02/01/2014 - 03/01/2014

28 Feb 2014

Sarah Maisel and Craig Chee running workshops in UK!

I was delighted to hear about this recently - ukulele sensations Sarah Maisel and Craig Chee are heading to the UK and will be hosting a couple of ukulele workshops in Richmond this June!


sarah maisel and craig chee at ritz music

I've been lucky enough to see Sarah perform (a total delight) and interviewed her on Got A Ukulele HERE. Craig I have yet to see, but have seen his videos online and they are superb. Both are appearing at the Ukulele Festival of Great Britain 2014, but this seems like an excellent chance to meet them and get some lessons from the pro's.

They are holding the event at Ritz Music, 88 Sheen Road, Richmond on 15 June. Call the store on 020 8332 1488 to make a booking!


Read More »

27 Feb 2014

Jim Boggia - Within You Or Without You on Ukulele

I do like Jim's stuff, and here is his take on the Beatles Within You Or Without You from the Sgt Pepper LP on ukulele.


This is actually a fairly straightforward pattern, but the real skill here is how he is keeping that complex finger roll picking pattern going so steadily. Be sure to check out his other videos too.



( DIRECT LINK )
Read More »

20 Feb 2014

Gretsch New Yorker Deluxe Mandolin.. Hang On That's Not A Ukulele

Well this little baby arrived for me this week and a quick share on Facebook made it quite clear to me that people were interested in seeing a bit more of it. The Gretsch G9320 New Yorker Deluxe Mandolin.


Gretsch G9320



Now 'hang on a minute' you may be saying... 'that's not a ukulele, are you mad'. Well there are a number of reasons why I thought I would share it on Got A Ukulele..
  • It's my site, and I can share what I like....
  • Fans of small stringed instruments like ukulele would, I guess, be interested in other small stringed instruments!
  • This Gretsch forms part of their fairly new 'Roots Collection' of instruments. That range includes ukuleles and I know a few people who rate them highly.
  • What's wrong with a bit of eye candy?
Gretsch G9320 body


But part of the main reason goes back to those who may be saying 'but it's not a ukulele'.... I quite often see people express confusion when people share their love of other non uke instruments out there and I don't really get it. I once shared a picture of one of my guitars on social media, and it got loads of replies saying 'six strings bad' or something similar...

This was bought to appear with our band, but then that band includes synth, percussion, drums and full size bass as well as a few ukes. There is nothing at all wrong with that. We love the uke, but we love other instruments too.

A while ago when we shared an early stage picture of my band with our bass player on a full size Rickenbacker, somebody actually said to me, 'oh I guess the bass guitar is allowed in the band because it has four strings too?'... I kid you not, and I really didn't know how to respond other than, 'No, the bass is in the band because we wanted a bass in the band'.  Music is a broad church, and I find the ukulele goes well with a whole range of instruments. Nothing pleases me more at a uke festival to see bands and acts performing with 'different' instruments alongside ukes (and in the last year I have seen Bouzoukis, Cellos, Double Basses, Toy Pianos, Musical Saws, Electric Guitars, Fiddles and Brass...). It makes perfect sense. Fans of electric guitars dont play in bands that only play guitars, so why do it with ukes? Minor rant over!

Gretsch G9320 headstock


This isn't a review post either. Not only is this a beginners model, I am no expert on the Mandolin to do that. I would say though that it is built really well, has a strong tone, and is setup just lovely. Also has a passive piezo pickup too! I got this for around £180 which I don't think is too bad at all. It is actually based on the original Gretsch New Yorker models from the 1950's and I think it looks very pretty.

Gretsch G9320 tailpiece


So there you have it. Play uke? Don't be afraid to add other things to your repertoire... It IS allowed!

Gretsch G9320 pick guard

Gretsch G9320 tail

Read More »

12 Feb 2014

Heart Shaped Box - Nirvana - Ukulele Chords

OK, this one was a bit of a challenge as to how to present it. I wanted on final 'anti valentine' ukulele song to put up before Valentines Day this Friday, and this was the song that got stuck in my head. Heart Shaped Box by Nirvana.

Why an 'anti valentine'? Well, not everybody has something to celebrate on 14 February..

I believe the song was recorded in the key of A, but tuned half a step down. That is to say, a general pattern of A, F, D, but down half a step so G#, E and C#. A quick look at your chord charts will tell you they are HORRIBLE chords to play on a uke. Therefore, I present this in the standard A key, but you can either play it that way, or drop the tuning on your uke half a step on each string to match the record. Or you can work on the G#!!

Only other odd ones are in the chorus where the chord progression moves to A5, F5 and D5.  They are fingered as follows

A5 -  2400
F5 - 0013
D5 - 22x0

They are not totally necessary, but help give it the right feel. I've included a video at the end to help with the pattern, but remember that if you are playing in A you are playing in half a step sharp!

HEART SHAPED BOX - NIRVANA FOR UKULELE

Intro [A5] [F5] [D5] repeat


[A]She [F] eyes me [D]like a Pisces [A] when [F]I am [D]weak
[A]I've been [F]locked in [D] side your heart-shaped [A] box [F]for [D]weeks
[A] I've been [F] drawn in [D] to your magnet [A] tar [F] pit [D] trap
[A] I wish [F]I could [D] eat your cancer [A] when [F] you turn [D] black

[A5] Hey! [F5]Wait! [D5]I got a new complaint
[A5]For [F5] ever in [D5] debt to your priceless ad [A5]vice
[A5] Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [A5] vice
[A5]Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [F5] vice [D]
Your ad[F5] vice [D]

[A] Meat- [F] eating [D] orchids  forgive [A] no [F] one just [D] yet
[A] Cut my [F] self on [D] angel hair and [A] ba [F] by's [D] breath
[A] Broken [F] hymen [D] of 'Your Highness', [A] I'm [F] left [D] black
[A] Throw [F] down your [F] umbilical noose so [A] I can [F] climb right [D]back

[A5] Hey! [F5]Wait! [D5]I got a new complaint
[A5]For [F5] ever in [D5] debt to your priceless ad [A5]vice
[A5] Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [A5] vice
[A5]Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [F5] vice [D]
Your ad[F5] vice [D]

INSTRUMENTAL SOLO over A, F, D twice

[A]She [F] eyes me [D]like a Pisces [A] when [F]I am [D]weak
[A]I've been [F]locked in [D] side your heart-shaped [A] box [F]for [D]weeks
[A] I've been [F] drawn in [D] to your magnet [A] tar [F] pit [D] trap
[A] I wish [F]I could [D] eat your cancer [A] when [F] you turn [D] black

[A5] Hey! [F5]Wait! [D5]I got a new complaint
[A5]For [F5] ever in [D5] debt to your priceless ad [A5]vice
[A5] Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [A5] vice
[A5]Hey! [F5] Wait! [D5] I got a new complaint
[A5] For [F5] ever in [D5] debt to your priceless ad [F5] vice [D]
Your ad [F5] vice [D]
Your ad [F5] vice [D]
Your ad [F5] vice [D]



Read More »

11 Feb 2014

The Ukulele Is Not The Happiest Instrument In The World...Rant!

News for you (and about time for another rant):  the ukulele is NOT the happiest instrument in the world. Or rather, the ukulele world is really no different from any other instrument or interest group.... shock!..... horror!......




Why do I say that? "Hang on Baz - you live and breathe the ukulele dont you?"

Well, this is less of a sharp personal opinion, and more an observation on which I would be delighted if you told me your own views and experiences. I'm not here to tell you what should and should not be, just my opinion. What I observe may not be something you agree with and that is cool, but I think I have some arguments to put forward.. So what is this all about? Well, as you start to explore the world of the ukulele, online and off, you will almost certainly come across comments such as...

"the ukulele is such a happy instrument",

and,

"nobody is unfriendly in the uke world..."

Recognise those? Have you made those statements yourself? When I started playing I probably said them myself. Well time for a reality check. In my experience, both are plain and completely wrong. And further, I  fail to comprehend quite why people can become so obsessed with saying so, repeating it like a mantra. I'm not trying to put a downer on things here, I love the ukulele and many many of the people who live in this proclaimed 'uke world'. It's just not quite so black and white. Things never are.

Let us take a look at the first statement first. There are a couple of ways of looking at this, but let us  consider the physical side first of all. The ukulele is just a musical instrument. Yep, that's it. It isn't mystical or magic, it's a box with some strings on it with a neck for making the notes work. It is a tool for making music in the same way as a trombone is, as a piano is, or as a hurdy gurdy is. Nothing more and nothing less. The concept that an instrument can be inherently 'happy' or' sad' (or, whilst we are here, just plain 'meh') confuses me, as surely the impact the instrument has on our senses comes from the style of music that is being played on it. A piano can create the most haunting, sad music imaginable, but equally has been responsible for some of the happiest and jauntiest ever made. The same goes for most if not all instruments.  Why is the ukulele any different? Personally I like to play both sad and happy songs on the uke, and perhaps that is why I am a little different. Perhaps.... But I think there is more going on here.

To consider this further, we can go back to the uke origins in Hawaii, and that history that people seem to connect with so much. There is certainly a lot to be happy about with Hawaiian music (by its very nature), and also perhaps a lot to be happy about in living on a set of of paradise islands (although, beware the phrase 'the grass is always greener' - like anywhere, Hawaii has its problems too - you just don't see them in the ubiquitous tourism shots..). Personally, I live in the mostly wet  and grey north west of England, and it can sometimes be hard to summon that Aloha spirit on certain days and it doesn't necessarily help if I pick up a musical instrument. Any musical instrument. And while I am at it, I think that it is also hellishly stereotypical to assume that all music from Hawaii is 'happy' or 'jolly' as a dip into their musical history will show that they too cherish the sadder and more poignant songs, songs about anguish and mistreatment - like pretty much ALL musical heritages. You just don't see that side in the marketing spin.

So perhaps the 'happy instrument' tag is taken from a longing for that Aloha spirit from those in less sunny climes rather than the instrument itself? Or should I say, a longing for the Aloha spirit of our imaginations or memory? Over here in the UK, there is a common 'look' amongst  a lot of ukulele clubs and bands of Hawaiian shirts, straw summer hats and garlands of flowers. Festivals are not unknown to deck out their 'theme' with a Hawaiian look. Why is that? Are players longing to cling on to a look or feel that is alien to them? Is there an assumption that by doing so makes everything so god damn happy? Of course, if your club does this and it makes you happy then I am naturally pleased for you, but would you be unhappy if you took off the flowers? I doubt it. Some clubs have a uniform that is all black. Are they unhappy? Don't be so ridiculous.

I personally don't dig the Hawaiian thing myself. Before you complain, I am not saying that I don't like Hawaii, their people, their heritage, their shirts or THEIR Aloha Spirit, I just find it a little odd to be trying to create some artificial connection with that community just because I play a ukulele, and perhaps particularly because I am from England, not Waikiki. (Incidentally - one style of uke that has a very strong following is the George Formby Society, and I rarely see them wearing garlands of flowers, yet they seem to get along just fine and seem a happy bunch too!)

(I don't have anything against Hawaiian shirts either, think I might own one somewhere, but is it the shirt that is making the performance 'happy' or the uke? And as for those top class fine performers out there who like to flaunt them...  you are excused!)

Another angle on the physical is the very noise the uke makes. In the soprano form particularly, there is no doubting that a staccato strum can be lively, jaunty and uplifting, perhaps even 'happy'. It is also undoubtedly linked to the 'Island sound', but unless you are living on the Islands or it is part of your deep rooted family tradition, I put that down to the same endless advertising making the connection than anything else. You know the sort of thing - the very boxes that many ukes come in are adorned with tropical flowers. But having seen people perform on a soprano and play songs like 'Strange Fruit' or countless other sad, mournful tunes and totally nailed them, it is worth remembering that the ukulele is more versatile than just something to strum and grin with whilst pretending you have your toes in the sand. Heck, one of the most played songs at ukulele clubs up and down the UK is Folsom Prison Blues, hardly a barrel of laughs...Murder, prison, jealousy, regret...  So for me, sound wise, the ukulele CAN be made to sound happy, but I still firmly believe it can be made to sound sad too, and pretty much everything else in between. As such, I am not so sure that the theory holds that this is an inherently happy instrument at all. It's just a ukulele...

You may say that music is intended to make people happy. Sure, I would agree with that in part, but lots of music is written to make people sad too and in that process make them emotive in other ways. Music also makes people reflective, thoughtful, angry.. It makes people think, and to give people a whole range of other emotions, sometimes all at once. The point is, music is intended to MOVE you, to generate a reaction, a feeling or a response. 'Happy' is only one small part of what it can do.

Let's now move on to the social side of things and the way ukulele players interact - is THAT what is so happy? This is something I see commented on more and more - that the ukulele 'community' is a happy place, that ukulele players are the best people on the planet, that you will never hear a cross word from any of them, that the uke world is FAR more welcoming than (say) the guitar community, and so on and so on. Well, it's a very nice idea that this little instrument can create such a well being in the player that enables them to rise up to be the friendliest person on the block, but anyone who spends any time amongst social media will know that this is also dead wrong.

Please don't get me wrong, I am not choosing to single out the ukulele community here in particular, but any sort of community with human interaction follows this model, quite simply because when you get together with a bunch of like minded individuals, human nature shines through. And, as much as we don't like to admit it, human nature can stink at times. Sure, group gatherings will, on the whole be happy things - I see enough photos of club meetings to show just how enjoyable they are, and I think that is great. But that isn't the full story. What else goes on in uke-land?

Well, I personally know several ukulele players who have been so offended by others in the uke community that they have (at best) shut themselves away from interaction and (at worst) have turned their back on the instrument altogether.  Real happy huh?

I could go on... How about the people I hear from who have been bullied out of ukulele clubs by overbearing control freaks?

I've now heard of a couple of examples of professional performers who found that 'someone' with a grudge called a venue they was booked to play, impersonated them and tried to cancel it. Seriously - that has happened.  Only this week a page on Facebook was brought to my attention that seemed to be attacking some very well respected uke players, and very publicly too. And this wasn't attacking in the sense of 'I don't like their music' (that for me isn't an attack at all, just an opinion), but these were plain abusive comments down to the base level of attacking peoples physical appearances. My last band had some bad mouthing brought to our attention last year via a chain of emails that we were not meant to see, and I have removed myself from certain communities having had one to many doses of the foul mouthed abuse to me personally. And all this from other ukulele players - 'the happy community'....   Before you say I should get a thicker skin, or grow a pair, I can deal with it. In fact I can smile and shrug it off, but many people can't and can become quite upset by things. These things really happen, and whilst it is just a fact life, I don't like it, as I don't like bullying. And because you pick up a ukulele doesn't mean it doesn't or won't happen.

The online world is a strange place, but it does mirror life in many ways with the added attraction that people can hide behind the keyboard. This only seems to make the attacks more vicious. For me though, I still don't think social media is itself the problem, I think the internet just magnifies the inner thinking of the perpetrators (bullies, deep down in many cases), and whether it is about the ukulele or their favourite toaster, it matters little to them so long as they are abusing someone. There are online groups out there who take great pleasure in slagging off other uke players, or other peoples views, other peoples instrument choices like it is a sport. This isn't just 'trolling',  this is a concerted effort by many in harmony with each other. Please don't get me wrong - I don't personally want to live in a land of blue skies and zero disagreements, disagreements are good and healthy, but outright aggression isn't. For the sake of balance of course, there are also online uke groups who seem to tolerate no disagreement whatsoever and I think that is just as unhealthy in the other direction to the point of being saccharine sweet and artificial.

And aside from those who like to be mean for the fun of it, there is a growing movement of those who like to attack based on the 'I am better than you' or 'my uke is better than yours'. This is something I've seen a lot in the guitar community, but guess what? It's there with ukes too!

So in summary, if you spend any time discussing the instrument with other 'fans' then you are sure enough going to come across those encounters that fly directly in the face of this concept that the 'uke community is the friendliest in the world'. So why do people keep saying everything is sweetness and light?

Offline, are things the same? Well, it is difficult for me to comment, but if you tell me that your uke group has never had a disagreement to the point of somebody being upset I would be extremely surprised. It's natural, and that damned four string box of tricks you have chosen to play is neither to blame, nor is it going to make you a nice person overnight. The person does that. Clubs and groups of all kinds have nasty elements, and the uke world is no different.

Let's balance things out a little and look on the bright side. Those who know me personally will (I think!) know that I am generally a 'happy chappie', like a giggle and enjoy the interactions I have with uke players enormously. I will stand up and disagree where I think something is wrong, but I would like to think I don't do so by having to resort to verbal abuse.

The ukulele world is indeed a fun place to interact in the vast majority of cases. More so than in some other musical instrument communities that I have been involved with will you find those players at the top end willing to help and support beginners and a general feeling of 'one-ness' amongst players. I have made some terrific friends through playing this instrument - and I don't just mean acquaintances, I mean those people who physically go out of their way to help and support you (you know who you are - you are all wonderful!). Uke festivals are great things to visit, and (perhaps) because people are on their best behaviour (or because it is face to face) they are always friendly and I would recommend you visit one. There is much to be happy and thankful about.

So why the hell am I ranting? Well, the concept of an instrument being 'happy' in its very nature is something that irritates me a little as I think it misses the full range of what the ukulele can really do. I personally think the constant tag of 'happy' (as nice as it would be for the whole world to be happy) can act to hold back the instrument from being taken fully seriously. It certainly isn't uncommon for those who despise the uke to refer to it as cheesy or corny, perhaps a comedy instrument, but I suspect I would feel the same if the only experience I had of the instrument was endless rounds of You Are My Sunshine and Daydream Believer played by people in beach wear...  (naturally you have a get out clause if you genuinely live on a tropical beach and don't have a worry in the world of course..). People don't endlessly claim that the guitar is such a happy instrument, and not doing so has hardly harmed its appeal.  Would it not help the uke being taken more seriously, if we, the players, started to treat it more seriously?  And as for those experiences you will find online, they can be concerning to any new player who has been repeatedly told that the ukulele world is full of roses and pussycats. Don't blame the instrument, but understand that people are people and you will find good and bad everywhere. Be prepared and you will quickly seek out those people who are more willing to welcome and support you. With time I am sure you will make good friends too, but please. please, stop telling new players that everything is so damn happy....

After all, It is just a ukulele....

Or am I just being grumpy?


AND! Be sure to check out my other ukulele RANTS - where I explode the many myths and bad advice that surrounds the instrument - CLICK this link! http://www.gotaukulele.com/search/label/rants
Read More »

9 Feb 2014

Love Hurts, Gram Parsons Ukulele Chords

Continuing with some Valentines ukulele songs ahead of 14 February. This one is a really lovely tune. Love Hurts by Gram Parsons for ukulele. As usual, video at the end.



Love (G) hurts, love (Em) scars, love (C)wounds and (D7) mars
Any (G) heart not (Em) tough nor (C)strong e(D7)-nough
To take a lot of (G) pain, (B7) take a lot of (Em) pain
(G7) Love is like a (C)cloud (Am7) pulls a lot of (D7) rain
Love (G) hurts, (F) mmm, (C)mmm, love (G) hurts

(D7)

I'm (G) young I (Em) know but (C)even (D7) so
I know a (G) thing or (Em) two I (C)learned from (D7) you
I really learned a (G) lot, (B7) really learnt a (Em) lot
(G7) Love is like a (C)stove (Am7) burns you when it's (D7) hot
Love (G) hurts, (F) mmm, (C)mmm, love (G) hurts 

(D7)

(Em) Some fools think of (B7) happi-(Em)-ness
(B7) Blizzful-(Em)-ness, (B7) together-(Em)-ness
(A7) Some fools fool themselves I guess But they're not fooling (D7) me

I know it isn't (G) true, (B7) know it isn't (Em) true
(G7) Love is just a (C)lie (Am7) made to make you (D7) blue
Love (G) hurts, (F) mmm, (C)mmm, love (G) hurts

(D7)
(G)  (Em)  (C )  (D7)
Love (G) hurts, (F) mmm, (C)mmm, love (G) hurts
(F) Ohhhh (C) Ohhhh love (G) hurts..


Read More »

8 Feb 2014

Valentines Day Is Over - Billy Bragg - Ukulele Chords

Another ascerbic valentines themed ukulele song for the run in to February 14th - Valentines Day Is Over by Billy Bragg for ukulele!

Billy Bragg valentines ukulele
credit - louderthanwar


I love this song, but then I love Billy Bragg and this is off the Workers Playtime LP. The song video is at the end, but generally it's a song that mixes picking and more angry strumming. Have fun. (The trick is in the chord change between the C, Em, and Am which is a quick change before each 'Valentines Day Is Over' lyric line. You may also prefer the sound of the Dm in the verses being played at a higher position than at the lower frets such as 7555.


INTRO C, F, F, C
F, C
F, G
F, C

[C]Someday [F]boy you’ll [F]Reap what you’ve[C]sown
You’ll [F]catch a [C]cold and you’ll be [F] on your [G]own
And [F] you will [C] see that what’s [F] wrong with [C] me
Is [F] wrong with [C] everyone that [Dm]you wanna play your [G] little games on

F, C

[C]Poetry and [F]flowers, [F]pretty words and [C] threats
[F]You’ve gone to the [C]dogs again and [F]I’m not placing [G] bets on you
[F]Coming [C] home tonight [F] anything but [C]blind
If [F] you take me for [C] granted then you [Dm] must expect to [G] find

Sur [F]prise sur [C]prise
[C] [Em][Am]
Valentines Day is [C]over, it’s O[F]ver[G]
[C] [Em][Am]
Valentines Day is O[F]ver[C]
[F] [C]

[G7]If you want to [F]talk about it well [C] you know where the phone is [G7]
Don’t come round rem [E7]inding me ag[F]ain How brittle [Fm] bone is…
[C]God didn’t make you an [G]angel [F]The Devil made you a [G] man
That bru[C]tality and the ec[E7]onomy are rel[F]ated now I under[Fm]stand
Oh when will you [C]realize that [E7]as above [F]so below there [Fm]is no love

[F] [C]
[C] [Em][Am]
Valentines Day is [C]over, its o[F]ver[G]
[C] [Em][Am]
Valentines Day is o[F]ver[C]
[F] [C]

TRUMPET SOLO
[G7]     [F]    [C]
[G7]        [E7]        [F]     [Fm]

For the [C] girl with the hourglass [G] figure
Time [F] runs out very [G] fast
We [C]used to want the [E7]same things
But [F]that’s all in the [Fm]past
And[C]lately it seems that [E7]as it all gets tougher
[F]Your idea of justice just be [Fm]comes rougher and rougher

[F] [C]
[C] [Em][Am]
Valentines Day is o[F]ver[C] It’s o[F]ver[G]
[C] [Em][Am]
Valentines Day is o[F]ver[C]
[F] [C]

[C]Thank you for the [F]things you bought me [F]Thank you for the [C] card
[F]Thank you for the [C]things you taught me [F]when you hit me [G] hard
That [F]love between two [C] people must be [F]based on under[C]standing
Un[F]til that’s true you’ll [C]find your things all [Dm]stacked out on the [G]landing

Sur [F]prise sur[C]prise
[C] [Em][Am]
Valentines Day is o[F]ver[C] It's o[F] ver[G]
[C] [Em] [Am]
Valentines Day is o[F]ver
It’s o[G] ver[C]
It’s o[F] ver[C]
[G] [C]


Read More »

5 Feb 2014

Everybody Knows (Except You) - The Divine Comedy - Ukulele Chords

With Valentines Day around the corner, there may be some of your wanting to find a ukulele song to try to woo the sweetheart who refuses to acknowledge you... so how about this one by the brilliant Divine Comedy. Everybody Knows (Except You) for ukulele. (Video at the end!)


Divine Comedy Ukulele


Read More »

4 Feb 2014

Noah Mahogany Concert Ukulele REVIEW

Time for another review on Got A Ukulele and another from the Noah series of ukes that are put out by Saigon Guitars. You may have read my earlier review on the Noah Monkeypod Tenor instrument, but for this one we go down to the concert scale and with a different wood, in the Mahogany Concert.


Noah mahogany concert ukulele


Noah offer something a little different in the uke world - a range of ukes from the far east (Vietnam in this case) but not instruments that are turned out in bulk in factories - rather they are made by a luthier who Matt from Saigon hooked up with to develop his own range. The other thing I have liked about the Noahs I have seen is that they are priced extremely keenly and offer little build details that you would normally only see on instruments of at a far higher end. Read on, and be sure to visit the video review at the end also!

The Mahogany Concert is completely solid in construction, and for £150 that is already quite a surprise, particularly when you note some of the other features. The body shape is fairly standard in layout with a double bout and waist, but you will note the upper bout is actually a fair bit smaller than the lower - I like that. The whole body is finished in gloss which, on the whole, is nicely applied (more on that later), and does allow the mahogany grain to shine through. The top grain is rather pretty with a  bit of curl at the top and a nice darker wood stripe down the middle. That gloss does allow it to shimmer in the light too!

Noah mahogany concert ukulele body


The side grains are nice and straight in line with the body, and are matched where they meet at the base perfectly - I regularly see solid wood concerts at this price where that level of detail is just not present.

The back also has a lovely book matched grain with a strip of lighter sap wood showing towards the bottom which I think works to great effect.

Noah mahogany concert ukulele back


Finishing the body off is top and back binding which is applied neatly and looks great. On closer inspection you will note that this isn't cheap plastic binding, but used real wood (maple in this case) for the material - again, this is not something one may expect at this price point.

We have more usage of wood on the top in the sound hole rosette which is inlaid in the top in wooden marquetry and looks great and natural.

The bridge mounting is made of rosewood and is a traditional style tie bar design. Like the Noah Tenor though, the whole bridge mounting is finished in gloss like the body. That is unusual and I would much prefer unfinished wood on this part of the uke. I have no idea why I say that, apart from purely aesthetic reasons as I can see no reason for the gloss to affect the play of the instrument. I am just not a fan. The gloss application has also lead to some gloss pooling around the edges of the bridge which I think are noticeable. That said, the rest of the gloss on the body is nicely applied and the gloss seems a nice quality (i.e. not thick or sticky). The bridge is trimmed with white edging and the nut material is bone and is nicely shaped and set. Action here is just right for me.

Noah mahogany concert ukulele bridge


Looking inside and all is neat and tidy with notched kerfling, clear indicators that the back is solid, and the hand finished Noah label which includes a unique serial number and the manufacturers signature. Nice!

Moving on to the neck, this is also made of mahogany, and is in only two pieces that I can see with the jointing being at the heel. Another nice touch is the maple end cap on the heel which gives it another hint of a professional finish. The back of the neck is finished in gloss with one or two bubbles and dull spots, but nothing that I noticed while playing, nor that can be seen by an audience. It also has a nice (for me) chunky profile that fits my hand well.

Topping the neck is a rosewood fingerboard which is nicely coloured and finished. There are some tooling marks on the fingerboard, but remember this is not made on a fast production line by a machine. I like that they remind me that it is made by a person! You can see them, but I certainly could not feel them. The frets are nickel and we have 16 of them with 12 to the top of the body. They are neat, low key and finished well with no sharp edges.

Fingerboard markers are inlaid at the 5th, 7th, 10th and 12th in mother of pearl and look great, especially the double marker at the 12th. Sadly there are no player facing markers facing the player.

Past the bone nut (which is cut well and set right) we are at the headstock and full marks again to Noah for not going with a generic Martin clone crown shape. The shape is plain, but I like it and it sets it apart. The Noah logo is inlaid under the gloss and the whole of the faceplate is a mahogany veneer. Tuning is provided by unbranded sealed chrome gears, and they work just fine with no slop or grinding and they hold well.

Noah mahogany concert ukulele headstock


The whole package is finished with a zippered and padded gig bag and (of course) Aquila strings.

Overall I am impressed. I think the uke looks great and contains enough details to set it apart from the generic factory models, particularly that edge binding and the grain pattern. There are some finish details, but nothing that is particularly noticeable.

To play, the uke is comfortable enough, and a little on the heavy side (though not uncomfortably so, and is nicely balanced).  The setup is also just fine, and even if it wasn't, it is clearly built properly and could be set to play easily. A look at the top shows a wood that seems a little on the thick side to me and I wondered how it would affect volume tone (you may recall that I thought the Tenor Monkeypod Noah was a little on the quiet side, albeit with a very nice tone). Thankfully with this one I think it is just fine - there is bags of volume when strummed or picked (no doubt also helped by the Aquila strings and slightly arched back), but it comes with a good tone and voice too. There is no bark when it is overpowered, and strummed it has a kind of 6 or 8 string jangle which I quite like, whilst still providing clarity across the strings. There is a bit of an echo to harder strumming, but that is something I notice more with Aquila strings and as such will not level that observation at the instrument.

Compared to, say, a Mainland mahogany concert, I think it has more character. The Mainland may have a little more chime when picked (although I suspect a string change on this to fluorocarbons would help here), but the Mainland can, I find, get a little lost in the mix when strummed, whereas this one likes to make its presence known!

It isn't a high end tone, but nor would you expect it to be for £150, but it is perfectly enjoyable and acceptable and will fit in with your club or band nights just fine. And that really sums up why I will recommend these ukes. At £150, there are a fair few choices of all solid concert ukes and I find many are quite generic and plain. This one delivers more looks and finish that you would expect for the money, yet doesn't totally let itself down on the sound either.

Noah mahogany concert ukulele sound hole


All in all, I think they are a bit of a bargain!

PROS

Value for money
Finishing details
Volume

CONS

Some finish question marks

SCORES

Looks - 9
Fit and Finish - 8
Sound - 8.5
Value For Money - 9

OVERALL - 8.6 out of 10

To understand my review scoring and see this result in context - visit my review page at

http://saigonguitars.com

VIDEO REVIEW

Read More »

2 Feb 2014

Time Of The Season - The Zombies - Ukulele Chords

Browsing Youtube last night I came across this track which I love. Also very easy to play on the ukulele! Pattern is the same throughout, and video at the end to play along with!


Time Of The Season by The Zombies

It's the [Em] time of the season
[C] When the love runs [Em] high
In this time, give it to me easy
[C] And let me [Em] try with treasured [G] hands

(to take you in the [Em] sun to) promised [G] lands
(To show you every [Em] one)

It's [D] the [C] time of the [G] season for [Am] lov [E] ing...


What's your [Em]name? (what's your name)
Who's your daddy? (who's your daddy)
[C] (He rich) Is he rich like [Em] me?
Has he taken (has he taken) Any time (any time)
(To [C] show) To show you [Em] what you need to [G] live

Tell it to me [Em] slowly) Tell you [G] why
(I really want to [Em] know)

 It's [D] the [C] time of the [G] season for [Am] lov [E] ing

 (organ solo; same chords)

 (repeat verse 2)

 (organ solo over Em...C to fade)

Read More »

Help Support Got A Ukulele

Please Help Keep This Site Going!

If you enjoy this blog, donations are welcomed to allow me to invest more time in bringing you ukulele articles. Aside from the Google ads, I don't get paid to write this blog and for reasons of impartiality a not sponsored by brands or stores. Your donations all go back into the site to allow me to keep bringing you reviews, and in the end the ukuleles acquired are given to local schools and charities.