Phil Dolemans sets are wonderful to watch and always delivered with total professionalism. He certainly went with a bang.
Then a trio of guys we have been friends with for some time who we just knew would get the audience bouncing - Chonkinfeckle. One way or another the guys from Chonkinfeckle have contributed to each N'Ukefest so far, so we were delighted to have them back for the third time and see them perform a really tight set as a full band.
Closing the night were the N'Ukes - we were rough and ready, and extremely tired, but I think the audience enjoyed it. A highlight for me was some of the other evening acts joining us on stage for the final thrash out of Should I Stay Or Should I Go by the Clash. Note to self - when organising a ukulele festival, don't think you will be fit to play anything at a start time of 10.45pm..... It was a blur really...
Accordingly, straight to bed for me after the gig, but I know that the fun and games carried on in the campsite until the early hours. ( I shall keep the stories to myself....)
Up and at them for day two and things kicked off with the guys from Carlisle again and I had been dying to see them on stage. They have a really tight thing going on and were a joy to watch.
Special mention to Wirral Uke Orchestra, and a couple of their spin off bands such as The Mighty Flea for their very tight and well arranged sets. With an 'Orchestra' it's not straightforward to play so many ukes with such variety, but they nailed it I thought.
Early afternoon we had sold out of raffle tickets, and Mary Agnes Krell joined us on stage to announce the prize winners (at all times being put off by the blowing wind and her billowing skirt!). The generosity of those who donated still staggers me. And the raffle was not all, we also had a cake stall set up by locals Eileen and Rosie Mason with all proceeds going to the charity too.
And I said I wouldn't pick favourites, but who am I kidding... later in the afternoon we had an act that we just knew would blow the festival away. Nervously taking the stage was Zahra Lowzley from Edinburgh who burst into one of the most impressive ukulele performances I have EVER seen. Quite incredible and everything from classical to flamenco, dub step to bluegrass. Staggeringly good. I say this as no exaggeration - some people in the audience were in tears at the emotional playing and she received the only (and well deserved) standing ovation of the weekend.
And soon it was over. The feedback from attendees has been amazing and we are so glad it went off well. And what of the reason for it all? Well, the event was put on to raise money for two very worthy charities, Macmillan Cancer Support and The Wingate Centre in Wrenbury, a disabled children's charity located close to the N'Ukefest venue. And the total? £3,731.58!!! We are totally thrilled with that sum and it smashes the target we had in mind by some distance.
Thanks on behalf of The N'Ukes go to all who attended, took part or contributed in any way at all. If I start listing names, I will miss somebody and don't want to offend, so, thanks to all - you know who you are!!
FINAL Word has to go to this performance from Zahra!
Read More »
N'Ukefest 2014 - A Roaring Success
Well another year over and we said goodbye to the third annual N'Ukefest Ukulele gathering in Cheshire UK. Here is a very quick look back.
This year we wanted to to make this one bigger and better than ever, the previous two N'Ukefests being small and ad-hoc affairs, and so the planning for this started in late 2013. A change of venue too this year, moving to the better equipped Cotton Arms in Wrenbury Cheshire.
After the months of work on the devilish details, physical setting up started at the venue on the Thursday before the festival, and we were surprised to note that some eager punters had already arrived on the campsite. After a day decorating and setting up gear and stages, we retired on Thursday to await the onslaught on Friday.
Friday was the informal start of the festival where people could meet for a chat and a drink, and enjoy it they did. After a hard day setting up the stages, the punters arrived in their droves on Friday and much beer was supped into the (very) early hours! The nice thing about uke players is they will always create a jam for others to join in with wherever they are. Top marks go to the guys from Carlisle Uke Club who led a jam and singalong (with some sublime playing) inside the pub on the Friday. But it didn't end there. The Pavilion building for which we were holding the evening concert on the Saturday was soon put to good use by Paul Elcock of the SUSSies who had rigged a projector showing song sheets for a mass play along with yet more players.
 |
| Carlisle Uke Club entertaining the pub |
Up early on Saturday morning to rig the outdoor stage and the place was soon full. Our raffle tent was quickly set up by Mary Agnes Krell and family and was soon displaying the fantastic prizes that had been donated from around the world.
 |
| N'Ukfest Raffle Stall |
We then started the open mic performances with a day full of bands, solos and clubs from around the UK taking their turn on the stage, all ably mixed by Chuck from The N'Ukes. We really didn't know what to expect or how we would manage amplifying such a wide variety of acts, but aside from some very minor glitches, we are pleased to report that everything ran on time and nothing broke down! I shouldn't pick favourites really as all acts performed so well and with great gusto, but I particularly enjoyed The Splintered Ukes from Liverpool, Autumn McCann and Joe Grant Mills and Michael Adcocks sublime playing in the style of Roy Smeck (ably joined on stage by Peter Moss).
The highlight of the open mic day for me though was an idea created by Steve in The N'Ukes, in an attempt to make the event more inclusive for new or shy players. So we coined 'Play With A Pro' and offered people to sign up to form three groups of players to go away and work on a song they have never played before and then perform it on stage with one of the evening performers. It was a concept that could have crashed and burned I guess, but when you had pros leading the groups like Phil Doleman, Mike Krabbers and Tim and Jake Smithies, how could it go wrong?. The groups looked nervous, but the group leaders took them through it perfectly and the three performances had some of the best audience receptions of the day! Oh, and did I say that by the end of the open mic session, two thirds of all of our raffle tickets had sold out?!
 |
| The Splintered Ukes |
With not much time to spare after finishing the open mic stage, the evening acts were ushered to the Pavilion stage for the quickest of sound checks. Minimal fuss from these artists who have performed many many times around the UK, and we were ready to go at 7pm. Kicking off the show were our pals Ooty And The Cloud from Chester who delivered a suitably dreamy and classy set and soon had the pavilion full.
Dead Mans Uke followed with their fantastic, thrilling sound that really did have the audience amazed - I love their style and attitude and it was so good of them to come.
 |
| Dead Mans Uke |
Next up, Krabbers and his set of introspective and also funny self penned tunes was a particular highlight and drew a great audience reaction - love that mans voice.
Then on to some sublime technical skill and a guy we love and were so pleased to have along. Phil Dolemans sets are wonderful to watch and always delivered with total professionalism. He certainly went with a bang.
Then a trio of guys we have been friends with for some time who we just knew would get the audience bouncing - Chonkinfeckle. One way or another the guys from Chonkinfeckle have contributed to each N'Ukefest so far, so we were delighted to have them back for the third time and see them perform a really tight set as a full band.
 |
| Chonkinfeckle |
Closing the night were the N'Ukes - we were rough and ready, and extremely tired, but I think the audience enjoyed it. A highlight for me was some of the other evening acts joining us on stage for the final thrash out of Should I Stay Or Should I Go by the Clash. Note to self - when organising a ukulele festival, don't think you will be fit to play anything at a start time of 10.45pm..... It was a blur really...
Accordingly, straight to bed for me after the gig, but I know that the fun and games carried on in the campsite until the early hours. ( I shall keep the stories to myself....)
Up and at them for day two and things kicked off with the guys from Carlisle again and I had been dying to see them on stage. They have a really tight thing going on and were a joy to watch.
Special mention to Wirral Uke Orchestra, and a couple of their spin off bands such as The Mighty Flea for their very tight and well arranged sets. With an 'Orchestra' it's not straightforward to play so many ukes with such variety, but they nailed it I thought.
 |
| Wirral Ukulele Orchestra |
Early afternoon we had sold out of raffle tickets, and Mary Agnes Krell joined us on stage to announce the prize winners (at all times being put off by the blowing wind and her billowing skirt!). The generosity of those who donated still staggers me. And the raffle was not all, we also had a cake stall set up by locals Eileen and Rosie Mason with all proceeds going to the charity too.
And I said I wouldn't pick favourites, but who am I kidding... later in the afternoon we had an act that we just knew would blow the festival away. Nervously taking the stage was Zahra Lowzley from Edinburgh who burst into one of the most impressive ukulele performances I have EVER seen. Quite incredible and everything from classical to flamenco, dub step to bluegrass. Staggeringly good. I say this as no exaggeration - some people in the audience were in tears at the emotional playing and she received the only (and well deserved) standing ovation of the weekend.
 |
| Zahra Lowzley |
And soon it was over. The feedback from attendees has been amazing and we are so glad it went off well. And what of the reason for it all? Well, the event was put on to raise money for two very worthy charities, Macmillan Cancer Support and The Wingate Centre in Wrenbury, a disabled children's charity located close to the N'Ukefest venue. And the total? £3,731.58!!! We are totally thrilled with that sum and it smashes the target we had in mind by some distance.
Thanks on behalf of The N'Ukes go to all who attended, took part or contributed in any way at all. If I start listing names, I will miss somebody and don't want to offend, so, thanks to all - you know who you are!!
FINAL Word has to go to this performance from Zahra!
19 May 2014
19 May 2014T14:04
We had to get this up and shared on Youtube as quick as we could. Zahra Lowzley performing at N'Ukefest 2014 this last weekend.
Without any doubt, this was the performance of the weekend for which she had an encore and a standing ovation. Amazingly this was her first ukulele festival, so we are so proud to have put her on stage.
Sorry about the sound - the audio is via a camera - and not from the desk. Still - this is just quite incredible I think.
( DIRECT LINK )
And if you want to read more about Zahra - visit - http://www.theukuleletutor.com/about.html
Read More »
Zahra Lowzley at N'Ukefest 2014
We had to get this up and shared on Youtube as quick as we could. Zahra Lowzley performing at N'Ukefest 2014 this last weekend.
Without any doubt, this was the performance of the weekend for which she had an encore and a standing ovation. Amazingly this was her first ukulele festival, so we are so proud to have put her on stage.
Sorry about the sound - the audio is via a camera - and not from the desk. Still - this is just quite incredible I think.
( DIRECT LINK )
And if you want to read more about Zahra - visit - http://www.theukuleletutor.com/about.html
28 Jan 2014
28 Jan 2014T20:16
N'Ukefest is a charitable ukulele get together on 16-18 May, that is free to attend and now in its third year. This year though we thought we would go a bit bigger, providing two full days of ukulele open mic performances and a special evening programme of some of the UK's biggest uke performers on an indoor stage. Let's take a look at the evening programme first. We are delighted with these acts!!
Phil Doleman
We are well and truly delighted to get this act to N’Ukefest. Phil Doleman is extremely well known in the uke world and one of the highest regarded performers on the circuit.
Phil has been at the forefront of the ukulele revival for over ten years and is hugely in demand as a performer and workshop teacher. He plays beautiful instrumental uke, some standards, some self penned and has performed at more festivals than we can shake a stick at. Ken Middleton of Ohana Ukuleles called him ‘one of the most talented players in the UK’ and we would fully agree. Fresh from the Ukulele Festival Of Great Britain AND the Grand Northern Ukulele Festival we are delighted to have him with us.
This is a real treat! Did we also say that he is one of the nicest guys you will ever meet as well? He is!
Chonkinfeckle
Chonkinfeckle are a Wigan trio made up of Les Hilton, Tim Cooke and Peter Byrom and we are absolutely thrilled they are playing for us.
They are extremely well known on the ukulele circuit, having performed at both the Ukulele Festival of Great Britain and this years Grand Northern Ukulele Festival in Pontefract. They perform unique self penned tunes on ukulele, gob iron, percussion and keyboards that stay true to their Lancashire roots. They tell tales of everyday life, work, local characters and often including the local dialect. Beltin!
Krabbers
Krabbers hails from Surrey, and is a well known face on the ukulele circuit and was most recently seen running the ‘open no mic’ and the ‘Unplugthewood’ sessions at the Grand Northern Ukulele Festival.
He is the founder and host of the ‘unplugthewood' open mics and jams and has performed ukulele all over the world including the Ukulele Festival Of Great Britain. He is with us at N’Ukefest as a solo act, performing a range of his self penned material. A fabulous performer with a real songwriting skill and we are so pleased he has agreed to play!
Dead Mans Uke
Another addition to the N’Ukefest line up is a duo we were not sure we could get, but it all worked out good in the end!
Tim and Jake Smithies have been playing together for a while now, and are a father and son duo who play in the mighty Anything Goes Orchestra. Dead Mans Uke is a stripped down, simple and stomping ukulele and bass combo that plays blues, Americana and anything else they darn well please on reso uke and double bass. Having played most of the pubs and clubs in their native Yorkshire Dales, including the odd festival (including the Ukulele Festival Of Great Britain) they are now heading further afield, stomping all the way. You have been warned!
The N'Ukes
That'll be our band then! The N'Ukes are hosting the event and performing their high octane set on the Saturday night.
The N’Ukes play an eclectic mix of rock, soul, blues, folk and country in their own style, accompanied by keyboards, drums and bass. Never ones to lean on lamp posts or tiptoe through tulips, they prefer to rock things up a little. We will look to throw some surprises into the mix on the night and of course you will get to know us as we will be rushing around during the day to make sure the event goes well!
Ooty And The Cloud
Ooty And The Cloud are a Chester based three piece making their return to N’Ukefest! Ooty comprise Stephen Fowler (vocals, uke, bouzouki), Rekha Fowler (Melodica, whistles) and Sally Gallagher (vocals, uke) and make some lovely music, much of it self penned with some inspired covers thrown in. Guaranteed to give us a dreamy set. Did we add they are also lovely people too?
And, that is just the evening programme. All day on Saturday and Sunday we are delighted that the following performers, bands, clubs have agreed to perform for the crowds on the outdoor open mic stage.
SATURDAY
11.00 The N’Ukes - introdcution, welcome and song
11.20 Jan Hough - Wigan
11.40 Bridgnorth Ukulele Band
12.00 Marc Gallagher - Nantwich
12.20 Congleton and Biddulph Ukulele Clubs
12.30 Ray Welch - Reading
12.40 The Splintered Ukes - Liverpool
13.00 Bluddy Hell - Wigan
13.20 Clarice Wokes - Leeds
13.40 Stockport Ukulele Players
14.00 Surprise Event announcement!
14.10 Ukulele Club Liverpool
14.30 Bolton Uke Group
14.50 Rob Collins - Hebden Bridge
15.10 Aldridge Uke Group
15.30 Beer Of The Infantry - The Wirral
15.50 Macclesfield Uke Group
16.10 Pete Shurmer - Chester
16.30 Surprise Event and book on the day slots
17.20 Michael Adcock - Tenbury
SUNDAY
11.10 Carlisle Uke Club
11.40 Blue and Beyond - South Wales
12.00 Dylan Kennerall-Walters - Stone, Staffordshire
12.30 4ukesake - Skipton
13.00 Stuart ‘Pockets’ Crout - Edinburgh
13.20 Wirral Uke Orchestra
13.40 The N’Ukefest raffle draw - hosted by Mary Agnes Krell
14.20 Mighty Flea - Wirral
14.40 Peter Moss - Alsager
15.00 Acoustic Milkfloat - Wirral
15.20 Zahra Lowzley - Edinburgh
15.40 Ukulele Union - Halesowen
What a ton of music for you! And don't worry if you are not booked in - keep sending us applications through the website as we will be keeping a reserve list for the open mic, and having some slots available for day visitors.
All details are on www.nukefest.com. We do hope you can come along.
Read More »
N'Ukefest Ukulele Gathering Line Ups Are Finalised!
Well, not quite a Got A Ukulele post, but news that the ukulele gathering being hosted by our band The N'Ukes is now booked up for performances! N'Ukefest is GO!
N'Ukefest is a charitable ukulele get together on 16-18 May, that is free to attend and now in its third year. This year though we thought we would go a bit bigger, providing two full days of ukulele open mic performances and a special evening programme of some of the UK's biggest uke performers on an indoor stage. Let's take a look at the evening programme first. We are delighted with these acts!!
Phil Doleman
We are well and truly delighted to get this act to N’Ukefest. Phil Doleman is extremely well known in the uke world and one of the highest regarded performers on the circuit.
Phil has been at the forefront of the ukulele revival for over ten years and is hugely in demand as a performer and workshop teacher. He plays beautiful instrumental uke, some standards, some self penned and has performed at more festivals than we can shake a stick at. Ken Middleton of Ohana Ukuleles called him ‘one of the most talented players in the UK’ and we would fully agree. Fresh from the Ukulele Festival Of Great Britain AND the Grand Northern Ukulele Festival we are delighted to have him with us.
This is a real treat! Did we also say that he is one of the nicest guys you will ever meet as well? He is!
Chonkinfeckle
Chonkinfeckle are a Wigan trio made up of Les Hilton, Tim Cooke and Peter Byrom and we are absolutely thrilled they are playing for us.
They are extremely well known on the ukulele circuit, having performed at both the Ukulele Festival of Great Britain and this years Grand Northern Ukulele Festival in Pontefract. They perform unique self penned tunes on ukulele, gob iron, percussion and keyboards that stay true to their Lancashire roots. They tell tales of everyday life, work, local characters and often including the local dialect. Beltin!
Krabbers
Krabbers hails from Surrey, and is a well known face on the ukulele circuit and was most recently seen running the ‘open no mic’ and the ‘Unplugthewood’ sessions at the Grand Northern Ukulele Festival.
He is the founder and host of the ‘unplugthewood' open mics and jams and has performed ukulele all over the world including the Ukulele Festival Of Great Britain. He is with us at N’Ukefest as a solo act, performing a range of his self penned material. A fabulous performer with a real songwriting skill and we are so pleased he has agreed to play!
Dead Mans Uke
Another addition to the N’Ukefest line up is a duo we were not sure we could get, but it all worked out good in the end!
Tim and Jake Smithies have been playing together for a while now, and are a father and son duo who play in the mighty Anything Goes Orchestra. Dead Mans Uke is a stripped down, simple and stomping ukulele and bass combo that plays blues, Americana and anything else they darn well please on reso uke and double bass. Having played most of the pubs and clubs in their native Yorkshire Dales, including the odd festival (including the Ukulele Festival Of Great Britain) they are now heading further afield, stomping all the way. You have been warned!
The N'Ukes
The N’Ukes play an eclectic mix of rock, soul, blues, folk and country in their own style, accompanied by keyboards, drums and bass. Never ones to lean on lamp posts or tiptoe through tulips, they prefer to rock things up a little. We will look to throw some surprises into the mix on the night and of course you will get to know us as we will be rushing around during the day to make sure the event goes well!
Ooty And The Cloud
Ooty And The Cloud are a Chester based three piece making their return to N’Ukefest! Ooty comprise Stephen Fowler (vocals, uke, bouzouki), Rekha Fowler (Melodica, whistles) and Sally Gallagher (vocals, uke) and make some lovely music, much of it self penned with some inspired covers thrown in. Guaranteed to give us a dreamy set. Did we add they are also lovely people too?
And, that is just the evening programme. All day on Saturday and Sunday we are delighted that the following performers, bands, clubs have agreed to perform for the crowds on the outdoor open mic stage.
SATURDAY
11.00 The N’Ukes - introdcution, welcome and song
11.20 Jan Hough - Wigan
11.40 Bridgnorth Ukulele Band
12.00 Marc Gallagher - Nantwich
12.20 Congleton and Biddulph Ukulele Clubs
12.30 Ray Welch - Reading
12.40 The Splintered Ukes - Liverpool
13.00 Bluddy Hell - Wigan
13.20 Clarice Wokes - Leeds
13.40 Stockport Ukulele Players
14.00 Surprise Event announcement!
14.10 Ukulele Club Liverpool
14.30 Bolton Uke Group
14.50 Rob Collins - Hebden Bridge
15.10 Aldridge Uke Group
15.30 Beer Of The Infantry - The Wirral
15.50 Macclesfield Uke Group
16.10 Pete Shurmer - Chester
16.30 Surprise Event and book on the day slots
17.20 Michael Adcock - Tenbury
SUNDAY
11.10 Carlisle Uke Club
11.40 Blue and Beyond - South Wales
12.00 Dylan Kennerall-Walters - Stone, Staffordshire
12.30 4ukesake - Skipton
13.00 Stuart ‘Pockets’ Crout - Edinburgh
13.20 Wirral Uke Orchestra
13.40 The N’Ukefest raffle draw - hosted by Mary Agnes Krell
14.20 Mighty Flea - Wirral
14.40 Peter Moss - Alsager
15.00 Acoustic Milkfloat - Wirral
15.20 Zahra Lowzley - Edinburgh
15.40 Ukulele Union - Halesowen
What a ton of music for you! And don't worry if you are not booked in - keep sending us applications through the website as we will be keeping a reserve list for the open mic, and having some slots available for day visitors.
All details are on www.nukefest.com. We do hope you can come along.
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