10/01/2012 - 11/01/2012

31 Oct 2012

Happy Halloween!

Happy Halloween! Phil Doleman and Ian Emmerson perform the Halloween Waltz, Phil on guitar, Ian on ukulele.



(Direct link - http://www.youtube.com/watch?v=52etukBpfIk )


Find out more about them, plus tour dates Here

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29 Oct 2012

Ohana SK-25 Soprano ukulele - REVIEW

I was rather pleased to be asked recently to take a look at a ukulele model from Ohana, their SK-25 model soprano. Here is my review.


Ohana SK-25 soprano ukulele

The SK-25 model is soprano sized, Chinese made, and represents what I think can be best described as Ohanas entry level 'serious' instrument. That is to say, there are numerous ukes in the Ohana range that can be bought for less money than this one, but they are a mix of laminate ukes or part laminates (nothing wrong with those, just they are what they are!).  Equally, there are many Ohana instruments priced higher than this one, but the SK-25 is the first in their line of all solid wood ukuleles. It has an RRP of $219. A search around on the internet shows that most dealers are offering these at cracking prices. In the UK Southern Ukulele Store list these for £119 which is a heck of a price for an all solid ukulele. At that price it represents a good comparison uke to the Brüko Model 6 uke that I have reviewed on Got A Ukulele and rated highly and aside from that appears to me to be one of the best value all solid instruments around.

The SK-25 is a standard shaped soprano uke (following the classic Martin O shape), with an all solid mahogany body and a rosewood fingerboard. It's very traditional looking and a rather nice colour thanks to that mahogany wood. As an entry model in the solid wood range it's also lacking much bling with no binding or fancy finishes (those who read this site regularly will know that is just fine with me - don't do a lot of bling!). The body is finished in satin, not gloss, but feels very smooth and tactile. There are no build flaws I can see or sharp edges where the top meets the sides. All looks good, solid and well made.

Ohana SK-25 soprano ukulele body

The top and back are made of single pieces of mahogany though the grain could have been squared a little straighter with the build (it runs on a slight angle on the back), still it is nice straight grain. The sides have a curlier looking grain which looks very nice also. The back itself is slightly arched which is a really nice thing to see on an instrument of this price and will serve to aid volume and projection. A nice touch.

Ohana SK-25 ukulele back


Around the soundhole is an inlaid decorative ring. It's not quite finished perfectly at the top, but it's not a big deal and much nicer to see an inlay than a transfer which tend to wear off over time. Having a peek inside shows a very tidy instrument. Standard bracing style and un-notched kerfling holding the top and back to the sides. Very few glue spots at all and a nice woody smell.

Ohana SK-25 ukulele bridge

The bridge is a slot type meaning easy string changes (just tie a knot in one end and slot in the bridge!). I have heard some people suggest these are not traditional, but actually I think that is wrong. Vintage Martins employed these bridges, and the tie bar design is something that was brought to ukulele from guitar. Personally speaking, I like the look of a tie bar bridge, but this one is just fine and finished well (it is made of rosewood) and also adds to the Martin styling. The saddle is equally well cut and is made of bone - another nice detail at this price as bone is considered to add to the sustain of the instrument. Its uncompensated, but I don't see that as much of an issue - I am seeing more and more compensated bridge saddles appearing and so far the jury is out with me. The ukes I own without compensated saddles tune just fine for me!

So overall, body wise I am impressed. It's a plain ukulele body (as is the Bruko), but it is all well made and looks good if a little plain. The addition of that arched back, inlaid soundhole rosette are nice plus points at this price even if the rest of the design is sober.

Moving on to the neck, its a hard wood neck made of three pieces with a joint at the headstock and at the heel - very common at this price point. That makes no difference to the sound of the thing, but it's something that some buyers like to know.. The neck is topped with a rosewood fingerboard which is nicely uniform in colour and is set with 15 nickel frets. The edges of the fingerboard are unbound meaning you can see the ends of the frets, but they are nicely finished and really smooth with no sharp edges to snag the fretting hand.

Ohana SK-25 ukulele neck

Fret markers are inlaid in a white mother of pearl type material at the 5th, 7th and 10th frets and look good. Sadly there are no side fret markers - a real bugbear of mine... Really, they can't cost much to add, and those are the markers that really matter to the player! Overall though the neck is nice and playable. It has a nice comfortable profile (not overly shallow, not overly chunky) and has a smooth feel on the back and edges. I could be wrong but it feels like the edges of the fingerboard have been rolled a little meaning great comfort (a building technique which smooths off the sharp edges of the fingerboard).  It also has the more traditional narrower nut width than the Bruko or say the KoAloha sopranos. I do prefer wider nuts, (have big hands), but this one doesn't detract from the uke and I can play it just fine. Incidentally the nut itself is also made of bone and finished neatly with nut slots cut at an appropriate depth, rather than those you find where they are about 3mm deep (not a good finish!)

On to the headstock and we have a traditional Martin shaped three pointed crown styling. It's actually shaped very nicely, rather than cutting the crown shape perpendicular to the headstock, its very slightly scalloped which gives a really nice solid look to it. The headstock is faced in a mahogany veneer and the Ohana logo is screenprinted in a pale silver colour. All looks very nice and rather classy

Ohana SK-25 ukulele headstock

Tuning is provided by Grover brand open geared tuners. Now, I much prefer friction tuners on a soprano ukulele (based on looks alone) so that was something of a disappointment, (that's just me...), but as tuners go, these are SUPERB quality models. I have played several ukuleles many times this price that are let down by shonky tuners, so seeing these was a real treat on an instrument of this price. They are finished with cream buttons and are essentially the same as those on my Martin T1K.  You may note in the picture that one seems set a little wonky which is a shame, though not a showstopper. I suppose for Ohana the choice to go geared was probably because, as a beginner instrument, geared tuners are less fuss for the new player, and I can understand that. I still prefer frictions on a soprano though!

Ohana SK-25 ukulele tuners

As a package - a very nice traditional looking ukulele. One or two cosmetic niggles for me, but nothing that will affect how it plays (and I am yet to find THE perfect ukulele  on cosmetic grounds, though I will continue to search!). Well, how DOES it play?

Well I will say at the outset that I had never (surprisingly) played an Ohana in anger before. Had a couple of strums on other peoples, but not much more than that. I wasn't really sure what to expect to be honest, and thought perhaps it would sound rather bland considering the price point. I was wrong. The first thing that hit me was the volume which is really surprising and noticeably greater than the Bruko 6. Helped by that arched back, the uke really does project and with the right strum can bark when needed!

Action and set up were just how I like them, and intonation was pretty much spot on everywhere so no complaints there. A well put together uke. There is a richness and a warmth to the sound that surprised me for an entry level soprano. Often ukes priced at this level can sound either quiet but interesting, or loud yet tinny or boxy, but not both. This has a much richer sound than the Bruko which sounds thin in comparison. Sure, it doesn't have the richness sustain and harmonics of a Kamaka or a Koaloha, but that is hardly surprising considering it is a fraction of the price. But it certainly will be capable of holding it's own in a jam session or a solo performance. Cheap sounding it is not.  The SK-25 comes strung with Aquilas, and not being my uke I haven't changed them. I'd wager a string change to fluorocarbons would perhaps improve the tone even more. Surprisingly good sound for the money.

And back to that Bruko - when I wrote that review I sent a bit of a dig towards other makers as I was so impressed with getting a solid wood uke for a little over £100. This Ohana fits into that category, and it is my fault for not realising that. I prefer the idiosyncratic looks of the Bruko over this, but as an instrument the Ohana is quite a bit more in many areas, particularly the tone which is much rounder.

I'd say this is a sound workhorse ukulele which would be as at home going in to the hands of a new player as it would fitting in the collection of a more seasoned player. Will be sad to see it go!

Available from Omega Music if you are interested in grabbing one.


PROS

Value for money - terrific price
Build quality
Tone and volume without one being sacrificed over the other

CONS

Geared tuners (great tuners, but I prefer frictions on sopranos)
No side fret markers


SCORES

Looks    8
Fit and Finish   8.5
Sound   8.5
Value For Money   9

Overall     8.5

To understand my review scoring and see this result in context - visit my review page at

AND! As a final teaser - I have been pointing out that November 2012 marks the third anniversary of Got A Ukulele. I am delighted to announce that the kind folks at Ohana have offered a SK-25 as a competition prize to help mark my celebrations. Keep your eyes on the site in November for more details!
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28 Oct 2012

Labelled With Love - Squeeze - Ukulele Chords

Lovely song this one. It's actually normally in the key of E, but not sure that many people can comfortably sing as high as Glen Tilbrook, so have dropped it down a bit to D. Works well on the ukulele I think. Simple country strum.


I have included a one take recording at the end (very rough!) with just a really basic strum. The song would benefit from an instrumental before the final verse too.


Labelled With Love

[D]

She unscrews the top of her new whisky bottle
And shuffles around in her [A] candelit hovel
Like some kind of witch, with blue fingers in mittens
She smells like the cat and the neighbours she [D] sickens

Her black and white TV has long seen a picture
The [D7] cross on the wall is a [G] permanent picture
The [A] postman delivers, the final reminders
She sells off her silver and [G]Poo [F#m]dles [Em] in [D] china

CHORUS
[D] Drinks to remember I [Em7] me and myself
[A] winds up the clock and knocks dust from the [D] shelf
Home is a love that I [Em] miss very much
So the [A] past has been bottled and [G]La [F#m]bled [[Em]with [D] love


[D]
During the wartime and American pilot
Made every air-raid a [A] time of excitement
She moved to his prairie, and married the Texan
She'd learn from a distance how love was a [D] lesson

He became drinker and she became mother
She [D7] knew that one day she'd be [G] one or the other
He [A] ate himself old and drank himself dizzy
Proud of her features she [G] kept [F#m]her [Em] self [D] pretty


CHORUS
[D] Drinks to remember I [Em7] me and myself
[A] winds up the clock and knocks dust from the [D] shelf
Home is a love that I [Em] miss very much
So the [A] past has been bottled and [G]La [F#m]bled [[Em]with [D] love


[D]
He like a cowboy died drunk in a slumber
Out on the porch in the [A] middle of summer
She crossed the ocean, back home to her family
But they had retired to roads that are [D] sandy

She moved home alone without friends or relations
[D7]Lived in a world full of [G] age reservations
Her [A] moth eaten armchair, she'd say that  she'd sod all
Friends who have left her to [G]drink [F#m] from [Em] the [D] bottle


CHORUS
[D] Drinks to remember I [Em7] me and myself
[A] winds up the clock and knocks dust from the [D] shelf
Home is a love that I [Em] miss very much
So the [A] past has been bottled and [G]La [F#m]bled [[Em]with [D] love
So the [A] past has been bottled and [G]La [F#m]bled [[Em]with [D] love
(SLOWLY) So the [A] past has been bottled and [G]La [F#m]bled [[Em]with [D] love




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Ukulele News - 28 October 2012

Ukulele news time!


Bong!



Joe Brown talks about his new Ukulele Album

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Diana Krall on her husband, Elvis Costello's ukulele contribution to her new album

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The instrument maker of the forest.

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New Zealand kids win Rugby World Cup song comp - with ukuleles!

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William H Macy - Harleys and Ukuleles

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More next week!
Read More »

27 Oct 2012

Ukulele accompaniment

This is a ukulele site, that much is clear, and as such I pretty much only talk about ukuleles. And in the ukulele world out there so many groups and friends do just the same, naturally. But, is the ukulele exclusive - should it only be played with other ukuleles? Of course not!


I actually think it's a real shame when I find groups out there who actually shun the use of non ukulele instruments in their jam sessions or club nights. For me the ukulele works brilliantly when accompanied by another instrument, and that got me wondering whether my readers have tried playing the ukulele along with something completely different.

Now, you might think that the diminutive size of the ukulele means that it doesn't really work with other instruments playing along with it - not so. Read on!

Perhaps one of the most common instruments, (if you can call it that..) that crops up at ukulele jam nights is the humble kazoo - it seems to work so well with a ukulele (if a little cheesy sounding for my tastes). For me, why not take the kazoo up a notch to the natural successor and full musical instrument - the harmonica? We are increasingly getting harmonica accompaniment at our N'Ukes sessions from members of the Malbank Ukulele Club and I think it sounds just great, particularly on bluesy stuff.

And of course if the harmonica was ok for Bob Dylan, why shouldn't it work with a ukulele which is, essentially, a folky instrument. It's used to great effect by Les from the mighty Chonkinfeckle pictured below with Tim.

chonkinfeckle with ukulele, bass and harmonica
Credit - Chuck Belanger

And that picture brings me on to the use of percussion. Tim in the picture is playing his famous Chonkinfeckle Tea Chest or Washtub Bass - and what a great sound it gives.  You see, when a dozen ukuleles are played together, their naturally bright sound can, well, naturally get a bit overpowering and 'plinky plunky' (technical term...). I also think that ukulele sessions would benefit from some percussion (and Tim in Chonkinfeckle plays alsorts from tambourines to bones, to washboards). I also think a handdrum like a Cajon would also work a treat and again, the N'Ukes have been lucky enough to have been accompanied by that as well - it really gives an extra dimension to the sound.

The percussion section does not need to be just about drums though, but a bass line is a tone that I think a ukulele club would really benefit from. Whether it be a home made tea chest bass such as Tims above or one of the dedicated ukulele basses that are now on the market, it's a sound that I think you should try to experiment with - let's face it - a bass sound could not be much further away on the scale than a ukulele sound, and as such it works wonderfully. And I don't think you need to be too obsessive about it having to be a ukulele bass - before those uke basses were on the market the Ukulele Orchestra Of Great Britain played with bass accompaniment via a full size acoustic bass guitar.

So what about other instruments? Well, the skies the limit really. Sure, a group of ukuleles may struggle to get themselves heard over a Tuba or a screaming electric guitar, but you would be surprised at what can work.  Take the picture below of Chester  player Stephen and his wife Rekha who thrilled us at our mini uke fest - Stephen on uke and his wife playing beautifully on tin whistle. Really worked a treat.

stephen and rekha fowler with ukulele and whistle
Credit - Keith A Lees

The Guildford based UkeJam club actually play with one of their members Adam Wolters playing a lead / guide line on a full sized acoustic guitar as you will see on pictures on their website. Whilst it would probably be tough to do a gig with just one uke and one guitar, they have a good number of uke players and the sound balances. In that case though the guitar adds an extra layer of tone to the many ukuleles giving a fuller sound to the performance.

And what else works? Well, I couldn't write this post without a nod to the N'Ukes own Dr Pete who plays with us so wonderfully on saxophone.

The N'Ukes Peter Lewis on Sax
Credit Tim Cooke

Now you may think a sax would be too overpowering for a ukulele jam, but nothing could be further from the truth. Pete's sax truly brings some of our tunes alive (helped, of course because he is such a natural player!).

So I hope you can see from this little ramble that it really doesn't have to end there, and the sky is the limit. If you are playing ukulele with other people, you don't need to be completely uke-centric - try experimenting with other instruments, whether throughout your set, or just for a bit of something different. What matters is making enjoyable music!


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25 Oct 2012

Some Other Girl - Danielle Ate The Sandwich

Big ukulele like!



(Direct link)
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23 Oct 2012

The Letter - Box Tops - Ukulele Chords

A great tune this which one or two of the N'Ukes have played through at our jam sessions once or twice. I think it works rather well on ukulele.



The odd chord in this is the Am7/C - there are a few fudges to play that on the uke, and actually and Am7 will work also though the fingering is a bit of a bind( 2433). You can play a C chord as 5430 and get a similar chord sound, or also an Am/C chord which is 2003.

Enjoy!


The Letter - The Box Tops


[Am]Give me a ticket for an [F]aeroplane,
[Am7/C]Ain't got time to take the [D7]fast train
[Am]Lonely days are gone, [F]I'm a-goin' home,
My [E7]baby just wrote me a [Am]letter.

[Am]I don't care how much money I [F]gotta spend,
[Am7/C]Got to get back to my [D7]baby again
[Am]Lonely days are gone, [F]I'm a-goin' home,
My [E7]baby just wrote me a [Am]letter.

CHORUS
Well she [C]wrote me a [G]letter
Said she [F]couldn't [C]live with[G]out me no more.[G]
[C]Listen mister [G]can't you see I [f]got to get [C]back
To my [G]baby once more. [E7]Anyway....

[Am]Give me a ticket for an [F]aeroplane,
[Am7/C]Ain't got time to take the [D7]fast train
[Am]Lonely days are gone, [F]I'm a-goin' home,
My [E7]baby just wrote me a [Am]letter.

REPEAT CHORUS

[Am]Give me a ticket for an [F]aeroplane,
[Am7/C]Ain't got time to take the [D7]fast train
[Am]Lonely days are gone, [F]I'm a-goin' home,
My [E7]baby just wrote me a [Am]letter.
My [E7]baby just wrote me a [Am]letter.


Read More »

22 Oct 2012

Just Like A Chap - Mr B The Gentleman Rhymer

He has a class act does Mr B, and I'm overdue getting one of his vids on Got A Ukulele.

So... Here you go - Just Like A Chap - love it!



(Direct Link)
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Uke choices of the professionals pt2

It's a while since I posted my first edition on this subject (link here)  - so I thought it was about time to revisit and take another look at the ukulele choices of some professional musicians.


Zach Condon


Zach Condon with ukulele


Zach plays and fronts the band Beirut and amongst other instruments plays the ukulele. He started on uke after sustaining an injury which affects the movement in his arm and finds the smaller sized instrument more comfortable to play.  He owns many ukes, including various cheapies and Kala ukes. In the picture above he is playing a Fluke uke and has also been seen on stage recently playing a six string Kamaka.



Jimmy Stafford

Jimmy Stafford with ukulele



Lead guitarist with the band Train (they of one of the most requested "what are the chords for" songs - Hey Soul Sister), Jimmy plays a Martin Tenor uke, though in the video for Hey Sould Sister he is playing a Fender Nohea.


George Harrison


George Harrison with ukulele


Ahhh, George Harrison - the guy that turned so many players today on to the ukulele. George was a massive fan of the uke and had a massive uke collection. He used to carry several around with him most of the time so he could always jam with others and was known to give them away to friends regularly too.  It would be impossible to speculate on every instrument he played, but in most photos and vids of him you will likely see him playing either a Martin (as above) or a Kamaka which he particularly favoured. He can also be seen playing a Ludwig Banjolele.


Israel Kamakawiwo'le


IZ with ukulele


Israel (or IZ) probably shares one of the top spots with George Harrison for turning many of todays players on to the ukulele with his beautiful rendition of Somewhere Over The Rainbow. IZ favoured Martin Ukes and if you check out the video of him singing his most famous track that is what you will see him playing.


Hope to bring you more examples of these again soon.


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21 Oct 2012

Ukulele News - 21 October 2012

More news bites from around the ukulele world!


Never mind weekly, these news stories appear daily!

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ukulele mustering ( I love that term!)

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When do you know you have a quality ukulele act? Answer - when you are playing Carnegie Hall

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Charity run playing ukes!

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Ukulele burger......



More next week!
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18 Oct 2012

We fully intend to rawk!

N'Ukes play the Leopard PH, Nantwich, Cheshire, UK on 3 November 2012. Our take on the tunes we love, on ukulele with occasional saxophone. Yes, that's how we roll..





Click image for details or visit the direct link http://www.facebook.com/events/286893494744157/

Pub is on London Road in Nantwich - easy to find, easy to park - loads of space - and we gonna play LOUD!
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Neglected Ukulele Book

Yesterday I had another instance where somebody who had sent me kind words about my first ukulele beginners book, What Ukulele Players Really Want To Know, didn't know that there was a follow up book.


More Of What Ukulele Players Really Want To Know

My second book - More of What Ukulele Players Really Want To Know was published about a year after the first book, and either I didn't mention it much, or dear old Amazon etc haven't done the right thing to let buyers of the first one know it was available!

Anyway - like the first, it is cheap to buy and expands on beginner tips, by moving into more general advice and support for a player who had gotten to grips with the basics. It includes advice on playing live, practice routines, starting clubs and the like and also introduces a bit of basic theory. I like it!

For those who bought neither book, the Omnibus edition is probably the place to go as this collects the first two books in one volume. But if you already bought the first one there is little point going to the Omnibus - cheaper to buy the second book as a standalone title.

Anyway, book plug over - reviews of it welcomed as always, and perhaps this will alert a few readers that it actually exists!

Baz
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17 Oct 2012

Exciting times ahead

Realised recently that Got A Ukulele is three years old in the middle of November. Over 900 posts and over 2,000,000 page views - been a huge amount of fun!





I intend to celebrate, so Lots more interesting stuff coming on the blog, and as a teaser got very exciting detail coming in November. Keeping the detail under wraps for now, but stay tuned!

After that, expect more ukulele news, stories, reviews, chords and interviews. They all put me in touch with such great company, I'm looking forward to it. There may also be another book in the pipeline!

Thanks for all your support.

Baz
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15 Oct 2012

Famous Ukulele Players - Part 31

Couple of new ones for you in this edition. Famous ukulele players that you might not associate with the uke!



First up - I am sure my friends at KoAloha Ukulele will welcome me sharing this picture - it's only Peter Frampton!!

Peter Frampton with ukulele
Peter with Alan Okami of KoAloha ukulele




Next up, a selection from Will Grove White from the UOGB who brought these to my attention!

abbott costello ukulele
Abbott and Costello with ukuleles



jack benny ukulele
Jack Benny with ukulele


pat boone ukulele
Pat Boone with ukulele



And you can find the rest of my series of famous ukulele players HERE


Read More »

14 Oct 2012

Ukulele News - 14 October 2012

It's Ukulele News time!



Kids playing ukes - always good news

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Would like to see My KoAloha Story

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I'd wager this one could go more viral than his Bohemian Rhapsody

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Say hello to the West Cork Ukulele Orchestra

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Interesting piece about music lessons over Skype

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It's Dr Uke! (his was one of the first sites I ever went on for chords when I started playing)

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More next week!


Read More »

The Aquila string harvest

Had to share this! For those of you wanting to know where Aquila ukulele strings come from!




- Posted using BlogPress from my iPad
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11 Oct 2012

N'Ukes at the Leopard

Pleased to announce the next gig for the Nantwich N'Ukes!


On the 3 November 2012, the N'Ukes will be bringing their take on tunes they love to the Leopard Brewery Tap, London Road, Nantwich, Cheshire UK. We kick off at 9pm.




The N'Ukes are a ukulele band, but play a wide selection of stuff, and there is always something in the set to raise an eyebrow. Armed with nothing but ukes (oh, and a saxophone), we like to rock it up a little and have some fun. Oh, and we DON'T do Formby...

So if you like the likes of Johnny Cash, The Doors, a bit of Punk, a bit of soul and a bit of blues - come and join us. It's a fabulous pub too with great hosts and great beer!

And you can find more details on our events page HERE


Read More »

8 Oct 2012

INTERVIEW - Ken Middleton

I really do enjoy the interviews I have done on Got A Ukulele - you learn something new in each one and they are so enlightening - this one has that in spades - say hello to Ken Middleton!

ken middleton

Ken is someone known by so many people in the uke world right around the globe. I have also been lucky enough to have him play with our group which has been a total pleasure. A really nice guy with so many useful tips at his disposal. (He also plays rather well too!).

As well as playing and performing, Ken is the International Marketing Manager for Ohana Ukuleles and has also brought out his own brand of uke strings called Living Water Strings (a brand I am mightily impressed with!). And if that didn't keep him busy enough, he also runs ukulele workshops and has a range of ebooks of ukulele tab available - who better to talk ukulele with then?

I caught up with him recently for the blog.


Hi Ken – great to talk to you - could you let my readers know a little about your background and how you started with the ukulele?

Hi Barry. I am really pleased to be doing this interview with you. Thanks for asking me. 

My musical background is quite straightforward. I studied music at college and started teaching it as a classroom subject in 1972. For well over 30 years I taught the subject in an English high school. For much of that time I was Head of Music and I taught Music up to Advanced Level. 

The first real instrument I was given by my father was a ukulele. This was the earliest instrument that I tried to play. Shortly after this, sometime in the late 1950’s, I was given a guitar and very gradually taught myself to play it. In the mid 1960’s I was given an electric reed organ. I messed around on this for a while, but then started to have lessons on the piano. Later, I had lessons on the violin too. At college I had lessons on the trombone, but I really didn’t like brass instruments and made very little positive progress. Today I feel able to bash a tune out of pretty much anything with strings on it. 

When I retired from teaching just over 8 years ago, I bought myself an alto saxophone - a fairly good quality one. I taught myself to play it and thoroughly enjoyed it. I was initially attracted to it after giving emergency lessons to a friend’s grand-daughter. Her own teacher had dropped out just before her exams were due. After learning the instrument for myself, I joined a local wind-band and had a great time playing in concerts at assorted venues. 

For most of my musical career though, the guitar and piano have been my main instruments, but there has usually been a ukulele to toy around with. I didn’t start to take the uke seriously until about 6 years ago. I had always been able to play the ukulele, but not with any degree of proficiency, until I actually bought a decent one and set my mind to learn to play something on it other than Swanee River, Ain’t She Sweet and the like. 

At this time I bought three ukes: an Ohana TK-35G, a Kanile’a K1 and Kiwaya KTS-4. I still have these three instruments and use them regularly. Actually, the TK-35G is my best all-round uke, the one I use the most. 

For a few years I worked as a supply (substitute) teacher, then I was offered a job with Ohana Ukuleles. What a wonderful opportunity, to work for the company whose ukes I so admired. Initially I was asked to promote the brand in Europe. Now, my brief is much more wide-ranging. I am involved in most of the important decisions that the company needs to make, the design of new instruments, attending trade shows and speaking to dealers, customers and performers. It is a rewarding job and I count it a real privilege to be so closely involved in something that I care passionately about. 

As for what attracted me to the ukulele? It light, small, cheap and easy to play. Well, it’s certainly light and small. It is certainly cheaper to buy than most other instruments of comparable quality. And it is definitely easier to play simple pieces on than most other instruments. However, playing it really well is another matter. I suppose what really attracted me was that mysterious, indefinable, addictive quality that the ukulele has. 

So do you have an approach to playing? 

My personal approach to playing can be summed up in 3 points: 

• Treat the ukulele as a serious instrument, capable of being used to play music in a huge variety of styles. It is also an instrument on which you can employ a big range of techniques. It is not something that is only suitable for strumming a cover of your favourite pop song. 

• When recording something, try to get it on take one, if possible. I always feel that each time you record the piece, you lose something. Also, I like to keep music live. 

• Don’t think in terms of “strumming patterns”. Although it is very worthwhile to practice different patterns of notes as part of your right hand strum training, I never do the same strumming pattern all the way through a song. And I never “chunk”. 

One thing seems clear to all of us who enjoy the ukulele – it’s in a ‘boom’ phase – what are your thoughts on that? 

There are obviously several factors at work here. One obvious thing is YouTube. This has enabled new players to easily get to know other, more experienced, players from all over the planet. I now have friends on every continent (not Antarctica, yet), and have had the opportunity to meet many of them in person. I work closely with many of the world’s top players and know personally many of the owners of stores and ukulele companies. This is something I never dreamed of just a few years ago. By spending a little time on other sites, like Facebook or the uke forums, you can talk with other players, wherever they are. 

I have found that ukulele players are really generous with their time and most seem ready to offer a kindly word of advice to less able players. The ukulele community is so friendly, and such a contrast to groups of players on other instruments. This makes learning and playing the uke a fun and social activity. 

I suppose one other consideration is the fact that the uke is very portable and is straightforward to play. The fact that it can be played while you sing at the same time makes it an easier alternative to the guitar. New players are also encouraged when they see famous names playing the uke too. It is now OK to play it. If you want to be on the “A” list with Zooey, it is almost compulsory to play the uke. It wouldn’t have been the case in the 1970’s, for instance. 

People may know that you seem to be an extremely busy man when it comes to the ukulele – you go all over the world with it don’t you?

Well, for over three years now I have been attending ukulele festivals, primarily to promote the Ohana brand. I usually have a booth at these festivals. When I started, this was to allow customers to just try out the instruments. Recently though, people attending festivals come along expecting to buy something. Therefore I usually carry a couple of “specials”. That is, ukes that I am able to sell at a very low cost. 

Sometimes I don’t even have a booth and go to the festival to talk to as many people as I can. I really believe that this is an effective way of spreading information about our brand name. 

However, invariably now I also perform, usually at the main concert and give workshops as part of the festival’s program of events. I very much enjoy these opportunities to contribute to the show and to help people to improve their skills. 


ken middleton and his wife
Ken and his wife on the Ohana Stand at a show in Paris


Can you tell us some of your favourite performers? You must have seen a few!

Yes, I have a few. Actually, I am really privileged to know so many people in the ukulele world and count many of them a good friends. Some of them are terrific performers, whilst some are great players. I make a clear distinction between performers and players. Some performers have a wonderful stage act and sparkle in a live performance setting. Some are amazing players, who astound with their virtuosity. There are so many performers and players that is impossible to pick favourites. However, I will mention just a few and give reasons why I enjoy what they do. Here are just five of the many people that inspire me, in no particular order: 

1. Aldrine Guerero who is such a friendly, respectful guy and has a truly amazing, precise way of playing. 

2. James Hill is so staggeringly accomplished and performs with such understated style. 

3. Lil' Rev, for his passionate and articulate enthusiasm for traditional music. 

4. Gerald Ross, who is such an asset to any uke gathering, with willingness to join in with anyone that asks. 

5. Lorenzo Vignando is a positive, generous and original player with some wonderful new ideas. 

These are really just a few well-known performers/players that immediately came to mind, and for different reasons. I could go on and on and include many others that should also be on this list (sorry). 

Recently there has been quite a buzz about your latest venture – the Living Water range of strings – tell me a bit more about those and how they came about?

Some time ago I decided that I wanted strings that exactly fitted my requirements. I eventually found what I was looking for and tested them both on myself and on quite a number of famous players. To my surprise, everyone seemed to like them, including me. I worked very hard to source quality materials, both for the strings themselves and for the packaging. I looked very seriously at the design of the packaging. I was not at all interested to manufacture an inexpensive product – I wanted to make something of real quality, the best I could produce. I have taken things quite slowly and kept everything rather low-key, and I shall, for the foreseeable future, only be selling the strings from my online store on my website. In this way, I stay very much in control of the quality. 

Well, they have impressed me Ken. Now - a question I ask all my interviewees (and it’s great to see the differing responses) so… what is your best advice for new players?

My main advice would be to learn as much about music as you can. That is to say, learn about reading and writing music, so that you develop a real understanding about what you are attempting to play. This will inevitably make your progress on the instrument so much faster, as well as giving you so much more pleasure learning the instrument. With a good understanding of the rudiments of music, you will be able to attempt your own arrangements, work out chord sequences, add harmonies and compose your own material. This knowledge will enable you to improvise or play along with others without any practice, even if you have never made music with that person ever before. With a little understanding about keys, chords and transposition you need never ask for tabs or chords again. 

There is a problem though. Where do you find reliable information to learn these things? Sadly, I’m afraid that you cannot always trust what you are told on YouTube, what is discussed on the forums or on someone’s website. There are, of course, some wonderful teachers out there and many great instructional websites and a lot of generous players work really hard to help others to learn the instrument more easily. But sometimes the information you get is incomplete, difficult to understand or just plain wrong. This makes it very difficult for people to know who to trust. One thing is certain though: those people who work hard to understand what they are playing are a lot better off than those who don’t. The more you understand about the theory of music, the more able you will be to make a judgement about whether what you are being told is correct or not. 

I genuinely feel that the more you know about theory, the better your playing will be. Your practical skills will develop if you have understanding. It is not only a matter of practice. 

That is certainly an area I need to improve on, so I will take that from this interview! And, as I have the opportunity - any other pearls of wisdom you can share with the ukulele world?

Now that I am getting older, I am beginning to realise that there are a lot of things that I don’t understand. There are also a lot of things I choose not to know about. For instance, I listen to very little modern music. By “modern” I mean from the last couple of decades (or so). I would not recognise Lady Gaga if she was sitting in my living room drinking tea with me. Does she drink tea? Anyway, bearing in mind that I definitely don’t know everything, here are 12 observations that I make. They are not in any particular order. Please don’t be offended if any apply to you. 

1. If you play at the same volume all the way through a piece of music, your music will not sound as good as you think it does, even if you play every note correctly. A lot of people do this, particularly when they are accompanying their singing. I would say that the main reason why Jake is a great player is not because he can play really fast, but because he plays simple things so expressively. 

2. Practice the things you can’t do more than the things you can do. 

3. The top string on a ukulele is not the highest one off the ground, it is the highest one in pitch. It is nothing to do with altitude. This is true of all stringed instruments. On a ukulele, the top string is the first, the A string. 

4. The most important variable in getting a good sound out of a ukulele is the player. The quality of the instrument (with some reservations) or the type of strings (even mine) are far less significant. Try not to be changing strings too often in an attempt to get that perfect sound. 

5. It is great to cover songs. Many people prefer to hear covers than original material. However, I simply cannot understand why people try to closely imitate the original performance. What’s the point? I suppose we are all guilty of it sometimes. I tried to really copy a Dylan song once (Blowin’ In The Wind), complete with harmonica playing and a terrible American accent. What can you say? Amazingly, it has had 12000 views. What I prefer to do, is do it my way. Recently, my good friend Lorenzo and I did a YouTube video of our own version of a Beatles song. Because it wasn’t quite what people expected, a lot of viewers hated it. Oh well! 

6. When you record a video, smile. I don’t and I should do. 

7. Here’s a secret. One of the best ways to get a good tone is to have very smooth fingernails. I mean very smooth, inside and at the edge. If you cast an eye on the inside of James Hill’s ukulele case, the things you won’t fail to miss are the items of manicure paraphernalia. 

8. Don’t wear a tie in a YouTube video. It looks odd, at least on me. I did it once. 

9. Only buy another ukulele if you actually need one. 

10. You can play sad music on a ukulele. 

11. Why do some people give their ukuleles names? Do they also give their toaster a name? Or their hair brush? I didn’t even give my last pet a name. We called him “little cat”. He was a hamster (just kidding). 

12. Don’t perform in a check shirt unless you can really carry it off, like me! 


Ken – thanks so much! Wise words from Mr Middleton and plenty of tips for my readers. Hope to play uke again with you very soon!  You can read all about Ken via his website - http://www.kenmiddleton.co.uk

Ken Middleton with ukulele

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7 Oct 2012

Ukulele News - 7 October 2012

Time for another round up of ukulele news from around the globe - enjoy!




Ukulele playing human scarecrow (and no, I honestly never thought I would ever type those words into  this blog)

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Uke-A-Palooza looks cool.

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This weeks  Jake link

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Gary Wilmott plays ukulele! (if you remember him...)

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Nice piece with Joe Souza (founder of Kanile'a ukuleles)

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Vedder is on tour again

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Another catch up next week!
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6 Oct 2012

Special offer on my omnibus book!

For the next two weeks you can grab a copy of my omnibus - The Complete What Ukulele Players Really Want To Know for 33% off list price.




Sadly, Amazon don't let me create discount vouchers, but thankfully Smashwords do! You can grab a copy in a range of ebook formats there (including Kindle)!

Just visit Smashwords to see the book HERE and apply the discount code MP69R at checkout. Offer ends on 20 October 2012.

And of course you can check my range of books on Amazon by clicking the book covers down the left hand side of this site, or going HERE

Enjoy!



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4 Oct 2012

Doleman Emmerson

Those in the 'ukulele know' will have heard over last few weeks of the decision for the ukulele band The Reentrants to call it a day with their act. They were considered by many to be one of the best uke acts on the circuit and I was honoured to be able to Interview them recently.




But all is FAR from lost. Despite some bemoaning of them stopping, that's not really what is happening. They are just getting back to the music, seeking a new challenge (together) and, most importantly, keeping playing music and that is what matters. It will be a change of direction, but that's cool too.

They'll be continuing this year as The Reentrants and come 2013 are already working on gigs and projects as Phil Doleman and Ian Emmerson. I hope to catch them somewhere then, and also hope we can get an update interview done when they've settled into their new suits / overcoats.

Catch their new website Here where you will also see they have their first gig next year at the Lantern, Liverpool, March 9th.

Good luck guys. So many people I've spoken to are delighted you are still making music.



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2 Oct 2012

Ukulele Minimalism! - Relentlessly in C

Love this from the Ukulele Orchestra of Great Britain - make sure to read the full description (see direct link below video), and no doubt some of you who saw them on the recent tour got the opportunity to play along with them from the audience?

More detail to the background of the piece here.





(Direct Link - http://www.youtube.com/watch?v=pyeyB9dU30Q )
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1 Oct 2012

N'Ukes at the N'Ukefest

Some (dim) footage of part of our set at the Shady Oak earlier this month - we had a great night.

In the vid - the second half of Your Cheatin' Heart and then into Dylans I'll Be Your Baby Tonight.

Enjoy!

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